르네상스시대의 복식 유형과 그 발생배경에 관한 연구

다국어 초록 (Multilingual Abstract)

In fashion there was a move away form the ascetic of the Gothic, according to the appearance of a new spirit at the beginning of the fourteenth centuries, initially in Italy. The new spirit, Hunmanism applied their interest not to the universal, but to the individual and particular. The Renaissance costume style based on the Humanism was sharp angled and curvy, and had a grotesque silhouette with the exaggerated and tense decorations. The purpose of this study is researching the background led to the balanced costume sytyle characterized by unique details. Out ot the tastte for luxury and beauty grew a new style known as slashiing in which seams were left open and colored linings thrust though, or cuts were made in an entire coustume and contrasting material puffed out of the cuts. With the slashes, another element was characterized in the High Renaissance costume style, that was the use of points, or lace, to hold a costume together. For the masculint cosutmes, pads became into a fashion and were used for forming the antinatural, artificial, and bulky silhouettes. The body was distorted and tensed by putting the pads into the sleeves and bodice. The jacket with a full, rounded bodice like a bow known as peascod belly and haut de chausses, a onion-shaped trunk hose with a codipiece appeared and grew one of the most charateristic of Renaissance style. According to these sociological changes, the view of the beauty based on the human body and in both of men and women, the costume style was changed very much to emphasixed their physical beauty, and finally it grew a grotesque style and even more a exposed style thst exposed a part of their body. Those backgrounds as were stated above, can be said to lead to the appearance of the grotesque style in the Renaissance Age.