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      국악계 창작 패러다임 전환 담론에 대한 비판적 검토 = A Critical Review of the Discourse on the Digital Paradigm in the Korean Traditional Performing Arts Industry

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      https://www.riss.kr/link?id=A108287344

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      다국어 초록 (Multilingual Abstract)

      In this study, the method of the Korean traditional performing arts industry that is responding to digital transformation after the spread of COVID-19 is outlined and critically examined. However, this study does not aim to suggest a way to quickly acquire digital literacy to adapt to the new environment. Rather, it captures the impact of digital transformation on the Korean traditional performing arts industry, reads the back of digital capitalism, and reconsiders the deleted questions. In particular, this paper examines what has remained since the discourse surrounding the digital-centered paradigm took over the Korean traditional performing arts industry.
      The Korean traditional performing arts industry recognizes digital transformation or an online-based creative environment as a crisis or a new opportunity. However, rather than looking back on the conditions of performing arts, this change seems to be an opportunity to utilize technology and media as a commercialization strategy for Korean traditional performing arts. In this study, it was considered that this problem was essentially caused by the "survival politics" that has existed deeply in the Korean traditional performing arts industry for a long time. It also pointed out that the condition of COVID-19 is being reversed as a mechanism to justify the results of using new technologies and media without any special awareness of problems, rather than attempts to use various technologies and media due to COVID-19.
      The spread of infectious diseases, wars, and climate crises is asking us about what art can do. These social issues are very specific 'reality' that greatly affects the artist's own existence. The reality we face goes beyond the trend of adapting quickly to the digital environment and not falling behind. A destructively shaken society is a paradigm we face.
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      In this study, the method of the Korean traditional performing arts industry that is responding to digital transformation after the spread of COVID-19 is outlined and critically examined. However, this study does not aim to suggest a way to quickly ac...

      In this study, the method of the Korean traditional performing arts industry that is responding to digital transformation after the spread of COVID-19 is outlined and critically examined. However, this study does not aim to suggest a way to quickly acquire digital literacy to adapt to the new environment. Rather, it captures the impact of digital transformation on the Korean traditional performing arts industry, reads the back of digital capitalism, and reconsiders the deleted questions. In particular, this paper examines what has remained since the discourse surrounding the digital-centered paradigm took over the Korean traditional performing arts industry.
      The Korean traditional performing arts industry recognizes digital transformation or an online-based creative environment as a crisis or a new opportunity. However, rather than looking back on the conditions of performing arts, this change seems to be an opportunity to utilize technology and media as a commercialization strategy for Korean traditional performing arts. In this study, it was considered that this problem was essentially caused by the "survival politics" that has existed deeply in the Korean traditional performing arts industry for a long time. It also pointed out that the condition of COVID-19 is being reversed as a mechanism to justify the results of using new technologies and media without any special awareness of problems, rather than attempts to use various technologies and media due to COVID-19.
      The spread of infectious diseases, wars, and climate crises is asking us about what art can do. These social issues are very specific 'reality' that greatly affects the artist's own existence. The reality we face goes beyond the trend of adapting quickly to the digital environment and not falling behind. A destructively shaken society is a paradigm we face.

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      참고문헌 (Reference)

      1 장윤희, "포스트 코로나 시대 국악공연의 환경변화: 사회적 거리두기 속 국악공연의 의미, 형태, 소통과 활용" 동양음악연구소 48 : 83-104, 2020

      2 전지영, "팬데믹시대 공연예술과 한류, 대전환의 시대, 한국 학문의 미래"

      3 성혜인, "유폐된 젊음: ‘젊은 국악’을 둘러싼 불순한 장면들" 예솔 2017

      4 이성곤, "위기의 계보학으로 읽는 코로나 시대의 연극" 한국예술연구소 (29) : 51-71, 2020

      5 기 드보르, "스펙터클의 사회" 현실문화 1996

      6 성혜인, "스펙터클의 가능성들: <접신과 흡혼> 리뷰" (20) : 2022

      7 송성수, "산업혁명의 역사적 전개와 4차 산업혁명론의 위상" 한국과학기술학회 17 (17): 6-40, 2017

      8 수전 손택, "사진에 관하여" 도시출판 이후 2009

      9 임운택, "디지털 자본주의의 특성 : 시장과 노동통제의 급진화" 비판사회학회 (133) : 12-38, 2022

      10 예술경영지원센터, "공연전통예술 온라인 유통 활성화 연구 –포스트 코로나 시대를 위한 동영상 플랫폼을 중심으로-" 2020

      1 장윤희, "포스트 코로나 시대 국악공연의 환경변화: 사회적 거리두기 속 국악공연의 의미, 형태, 소통과 활용" 동양음악연구소 48 : 83-104, 2020

      2 전지영, "팬데믹시대 공연예술과 한류, 대전환의 시대, 한국 학문의 미래"

      3 성혜인, "유폐된 젊음: ‘젊은 국악’을 둘러싼 불순한 장면들" 예솔 2017

      4 이성곤, "위기의 계보학으로 읽는 코로나 시대의 연극" 한국예술연구소 (29) : 51-71, 2020

      5 기 드보르, "스펙터클의 사회" 현실문화 1996

      6 성혜인, "스펙터클의 가능성들: <접신과 흡혼> 리뷰" (20) : 2022

      7 송성수, "산업혁명의 역사적 전개와 4차 산업혁명론의 위상" 한국과학기술학회 17 (17): 6-40, 2017

      8 수전 손택, "사진에 관하여" 도시출판 이후 2009

      9 임운택, "디지털 자본주의의 특성 : 시장과 노동통제의 급진화" 비판사회학회 (133) : 12-38, 2022

      10 예술경영지원센터, "공연전통예술 온라인 유통 활성화 연구 –포스트 코로나 시대를 위한 동영상 플랫폼을 중심으로-" 2020

      11 "Taste TV"

      12 "Imvawards"

      13 Lisa Robertson, "Disquiet" Caliban

      14 클라우스 슈밥, "4차 산업혁명의 충격" 흐름출판 2016

      15 황진석 ; 이상신 ; 박시현 ; 한경석, "4차 산업혁명시대, 공연예술의 융⋅복합 사례연구" 한국연기예술학회 17 (17): 129-147, 2020

      16 박신의, "4차 산업혁명과 예술의 미래 - 예술은 기술변화에 어떻게 대응해 왔고, 대응해갈 것인가?" 한국문화예술경영학회 10 (10): 25-53, 2017

      17 한국문화관광연구원, "2022년 KCTI 예술동향분석"

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