天保九如의 思想과 視覺的 傳承에 대한 考 = A Study on the Idea of Tianbaojiuru and Its Visual Transmission

다국어 초록 (Multilingual Abstract)

In the Western Zhou dynasty of China, the ‘mandate of heaven’ ideology( ) and virtue( )were reinterpreted by self-awakenings of human beings, and Zhào hǔ( ) created <Tiānbǎo( )> basedon these thoughts. The unique features of <Tiānbǎo> had a major influence in passing down visualinheritances such as music, books, and paintings along with the transition into the Confucian Thoughts.
Zhào hǔ used allusions with ‘rú( )’ in his writing of statue and characteristics of nature. With hisallusions, he praised the virtue of King Xuan of Zhou and prayed for the blessings of the sky andancestors for him in his writing, ‘Tiānbǎo jiǔ rú( ).’ Also, ‘Rúshān( ) Rú fù( ) Rú gang() Rú líng( ) Rú chuān( ) Rúyuè( ) Rú rì( ) Rú nánshān( ) Rú sōngbǎi( )’became major iconography of passing down visual inheritances. They appeared as ideological expressionfrom Máo shī Chénfēngtú( ) of Mǎ hé zhī from the Southern Song dynasty’s to <Duānxī yàn pǔ( )> of Yè Yuè from the Song dynasty, Fāng shì mò pǔ( ) of Fāng yú lǔ fromthe Ming dynasty and Chéng shì mò yuàn( ) of Chéng dàyuē.
Especially, Chéng shì mò yuàn of Chéng dàyuē contained high-level knowledge, and scriptures ofConfucian, Buddhism and Taoism of the upper class of writers which were visualized with drawings,and published with commentary. The book was mass-produced and popularized. With this as amomentum, distribution and popularity of ink stones from ‘Tiānbǎo jiǔ rú( )’ of the Ming dynastyfostered a landscape painting, <Tiānbǎo jiǔ rú tú( )>. Also in Korea, China, and Japan, ‘Tiānbǎojiǔ rú’ took a major role in passing down books and paintings as an independent visual inheritance.
Originally, ‘Tiānbǎo jiǔ rú’ symbolizes the prayer for the eternity of the dynasty, but after moderntimes, it was popularized and its meaning was expanded to hope for ‘good luck’ such as prayer forlong life or success in career. Also, other than books and paintings, meanings of various subjects from‘Tiānbǎo jiǔ rú’ were expanded independently, and various art works had been made with them.

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