플래시 백 분석 : 라쇼몽과 세편의 영화의 경우

다국어 초록 (Multilingual Abstract)

This study is about the Flashbacks in Akira Kurosawa's Rashomon and three other films that have the similar flashback patterns as those in Rashomon. In Brian De Palma's Snake eyes. The director uses Rashomon style flashbacks as the Key narrative device. De Palma uses Rashomon style techniques in order to retelling the big event from the perspectives of various key players. In Rashomon, this technique gives us a phenomenological insight. Therefore, we cannot decide who tell the truth. However, in Snake eyes, as you can notice later, some witnesses tell a lie. Every witness or potential witness to the crime has his or her own specific point on what happened. In Mario bava's film Four Times That Night, you cannot tell who tell the truth, even though it has the four Flashbacks. In Andrzej Munk's film Man on the tracks, through the four character's flashbacks, you can have the better understandings about the main event and the main character. With the time analysis, you can see that some films heavily rely on the present and others are not. In common with Rashomon, Three films have four character's flashback that tell the same event in different point of views. However, their uses of flashbacks are various.

목차 (Table of Contents)

• 1. 들어가는 말
• 2. 플래시백
• 3. 구로자와 아끼라 감독의 〈라쇼몽〉(1950)
• 4. 안제이 뭉크Andrzej Munk의 〈철로위의 남자 Man on the tracks〉(1957)
• 5. 마리오 바바 Mario Bava의 〈Four Times That Night〉(1969)
• 6. 브라이언 드 팔마 Brian De Palma의 〈Snake Eyes〉(1998)
• 7. 맺는 말
• 참고문헌
• Abstract

참고문헌 (Reference)

1 "철로위의 남자 Man on the tracks" 1957

2 "이야기와 담론" 푸른사상 2003

3 "영화 라쇼몽을 통해 본 다층적 서술 구조의 기능" (21) : 2003

4 "시네마Ⅱ 시간 이미지" 시각과 언어 2005

5 "구로자와 아키라 감독" 1950

6 "Four Times That Night" 1969

7 "Flashbacks in Film" 1989

8 "Brian1998 Snake Eyes" 1998

9 "An Essay in Method" Cornell university press original work published 1972 19801992

10 "A Dictionary of Narratology University of Nabraska press" Prince Lincoln 19871992