이상 시의 구조화 원리 고찰 -반복과 변주를 중심으로- = A Investigation of Structurizing Principle in Lee-Sang`s Poetry-Laying stress on repeat and Variation

다국어 초록 (Multilingual Abstract)

This writing investigates structurizing principle as reason way and world view as well as speech method in aspect of ``repeat`` and variation`` in Lee-Sang`s poetry. For this, this writing examines theoretical basis about ``repeat`` and ``variation`` laying stress on ``recurrence``, ``parallelism`` in side of speech method, And this writing examines theoretical basis about ``repeat`` and ``variation`` laying stress on Gilles Deleuze,·Felis Guattari`s ``ritomello``, ``difference and repeat``, Nietzsche`s ``eternity revolution``, Freud`s ``death drive``, Lacan`s ``jouissance`` etc. The three chapter investigates ``symmetry and circulation``, ``death drive and jouissance`` that correspond here upon as speech method and reason way in Lee-Sang`s poetry. And The forth chapter investigates ``symmetry and extension``, ``following and denial about geometrical world view`` that correspond here upon as speech method and reason way in Lee-Sang`s poetry. Ogamdo(鳥瞰圖)-1 projects inside consciousness of self who feel fear in space of modem blind society that can not come out in the circulating structure by inserting technique of ``recurrence`` and ``gradual parallelism`` in ``symmetric structure`` and ``circulating structure``. Flower Tree, Cliff shows a vicious circle of intention and frustration to approach to flower or another self by inserting technique of ``recurrence`` and ``parallelism`` in ``symmetric structure`` and ``circulating structure``. Movement, Written Promise about Line-2 shows modernistic time and space mixedly through geometrical and physical gaze, but shows following and denial about rational world view. Mirror shows ``the real subject`` that is confirmed through crack and gap between ``realistic self`` and ``imaginary self``. Lee-Sang utilizes motif of ``mirror`` that collapse symmetric structure that is basis on geometrical thought in order to expose ``the real subject``.