Media and genre : dialogues in aesthetics and cultural analysis

목차 (Table of Contents)

• CONTENTS
• Introduction : Media and Genre / Ivo Ritzer = 1
• 1 Genre and Aesthetics = 4
• 2 Genre and Culture = 10
• Genre and Structure = 11
• Genre and Discourse = 14
• Genre and Mediality = 20
• 3 Genres in Media and Cultural Theory = 24
• 4 Transmedial and Transnational Perspectives = 26
• 5 Re-examining Genres in Film Studies = 29
• References = 31
• Part I. Genres in Media and Cultural Theory = 35
• Genre in Action : The Impossibility and Value of Genre Analysis / Yvonne Tasker = 37
• 1 Critical Legacies : Genre and Authorship = 39
• 2 Action as Genre, Genres and Mode : Managing Genre’s Impossibility = 45
• 3 Genre : Histories and Chronologies = 48
• 4 Action and Models of Television Genre = 51
• 5 Games, Gameplay and Spaces of Action/Adventure = 54
• 6 Conclusion = 56
• References = 57
• Trespass : Genre, Author, and Play in the Discourse of Media
• Aesthetics / Ivo Ritzer = 59
• 1 State of Theory : Genre Studies and Auteurism = 62
• 2 Trespass and the Last Adventure = 66
• 3 Blackness (Re)Assigned = 74
• 4 Genre Politics as Media Aesthetics of Formalization = 91
• 5 Conclusion : The Genius of the Genre System = 95
• References = 101
• Staging Revolutions : Hamilton. An American Musical, Genre
• Affordances, and the Political Dynamics of Cultural Circulation / Hannah Schoch = 105
• 1 The Genre Politics of Hamilton = 105
• 2 The Event of Hamilton, Historiographic Metatheatre and the Question of Social Effcacy = 114
• 3 Epilogue = 122
• References = 126
• Part II. Transmedial and Transnational Perspectives = 129
• A New Genre Arena? Questions of Genre in the Digital Age of
• Promotional Media / Karina Kirsten = 131
• 1 Introduction = 131
• 2 Genre and Promotional Media = 134
• 3 Working Genre in the Digital Age : Three Cases = 142
• The Making of a World = 142
• Tweeting about Family = 151
• Teasing the Familiar = 154
• 4 Conclusion = 160
• References = 161
• Political Genres of Online Animation : Genre Theory,
• Animation Studies, and Digital Media / Maike Sarah Reinerth = 165
• 1 Introduction = 165
• 2 Animation and Genre = 167
• 3 Animation and Digital Media = 168
• 4 Animation and Political Communication = 171
• 5 Political Web Videos : A Starting Point = 173
• 6 Genres of Political Online Animation = 175
• Two Outliers : Witness Videos and Vlogs = 175
• Animated Web Documentaries = 176
• Political Short and Feature Fictions = 177
• Animated Mobilization and Campaign Videos = 178
• Explainers and Visualizations = 179
• Animated Political Cartoons = 180
• 7 Memes, Mods, Mash-Ups, and the Infnite Archive = 182
• 8 Conclusion = 184
• References = 186
• Pan-Hispanic Folklore : Musical Co-productions between
• Francoist Spain and Latin America / Peter W. Schulze = 191
• 1 Between Hollywood and Hispanoamericanismo : The Early
• Spanish-Language Sound Film = 192
• 2 Transnational Patriotism : Hispanic Musical Co-productions = 196
• 3 The Comedia Ranchera Meets the “españolada” = 200
• 4 The Cine Tanguero Meets the “españolada” = 203
• 5 A Fading Genre : Trans/National Folklore as Pastiche = 205
• References = 207
• Rethinking Romance / Katja Hettich = 209
• 1 Introduction = 209
• 2 The Romance Genre in Film Studies = 210
• 3 Romance as Affective Experience = 213
• 4 Mood, Mode and Genre : Romance and the Romantic = 216
• 5 Analyzing Romance : Existential Feelings and Audiovisual Metaphors = 219
• 6 Conclusion = 223
• References = 224
• Part III. Re-examining Genres in Film Studies = 229
• Zombies, Conspiracies, and Esthetics in Crisis : A
• Computational Engagement with Genre Esthetics / Johannes Pause ; Niels-Oliver Walkowski = 231
• 1 The Politics of Disruption = 232
• 2 Scalable Viewing = 234
• 3 Zombies = 238
• World War Z = 239
• REC = 241
• 28 Days Later = 244
• 4 Conspiracies = 246
• The Interpreter = 246
• The Ides of March = 247
• Il Divo = 249
• 5 The Order of Disruption = 252
• References = 256
• State Genre between Censorship and Dialogue : The DEFA
• Anti-Fascist Film / Irina Gradinari = 261
• 1 The State Genre = 261
• 2 Dialogicity as Historically Situated Film Production = 268
• 3 Dialogue with and Demarcation from the USSR : Allegorizing = 270
• 4 Dialogue with and Demarcation from the FRG : Psychological
• The Documentary as a Genre or Mode? A New Approach to
• Documentary Film Analysis through the Field of Meaning / Florian Mundhenke = 283
• 1 Introduction = 283
• 2 The Documentary Film as a “Queer” Genre = 284
• 3 Other Ways of Categorization : Documentary as Gattung in
• German Film Studies : Advantages and Disadvantages = 289
• 4 Roger Odin’s and Gérard Genette’s Suggestions from the
• 5 The Field of Meaning : A Method of Analyzing Documentary Films = 295
• References = 303
• Index = 305