염상섭의 시조(時調)론과 조선정서론 = The Yeom Sang-Seop`s literary view on Sijo and the national psyche of the Korean.

다국어 초록 (Multilingual Abstract)

Yeom Sang-Seop`s literary view on the Sijo(時調), the traditional Korean literary form is exemplary. His concerns on Sijo is, in some extent, related with the discussion of revival of the genre of Sijo in 1920s. But his active concerns on Sijo is in principle rooted in the awareness that the literary taste of a national community is decided by mother-tongue language of a country. His ideas on Sijo was stirred by experiences of the Japanese traditional poetry genre, Waka(和歌), and Haiku(俳句) during his second trip to the colonial Japan. Through this comparative literary perspective, he could recognize the inevitable relations of the modern Korean literature and the Korean language. His awareness og the Korean alpgabet, Hangeul is the result of this sort of literary quests. Thist is the reason that he continually pointed out many damages of using the Chinese alphabet(漢文), in despite of the background of his growth and education as a Confucian student. And this awakening made propeled him to the protection and propagation of Hangeul and Hangeul fiction as a genre that was novelized into the modern Korean during the colonial ages of 18th centuries.

참고문헌 (Reference)

1 염상섭, "통속ㆍ대중ㆍ탐정"

2 염상섭.<지는 꽃잎을 밟으며>,"학지광"27호, "지는 꽃잎을 밟으며" (27) : 1926

3 허윤회, "조선어 인식과 문학어의 상상가람 이병기를 중심으로" 민족문학사학회 26 : 286-317, 2004

4 최남선, "조선국민학으로서의 시조" 조선문단 4-, 1926

5 염상섭, "조선과 문예ㆍ문예와 민중"

6 이보영, "염상섭평전ㆍ8" (봄) : 224-, 2010

7 김종균, "염상섭연구" 고대출판부 1974

8 김경수, "염상섭과 현대소설의 형성" 일조각 104-, 2008

9 염상섭, "여름밤" 동광 1927

10 염상섭, "시조에 관하여"

11 염상섭, "시조는 부흥할 것이냐-의문이 왜 있습니까" (23) : 1927

12 염상섭, "소설시대=사대사상" 조선지광 1928

13 염상섭, "소설과 민중"

14 염상섭, "국화와 앵화" 조선문단 1926

15 염상섭, "秋夜斷想"