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    최양일의 <피와 뼈>로 본 물신의 기표, 폭력 = The Significance of “the Thing” (das ding) Viewed throughChoi Yang Il’s Blood and Bones―“Violence”

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    https://www.riss.kr/link?id=A104193008

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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    The symbol of “the thing” (das ding) is not presented only as the “money and gold.” In Blood and Bones, goods and worldly desire represent all sources of fetishism shown as violence. For example, there are violence and desire of wealth ahead of ideology, and the film shows the image of man being immersed in goods and worldly desire with violence in the relationship with wife, children, the government, the nation, and the partition of a nation.
    The film describes the process of residents of Jeju Island, who have serious economic problems, entering Osaka and being turning into leviathan. However, the description, rather violent in detail, eventually presents the human greed toward the ‘fetish’ behind the violence. This presents both the clash between nations (Korea and Japan) and the clash within the people of the same nationality (Jochongnyeon and repatriation to the north) that are shown through the Korean- Japanese in an awkward situation of leviathan, in a chronological manner.
    “The thing” is presented variously through life, sex, death and goes through the history of Korean residents in Japan. Even when analyzing the term "Korean residents in Japan," it could be acknowledged that the term stems from the history and material greed of Japan’s compulsive pillage in Korea.
    Additionally, the fact that Kitano Takeshi, who is the most typical Japanese actor and director, acted as the main character in telling the Korean story directed by a Korean director presents a strange boundary. Director Say Yoichi (Choi Yang Il) shows the tragedy of a twin through the violence in his next film Soo.
    Hard-boiled style terror and violence favored by the director displays the common human relationship in our surroundings through the panorama. Moreover, he points out what can be trusted and what is the real value of beauty. It has to be seen by new values not found in Korean movies and also requires patience. Although it is the masterpiece that widened the theme of film usually only sought for in a film festival, people with feminist orientation might not like this film.
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    The symbol of “the thing” (das ding) is not presented only as the “money and gold.” In Blood and Bones, goods and worldly desire represent all sources of fetishism shown as violence. For example, there are violence and desire of wealth ahead o...

    The symbol of “the thing” (das ding) is not presented only as the “money and gold.” In Blood and Bones, goods and worldly desire represent all sources of fetishism shown as violence. For example, there are violence and desire of wealth ahead of ideology, and the film shows the image of man being immersed in goods and worldly desire with violence in the relationship with wife, children, the government, the nation, and the partition of a nation.
    The film describes the process of residents of Jeju Island, who have serious economic problems, entering Osaka and being turning into leviathan. However, the description, rather violent in detail, eventually presents the human greed toward the ‘fetish’ behind the violence. This presents both the clash between nations (Korea and Japan) and the clash within the people of the same nationality (Jochongnyeon and repatriation to the north) that are shown through the Korean- Japanese in an awkward situation of leviathan, in a chronological manner.
    “The thing” is presented variously through life, sex, death and goes through the history of Korean residents in Japan. Even when analyzing the term "Korean residents in Japan," it could be acknowledged that the term stems from the history and material greed of Japan’s compulsive pillage in Korea.
    Additionally, the fact that Kitano Takeshi, who is the most typical Japanese actor and director, acted as the main character in telling the Korean story directed by a Korean director presents a strange boundary. Director Say Yoichi (Choi Yang Il) shows the tragedy of a twin through the violence in his next film Soo.
    Hard-boiled style terror and violence favored by the director displays the common human relationship in our surroundings through the panorama. Moreover, he points out what can be trusted and what is the real value of beauty. It has to be seen by new values not found in Korean movies and also requires patience. Although it is the masterpiece that widened the theme of film usually only sought for in a film festival, people with feminist orientation might not like this film.

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    참고문헌 (Reference)

    1 "춤추는 죽음Ⅰ" 열린책들 2005

    2 "장밋빛 도살장 풍경 도박, 투기, 그리고 투자" 문학동네 2002

    3 "인간속의 악마" 푸른숲 1997

    4 "이미지와 글쓰기" .김인식역.세계사.1993.

    5 "이데올로기라는 숭고한 대상" 인간사랑 2002

    6 "소설의 정치학" .김성재역.화다.1988.

    7 "섹스 깨어진 영상 그리고 진정성" 문이당 1999

    8 "미학과 문화" 범우사 2006

    9 "러시아 민담의 형태론" .예니.1985.

    10 "드라마에서 확장된 리얼리즘"

    1 "춤추는 죽음Ⅰ" 열린책들 2005

    2 "장밋빛 도살장 풍경 도박, 투기, 그리고 투자" 문학동네 2002

    3 "인간속의 악마" 푸른숲 1997

    4 "이미지와 글쓰기" .김인식역.세계사.1993.

    5 "이데올로기라는 숭고한 대상" 인간사랑 2002

    6 "소설의 정치학" .김성재역.화다.1988.

    7 "섹스 깨어진 영상 그리고 진정성" 문이당 1999

    8 "미학과 문화" 범우사 2006

    9 "러시아 민담의 형태론" .예니.1985.

    10 "드라마에서 확장된 리얼리즘"

    11 "동토의 공화국 북조선 환멸기행" .아기서방.1984.

    12 "김작가의 글로세움"

    13 "The Origin of the Repressed Individual" 1955.

    14 "Semiotics and the History of Culture in Honor of Jurij Lotman Studies in Russian" New York: Slavica Pub 2007

    15 "M. Das epische Theater. Verlag" W. Kohl hammer 1989.

    16 "G. W. F. AesthetikⅠ. hrg. von Bassenge" 1985

    17 "Did Somebody Say Totalitarianism" London: Verso 2002

    18 "A Study of Bodily Feelings. Syracuse" 1989.

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    연월일 이력구분 이력상세 등재구분
    2026 평가 재인증평가 신청대상 (재인증)
    2020-01-01 등재 등재학술지 유지 (재인증) KCI등재
    2019-08-06 학회명변경 영문명 : Korean Association Of Literature And Film -> The Korean Association Of Literature and Film KCI등재
    2017-01-01 등재 등재학술지 유지 (계속평가) KCI등재
    2013-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2010-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2008-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2005-01-01 등재 등재학술지 선정 (등재후보2차) KCI등재
    2004-01-01 등재 등재후보 1차 PASS (등재후보1차) KCI등재후보
    2003-01-01 등재 등재후보학술지 선정 (신규평가) KCI등재후보
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    기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
    2016 0.17 0.17 0.2
    KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
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