1990년대 소설 연구 : 포스트모더니즘 소설의 경우 The Case of Postmodernism Novels = The Study on Novels of the 1990's

다국어 초록 (Multilingual Abstract)

In the 1990's, there is manifested to signify the mode of postmodernism culture as post-industry culture's grammar. It conjured up two worlds: destruction and populism. The destruction of boundaries, as it were, it means that boundaries of every division are broken up into be blurred each other. There symptoms of ending the 20th century rushed into this period when there is the atmosphere of being mixed wandering, chaos, depression and vanity.
This change in the 1990's resulted in the new change in the face of Korea culture and art as well as life style. the following works occurred in this period: 「When Adam opens his eyes」written by Jang Jung-il, 「who can say who I am」written by Lee In-Hwa and 「Sorrow of man yet alive」written by Park Il-mun. These works expressed the symptoms of postmodernism or ending the 20th century very well.
We should examine three characters. First meta-fictious writing in level of novels' form: It has the character of boundlessness between inner position and exterior aspect as the fiction format which the novelist makes. Because it starts to recognize the impossibility of division between what the real is and what the fiction is or what being should be and what being is. This statement is the same situation where there is no illusion of division between trueness and untrueness. Thus these novels are born as overthrowing the traditional novel's grammar which has the rational form.
Secondly, dealing with motivation on cutting and fragment: Exception the front part-cutting from the traditional writing, another thing is to cut from the moral standard norm of the society. The traditional writing is focused into the centerlism of the rational writing, while this period's writing is focused into the fragment of the emotional writing. For Example, the characters in these works have no relationship each other, have no weaving into the objective world and wander about alone.
At last, the pastiche-issues as a rule of postmodernism grammar: Even though postmodernism methods and techniques give rise to something like the pastiche, the writers made the imitation version, not the patiche version and then their works have the clues to be hurried construction and to be devalued them as a fastfood

목차 (Table of Contents)

• Ⅰ. 거시담론에서 미시담론의 시대로
• Ⅱ. 당대의 반응
• Ⅲ. 소설가의 소설 쓰기(Meta-Fiction)
• Ⅳ. 단절 혹은 파편화
• Ⅴ. 혼성모방(pastiche)
• Ⅵ. 정리
• 참고문헌
• Abstract