Sukhi Kang(1934-) is composer of the modern music who is well known for his sound aesthetics, which represents “Sukhi Kang’s sound.” He specially emphasizes the well counted musical form and structure, where emotional expression is completely ru...
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https://www.riss.kr/link?id=A99944795
2014
-
600
KCI등재
학술저널
57-85(29쪽)
0
상세조회0
다운로드다국어 초록 (Multilingual Abstract)
Sukhi Kang(1934-) is composer of the modern music who is well known for his sound aesthetics, which represents “Sukhi Kang’s sound.” He specially emphasizes the well counted musical form and structure, where emotional expression is completely ru...
Sukhi Kang(1934-) is composer of the modern music who is well known for his sound aesthetics, which represents “Sukhi Kang’s sound.” He specially emphasizes the well counted musical form and structure, where emotional expression is completely ruled out. His controls upon the using tones are especially strict. There are no repetitions of special tones, such as the highest and lowest tone, as well as adjacent tones. That’s because these tones determinate the contour of the complete piece. Sukhi Kang places his concerns on the characteristics of individual pieces especially on their creativity and uniqueness. On the basis of his sound aesthetics this research of his recent piece titled <Octagon>(2012) for 8 players, commissioned by EIT(Ensemble Interactive Tokyo), focuses on the asymmetrical aspects, where his favorite numbers 2, 3, 4, 8, 12, 59 are mentioned. For the proof of the asymmetry, simple geometrical figures are used, such as two squares, one triangle and one pentagon to create an octagon.
조용필, 알란 탐, 다니무라 신지의 Pax Musica: 음악으로 동아시아에 평화를
금(金)과 꽹과리의 전승 관계: 소금과 광쇠를 중심으로