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    조지 나카시마 가구에 나타난 일본의 미학적 특성 = Japanese Aesthetics on Furniture of George Nakashima

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    https://www.riss.kr/link?id=A106278365

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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    George Nakashima (1905-1990) is a second-generation Japanese American who was one of the pioneers of the American Studio Furniture movement. Known for the use of natural timber shape of furniture design, Nakashima’s furniture shows the aesthetic characteristics of Japan, which distinguishes it from the furniture of other American studio designers. But Nakashima has been regarded as simply a studio furniture designer, designing furniture that takes its natural form. Therefore, research is needed from a more diverse point of view, and the process of interpreting the cultural backgrounds of a designer becoming a design may be an important subject of study. Thus, this study attempts to interpret the hierarchy of design cultures belonging to a studio designer and to identify cultural characteristics that are not apparent. Therefore, through a process of studying from visible to invisible levels of cultural hierarchy, the study analyzed the aesthetic characteristics of the Nakashima’s furniture, his personal experience of Japanese culture, and philosophical background.
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    George Nakashima (1905-1990) is a second-generation Japanese American who was one of the pioneers of the American Studio Furniture movement. Known for the use of natural timber shape of furniture design, Nakashima’s furniture shows the aesthetic cha...

    George Nakashima (1905-1990) is a second-generation Japanese American who was one of the pioneers of the American Studio Furniture movement. Known for the use of natural timber shape of furniture design, Nakashima’s furniture shows the aesthetic characteristics of Japan, which distinguishes it from the furniture of other American studio designers. But Nakashima has been regarded as simply a studio furniture designer, designing furniture that takes its natural form. Therefore, research is needed from a more diverse point of view, and the process of interpreting the cultural backgrounds of a designer becoming a design may be an important subject of study. Thus, this study attempts to interpret the hierarchy of design cultures belonging to a studio designer and to identify cultural characteristics that are not apparent. Therefore, through a process of studying from visible to invisible levels of cultural hierarchy, the study analyzed the aesthetic characteristics of the Nakashima’s furniture, his personal experience of Japanese culture, and philosophical background.

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    참고문헌 (Reference)

    1 김성아, "한국 거실디자인의 문화기호학적 분석을 통한 전통성의 특성과 변화" 연세대학교 대학원 2013

    2 Juniper, Andrew, "Wabi sabi: the Japanese art of impermanence" Tuttle Publishig 2003

    3 Yanagi, Soetsu, "The Unknown Craftsman: A Japanese Insight into Beauty" Kodansha 1972

    4 Nakashima, George, "The Soul of a Tree: A Woodworker’s Reflections" Kodansha 58-, 1988

    5 Geertz, Clifford, "The Interpretation of Cultures" Basic Books 1973

    6 Nakashima, Mira, "Nature Form & Spirit: The Life and Legacy of George Nakashima" 17-119, 2003

    7 Kelsey, John, "George Nakashima: For Each Plant There’s One Perfect Use" 40-46, 1979

    8 Lane, David, "Gentaro Kenneth Hikogawa, Densho Encyclopedia"

    9 Hepler, Paul Howard, "A Study of the Work Training and Craft Processes of a Contemporary American Wood Craftsman" Columbia University 1969

    1 김성아, "한국 거실디자인의 문화기호학적 분석을 통한 전통성의 특성과 변화" 연세대학교 대학원 2013

    2 Juniper, Andrew, "Wabi sabi: the Japanese art of impermanence" Tuttle Publishig 2003

    3 Yanagi, Soetsu, "The Unknown Craftsman: A Japanese Insight into Beauty" Kodansha 1972

    4 Nakashima, George, "The Soul of a Tree: A Woodworker’s Reflections" Kodansha 58-, 1988

    5 Geertz, Clifford, "The Interpretation of Cultures" Basic Books 1973

    6 Nakashima, Mira, "Nature Form & Spirit: The Life and Legacy of George Nakashima" 17-119, 2003

    7 Kelsey, John, "George Nakashima: For Each Plant There’s One Perfect Use" 40-46, 1979

    8 Lane, David, "Gentaro Kenneth Hikogawa, Densho Encyclopedia"

    9 Hepler, Paul Howard, "A Study of the Work Training and Craft Processes of a Contemporary American Wood Craftsman" Columbia University 1969

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    학술지 이력

    학술지 이력
    연월일 이력구분 이력상세 등재구분
    2026 평가 재인증평가 신청대상 (재인증)
    2020-01-01 등재 등재학술지 유지 (재인증) KCI등재
    2017-01-01 등재 등재학술지 유지 (계속평가) KCI등재
    2014-01-01 등재 등재학술지 선정 (계속평가) KCI등재
    2013-01-01 등재 등재후보 1차 PASS (등재후보1차) KCI등재후보
    2012-01-01 등재 등재후보학술지 유지 (기타) KCI등재후보
    2011-01-01 등재 등재후보 1차 PASS (등재후보1차) KCI등재후보
    2010-01-01 등재 신청제한 (등재후보1차) KCI등재후보
    2009-01-01 등재 등재후보 1차 FAIL (등재후보1차) KCI등재후보
    2007-01-01 등재 등재후보학술지 선정 (신규평가) KCI등재후보
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    학술지 인용정보

    학술지 인용정보
    기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
    2016 0.19 0.19 0.21
    KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
    0.23 0.22 0.375 0.02
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