심포지엄 : 불교미학과 불교예술 ; 범패의 미학: 경전에 보이는 악과 범패 가창의 미 중심으로 = Aesthetics of Pompae: Based on the Beauty of Music and Pompae Singing Shown on Sutras

다국어 초록 (Multilingual Abstract)

The music, singing and dancing of Buddhism shown in the Sutras was integrated with the cultures of various countries together with the Buddhism in India to go through China to transcend through sea along with the Buddhist ceremony by the Jangyu portrait in BC 48 shown on the History of Three Kingdom [Garak Gukki]. In particular, the theory that it was transcended through sea is a new theory to find the history of existing Buddhism certification and Buddhism ceremony history as originated before Christ. The existing Pompae in the current in-land succession theory is not known whether it is Shilla style or Tang style. Pompae is called upon by the monk in ceremony in Gyeongje, Yeongje, and wanje. The Pompae lyric used as the ceremonial writing is in three types of writing in Sanskrit, Chinese character, and Korean language that they transcended each congregation and region to use the unified ceremony collection, in An Jnho(安震湖)`s Sokmunwebom(釋門儀範), and the ceremonial music is classified into two types in ordinary Buddhist invocation, ordinary type of Buddhist invocation and the Buddhist invocation Sikdangjakbeop, specialized form of Buddhist invocation. The specialized Buddhist invocation Pompae is classified into three types in anchabi, bakatchabi, and hwacheong, and the beauty of anchabi sound is called on the basis of the Chinese character of 4-voice system that the sound is simple and the length of the sound is shorter compared to thebakatchabi. And when undertaking the ceremony in solo style, it is frequently called when undertaking the lower altar ceremony, mainly in Yeonghondan. The beauty of bakatchabi does not follow the anchabi in 4-voice type. Compared to the anchabi, the Hotsorihas long curvature of the sound in solo style that it has less weight on magnificence compared to the jitsori. The jitsori has the shorter lyric but the curvature of the sound is deeper than the Hotsori in chorus type that ``Namudahsonenlowangbosalma-hasal`` is played for nearly one hour that the playing time is long. The beauty of Hwacheong is the gatha of Chinese character with the blessings, however, as learned of the gatha of Chinese characters in reading in solo type of reading without following the 4-voice system, and it is learned in anchabi and bakatchabi, with hwacheong in the Pompae learning process. The beauty of Hoesimgok is in purely in Korean writing type, not the gatha in Chinese characters, that it has the form of Article 4.4 and Article 3.4 type that is a pure Buddhist invocation in Korean language sung with the unique singing method of each. The beauty of Pompae singing has to be in Sesimgwan(clear the mind to see) and Songmungwanui(means to contemplate the meaning on the writing without relying on the characters) from Cisonbongbiyhobop(治禪病?要法). Because, the Buddhist invocation in meditation and self-discipline in singing has to be supported to lead the peaceful path to the eternity and the attaining Buddhahood of oneself and others. Anggulmanakyong(央掘魔羅經) teaches on Pompae offering that if any people sacrifices the offering at all times, all Buddhas say that their name would be the Buddha in the future that the Sutras explains that the attaining Buddhahood can be made with the music, namely, through the Pompae. The self-discipline of Buddhism is consisted of reading, Buddhist invocation and meditation that Pompae is the Sutras of self-discipline that includes all three above, and it can be said as the Buddhist invocation of self-discipline, and is the self-discipline of meditation. Pompae is a method of meditation and expressing music for enlightenment through the three self-disciplines, namely, body, mouth and thinking. In Jabahamkyong(雜阿含經) ``beautiful person`` is referred to the person who performs well of singing, dancing and playing regardless of gender that reaching to the goal of attaining Buddhahood of oneself and others, the highest teaching of Buddhism by offering through the beauty of self-di