조선중기 무인시조에 발현된 심상공간과 그 의미 = Warrior Sijo s Mental Space Expressed in the Mid-Joseon Period and Its Meaning

다국어 초록 (Multilingual Abstract)

The main text is a review of the meaning of the visual space expressed in the unmanned sijo during the mid-Joseon Period. From the perspective of the creator, he tried to shed light on the image space projected on the work, breaking away from the situation of the era of war and the single structure of being a warrior. Of course, the visual space cannot escape the influence of the life and times of no man. However, he wanted to get closer to the poet’s mind when he created his work. The focus was on what they were trying to say, the desire they were trying to pursue, and, by extension, the psychology of the actor's projection in terms of semantic behavior.
During the Imran period, there were many works that revealed the patriotic spirit of the self-desperate. Behind the patriotic loyalty, there was a desire to express personal ambition or unmanned pride. He also implied a critical tone of real politics. The writers expressed their feelings of patriotism as a warrior, but expressed their psychology in a multi-layered manner.
There were also cases where works were written based on retrospective experiences. The fighters captured the emotions they felt in the war, such as anger, frustration, and commitment to revenge or lamentation. This feeling was figuratively expressed through symbolic materials and combined with the current mental state. Through retrospective production, they projected traces of agony between their willingness to overcome the national crisis and their inability to. It was also noteworthy that the no-class disciples of the mid-Joseon period were aristocrats, and that most of the people who created the sijo were children of prestigious families. Some tattooed prestigious families also produced unmanned men, and in their works, they pursued a mental attitude that revealed literary ethos such as the designation of a coalition army, a moral spirit, and a literary martial arts.
From this point of view, we could consider the macroscopic trends of the mind and soul that the military fighters of the mid-Joseon period wanted to project into their works. However, the fighters who created the sijo do not represent the general image of the fighters at this time. This is because very few fighters have created works. And it is also important to consider that they are children of prestigious families. Therefore, it should be noted that the characters who were able to create the sijo were written according to their individual and social circumstances while performing the position of being unmanned in the midst of war. In addition to the sijo, various genres such as Chinese poetry and lyrics should be examined to learn the general feelings of the military fighters in the mid-Joseon Period.

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