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    조선 17세기 전반의 ‘假畵龍樽’ = Ga Hwa Yong Jun(假畵龍樽, fake dragon jar) in Early 17th Century Joseon Dynasty

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    https://www.riss.kr/link?id=A100162644

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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    In early 17th century, Joseon dynasty suffered from damages in the successive wars with its neighbors and strived for the restoration, though the process was very slow due to the loss of resources during wartime. The lack of the resources could be found in every part, but was even more serious when it came to the incomplete preparation for the royal ceremonies, the right opportunities for the proper respectfulness that Joseon dynasty had emphasized. What was most difficult to be prepared was Yong Jun(龍樽), or the dragon jar, which was the blue-and-white porcelain jar with dragon design.
    In Joseon dynasty, Yong Jun was so important that it was used only for the highest members of the royal court and royal officers used to go down to the royal kilns to supervise the making of Yong Jun. But in early 17th century, with no reserve of Yong Jun nor possibilities of further production for a while, some new solutions were needed to replace it. And the very first solution was using Ga Hwa Yong Jun, meaning the fake dragon jar, which was the white porcelain jar with dragon design drawn on the surface, whereas its original version had dragon design in underglaze blue.
    While it received little attention by now, Ga Hwa Yong Jun deserves more attention with its importance. Better assumptions can be made by reviewing every details of the records relevant to its use and examining the realistic possibilities of its techniques. And some newly-found records are useful to increase reliability and concreteness. Therefore, this is practically the first attempt to make deep investigations on Ga Hwa Yong Jun in early 17th century, presenting a new perspective on the ceramic history in Joseon dynasty.
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    In early 17th century, Joseon dynasty suffered from damages in the successive wars with its neighbors and strived for the restoration, though the process was very slow due to the loss of resources during wartime. The lack of the resources could be fou...

    In early 17th century, Joseon dynasty suffered from damages in the successive wars with its neighbors and strived for the restoration, though the process was very slow due to the loss of resources during wartime. The lack of the resources could be found in every part, but was even more serious when it came to the incomplete preparation for the royal ceremonies, the right opportunities for the proper respectfulness that Joseon dynasty had emphasized. What was most difficult to be prepared was Yong Jun(龍樽), or the dragon jar, which was the blue-and-white porcelain jar with dragon design.
    In Joseon dynasty, Yong Jun was so important that it was used only for the highest members of the royal court and royal officers used to go down to the royal kilns to supervise the making of Yong Jun. But in early 17th century, with no reserve of Yong Jun nor possibilities of further production for a while, some new solutions were needed to replace it. And the very first solution was using Ga Hwa Yong Jun, meaning the fake dragon jar, which was the white porcelain jar with dragon design drawn on the surface, whereas its original version had dragon design in underglaze blue.
    While it received little attention by now, Ga Hwa Yong Jun deserves more attention with its importance. Better assumptions can be made by reviewing every details of the records relevant to its use and examining the realistic possibilities of its techniques. And some newly-found records are useful to increase reliability and concreteness. Therefore, this is practically the first attempt to make deep investigations on Ga Hwa Yong Jun in early 17th century, presenting a new perspective on the ceramic history in Joseon dynasty.

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    목차 (Table of Contents)

    • I. 머리말
    • Ⅱ. ‘가화용준’의 출현과 사용
    • Ⅲ. ‘가화’ 기법에 대한 검토
    • Ⅳ. 맺음말
    • 참고문헌
    • I. 머리말
    • Ⅱ. ‘가화용준’의 출현과 사용
    • Ⅲ. ‘가화’ 기법에 대한 검토
    • Ⅳ. 맺음말
    • 참고문헌
    • ABSTRACT
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    참고문헌 (Reference)

    1 홍선표, "화원의 형성과 직무 및 역할, 조선화원대전"

    2 한국문화유산연구원, "한국외대 용인캠퍼스 제2기숙사부지내 문화유적 발굴조사 약보고서" 2010

    3 박은주, "조선 후기 造花의 유형과 변천: 絲花와 紙花를 중심으로" 이화여자대학교대학원

    4 송인희, "조선 17~18세기 철화백자 연구" 이화여자대학교대학원 2008

    5 방병선, "왕조실록을 통해 본 조선도자사" 고려대학교출판부 2005

    6 이규경, "오주서종박물고변" 학연문화사 2008

    7 방병선, "雲龍文 분석을 통해서 본 조선 후기 백자의 편년 체제" (220) : 1999

    8 "雪岫外史"

    9 빙허각 이씨, "閨閤叢書" 보진재 1975

    10 "迎接都監米麵色儀軌"

    1 홍선표, "화원의 형성과 직무 및 역할, 조선화원대전"

    2 한국문화유산연구원, "한국외대 용인캠퍼스 제2기숙사부지내 문화유적 발굴조사 약보고서" 2010

    3 박은주, "조선 후기 造花의 유형과 변천: 絲花와 紙花를 중심으로" 이화여자대학교대학원

    4 송인희, "조선 17~18세기 철화백자 연구" 이화여자대학교대학원 2008

    5 방병선, "왕조실록을 통해 본 조선도자사" 고려대학교출판부 2005

    6 이규경, "오주서종박물고변" 학연문화사 2008

    7 방병선, "雲龍文 분석을 통해서 본 조선 후기 백자의 편년 체제" (220) : 1999

    8 "雪岫外史"

    9 빙허각 이씨, "閨閤叢書" 보진재 1975

    10 "迎接都監米麵色儀軌"

    11 "燕山君日記"

    12 張慶姬, "朝鮮王朝 王室嘉禮用 工藝品 硏究" 홍익대학교대학원 1999

    13 장기훈, "朝鮮時代 白磁龍樽의 樣式變遷考" (12) : 1998

    14 최공호, "朝鮮初期의 工藝政策과 그 理念" (194-195) : 1992

    15 "昭顯世子嘉禮都監儀軌"

    16 "承政院日記"

    17 이화여자대학교박물관, "廣州 朝鮮白磁窯址 發掘調査報告書-樊川里5號·仙東里2, 3號" 1986

    18 "宣祖實錄"

    19 "壽宴謄錄"

    20 "國朝五禮儀序例"

    21 "光海君日記"

    22 박정혜, "儀軌를 통해서 본 朝鮮時代의 畵員" (9) : 1995

    23 "仁祖莊烈王后嘉禮都監儀軌"

    24 국립중앙박물관, "京畿道廣州中央官窯 窯址地表調査報告書 1998·2000"

    25 "世宗實錄"

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    학술지 이력
    연월일 이력구분 이력상세 등재구분
    2027 평가 재인증평가 신청대상 (재인증)
    2021-01-01 등재 등재학술지 유지 (재인증) KCI등재
    2018-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2015-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2011-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2009-03-23 학회명변경 한글명 : (재)성강문화재단 한국미술연구소 -> 한국미술연구소
    영문명 : Sung Kang Foundation -> Center for Art Studies
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    2008-01-01 등재 등재학술지 선정 (등재후보2차) KCI등재
    2007-01-01 등재 등재후보 1차 PASS (등재후보1차) KCI등재후보
    2005-06-29 학회명변경 한글명 : (재)성강문화재단 -> (재)성강문화재단 한국미술연구소
    영문명 : Sungn Gang Culture Foundation -> Sung Kang Foundation
    KCI등재후보
    2005-01-01 등재 등재후보학술지 선정 (신규평가) KCI등재후보
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    학술지 인용정보

    학술지 인용정보
    기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
    2016 0.84 0.84 0.81
    KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
    0.72 0.61 0.836 0
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