조선미술전람회 공예부의 개설 과정에 대한 고찰 = Study on the Craft Section of the Joseon Fine Arts Exhibition - acceptance and propagation of craft and design notion through the exhibition

다국어 초록 (Multilingual Abstract)

This research examines the craft section of the Joseon Fine Arts Exhibition (1922~1940).
To date, the arguments on Joseon Fine Arts Exhibition have been analyzed focusing on only paintings. However, the craft section is an important key to understand the acceptance of craft and design notions that had not existed in Korea up to that time. I aimed to analyze cause and effect in the establishment of the craft section in relation to two themes; One, the controversy among painters about whether calligraphy could be included in the field of art or not. Second, Japanese enthusiasm about Korean crafts in the 1920s such as the Mingei movement of Yanagi Muneyoshi and the investigations of historical sites at Nakrangduring the Japanese Colonial Period. By using catalogues, newspapers, magazines, and records of the Japanese Government-General of Korea at that time, it was discovered that the concepts of craft not only as fine arts but also as industry were introduced to Korea through the exhibition.

목차 (Table of Contents)

• I. 들어가며
• II. 서의 폐지와 공예부의 개설
• Ⅲ. 조선 공예에 대한 일본의 관심: 공예부 개설의 또 하나의 동인
• Ⅳ. 두 가지 성격을 지닌 전람회: 미술공예 개념의 확산과 산업공예의 가능성 모색
• V. 나가며
• 참고문헌
• ABSTRACT

참고문헌 (Reference)

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3 최공호, "한국근대공예사론: 산업과 예술의 기로에서" 미술문화, 2008

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13 日展史編纂委員会, "日展史 Nittensi" 日展, 1980

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16 Kim, Brandt, "Kingdom of Beauty: Mingei and the Politics of Folk Art in Imperial Japan" Duke University Press, 2007