The symbol of “the thing” (das ding) is not presented only as the “money and gold.” In Blood and Bones, goods and worldly desire represent all sources of fetishism shown as violence. For example, there are violence and desire of wealth ahead o...

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https://www.riss.kr/link?id=A104193008
2007
Korean
KCI등재
학술저널
7-37(31쪽)
4
0
상세조회0
다운로드다국어 초록 (Multilingual Abstract)
The symbol of “the thing” (das ding) is not presented only as the “money and gold.” In Blood and Bones, goods and worldly desire represent all sources of fetishism shown as violence. For example, there are violence and desire of wealth ahead o...
The symbol of “the thing” (das ding) is not presented only as the “money and gold.” In Blood and Bones, goods and worldly desire represent all sources of fetishism shown as violence. For example, there are violence and desire of wealth ahead of ideology, and the film shows the image of man being immersed in goods and worldly desire with violence in the relationship with wife, children, the government, the nation, and the partition of a nation.
The film describes the process of residents of Jeju Island, who have serious economic problems, entering Osaka and being turning into leviathan. However, the description, rather violent in detail, eventually presents the human greed toward the ‘fetish’ behind the violence. This presents both the clash between nations (Korea and Japan) and the clash within the people of the same nationality (Jochongnyeon and repatriation to the north) that are shown through the Korean- Japanese in an awkward situation of leviathan, in a chronological manner.
“The thing” is presented variously through life, sex, death and goes through the history of Korean residents in Japan. Even when analyzing the term "Korean residents in Japan," it could be acknowledged that the term stems from the history and material greed of Japan’s compulsive pillage in Korea.
Additionally, the fact that Kitano Takeshi, who is the most typical Japanese actor and director, acted as the main character in telling the Korean story directed by a Korean director presents a strange boundary. Director Say Yoichi (Choi Yang Il) shows the tragedy of a twin through the violence in his next film Soo.
Hard-boiled style terror and violence favored by the director displays the common human relationship in our surroundings through the panorama. Moreover, he points out what can be trusted and what is the real value of beauty. It has to be seen by new values not found in Korean movies and also requires patience. Although it is the masterpiece that widened the theme of film usually only sought for in a film festival, people with feminist orientation might not like this film.
참고문헌 (Reference)
1 "춤추는 죽음Ⅰ" 열린책들 2005
2 "장밋빛 도살장 풍경 도박, 투기, 그리고 투자" 문학동네 2002
3 "인간속의 악마" 푸른숲 1997
4 "이미지와 글쓰기" .김인식역.세계사.1993.
5 "이데올로기라는 숭고한 대상" 인간사랑 2002
6 "소설의 정치학" .김성재역.화다.1988.
7 "섹스 깨어진 영상 그리고 진정성" 문이당 1999
8 "미학과 문화" 범우사 2006
9 "러시아 민담의 형태론" .예니.1985.
10 "드라마에서 확장된 리얼리즘"
1 "춤추는 죽음Ⅰ" 열린책들 2005
2 "장밋빛 도살장 풍경 도박, 투기, 그리고 투자" 문학동네 2002
3 "인간속의 악마" 푸른숲 1997
4 "이미지와 글쓰기" .김인식역.세계사.1993.
5 "이데올로기라는 숭고한 대상" 인간사랑 2002
6 "소설의 정치학" .김성재역.화다.1988.
7 "섹스 깨어진 영상 그리고 진정성" 문이당 1999
8 "미학과 문화" 범우사 2006
9 "러시아 민담의 형태론" .예니.1985.
10 "드라마에서 확장된 리얼리즘"
11 "동토의 공화국 북조선 환멸기행" .아기서방.1984.
12 "김작가의 글로세움"
13 "The Origin of the Repressed Individual" 1955.
14 "Semiotics and the History of Culture in Honor of Jurij Lotman Studies in Russian" New York: Slavica Pub 2007
15 "M. Das epische Theater. Verlag" W. Kohl hammer 1989.
16 "G. W. F. AesthetikⅠ. hrg. von Bassenge" 1985
17 "Did Somebody Say Totalitarianism" London: Verso 2002
18 "A Study of Bodily Feelings. Syracuse" 1989.
영화 <내 친구의 집은 어디인가?>에 대한 문학적 접근과 영시강의에서의 활용
소설 『디 아워스』와 영화 <디 아워스>의 포스트모더니즘적 성격과 그 해석
북한영화에서 드러나는 인물들의 시선, 감시, 권력:<우리 누이집 문제>, <우리 처갓집 문제>, <우리 삼촌집 문제>, <우리는 모두 한 가족>을 중심으로
학술지 이력
| 연월일 | 이력구분 | 이력상세 | 등재구분 |
|---|---|---|---|
| 2026 | 평가 | 재인증평가 신청대상 (재인증) | |
| 2020-01-01 | 등재 | 등재학술지 유지 (재인증) | ![]() |
| 2019-08-06 | 학회명변경 | 영문명 : Korean Association Of Literature And Film -> The Korean Association Of Literature and Film | ![]() |
| 2017-01-01 | 등재 | 등재학술지 유지 (계속평가) | ![]() |
| 2013-01-01 | 등재 | 등재학술지 유지 (등재유지) | ![]() |
| 2010-01-01 | 등재 | 등재학술지 유지 (등재유지) | ![]() |
| 2008-01-01 | 등재 | 등재학술지 유지 (등재유지) | ![]() |
| 2005-01-01 | 등재 | 등재학술지 선정 (등재후보2차) | ![]() |
| 2004-01-01 | 등재 | 등재후보 1차 PASS (등재후보1차) | ![]() |
| 2003-01-01 | 등재 | 등재후보학술지 선정 (신규평가) | ![]() |
학술지 인용정보
| 기준연도 | WOS-KCI 통합IF(2년) | KCIF(2년) | KCIF(3년) |
|---|---|---|---|
| 2016 | 0.17 | 0.17 | 0.2 |
| KCIF(4년) | KCIF(5년) | 중심성지수(3년) | 즉시성지수 |
| 0.23 | 0.26 | 0.491 | 0.04 |