This paper is related to ‘Empirical Knowledge System’ that was obtained during the practical study of the creation process of《The Hairy Ape》as a ``music drama`` with characteristics of ``theatre-dance``. To speak more accurately, it can be sai...
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https://www.riss.kr/link?id=A100266009
2014
Korean
털복숭이 원숭이 ; The Hairy Ape ; 음악극 ; Music drama ; 연극무용 ; Theater-Dance ; 경험론적 지식 ; Empirical Knowledge ; 음악의 드라마투르기 ; musical dramaturgy ; 음악의 구조 ; structure of music
KCI등재
학술저널
193-217(25쪽)
2
0
상세조회0
다운로드다국어 초록 (Multilingual Abstract)
This paper is related to ‘Empirical Knowledge System’ that was obtained during the practical study of the creation process of《The Hairy Ape》as a ``music drama`` with characteristics of ``theatre-dance``. To speak more accurately, it can be sai...
This paper is related to ‘Empirical Knowledge System’ that was obtained during the practical study of the creation process of《The Hairy Ape》as a ``music drama`` with characteristics of ``theatre-dance``. To speak more accurately, it can be said as drama emphasizing the element of music in the aesthetic format of theatre-dance. That is, it can be said as music with the structure in which dance is made under materially conceptualized space as ``musical dramaturgy``. Therefore, the structure of music makes visual flow of feeling that makes materialized space image as realization of theatrical theme move. Granting ‘sensory order’ to the image to be created by space realizing the theme is just the structure of music and it can be said as music drama of theatre-dance where such structure of music leads drama. Therefore, it is different from music drama as realization of music forming the top of the hierarchy as Appia. The first thing to reveal the text theme is ‘the structure of materialized concept``. And ultimate realization of the text is the flow of feeling image to be revealed by means of movement with actors using the structure. Then the specific means to make them move are just structure of music. Therefore, music is the ultimate means to realize the text. That is, conceptualized space is the structure analyzing the chunks of text cases and what makes this space dance is the structure of music. Systemizing and giving meaning to empirical knowledge acquired by a creator from his creative work is also showing the results of a very important symbolic action of internal human behavior, which can’t be known to theorists or audiences as outside viewers. This is a ``living phenomenon of creative work`` and is also important data showing an ecological phenomenon of actual theatrical creation. Therefore, introducing the context of such a series of creative work in this paper and giving meaning to it can be seen as important tracking path of research showing the empirical results of the ‘living’ internal creative ways as well as significant results revealing the continuity of the ``living`` research.
참고문헌 (Reference)
1 버나드 휴이트, "현대연극의 사조" 홍익사 1986
2 유진오닐, "카리브섬의 달" 신아사 1997
3 김진식, "오닐 희곡의 주제와 신화성" 현대미학사 2003
4 나진환, "연극의 위대한 스승, 그로토프스키연극론" 현대미학사 2007
5 나진환, "연극무용(Theater-Dance)의 행동구조에 있어서 말(Parole)의 의미와 역할" 한국연극교육학회 16 : 67-95, 2010
6 "《털복숭이 원숭이》공연 팜플렛"
7 유진 오닐, "《털복숭이 원숭이》각색대본"
8 나진환, "《악령》의 창조과정에 나타난 연극무용(Theater-Dance)의 창작 방식*" 한국연극교육학회 1 (1): 119-156, 2011
9 Jerzy Grotowski, "Vers un Théâtre" L'Age d'Homme 1971
10 Thomas Richars, "Travailler avec Grotowski" Actes Sud 1995
1 버나드 휴이트, "현대연극의 사조" 홍익사 1986
2 유진오닐, "카리브섬의 달" 신아사 1997
3 김진식, "오닐 희곡의 주제와 신화성" 현대미학사 2003
4 나진환, "연극의 위대한 스승, 그로토프스키연극론" 현대미학사 2007
5 나진환, "연극무용(Theater-Dance)의 행동구조에 있어서 말(Parole)의 의미와 역할" 한국연극교육학회 16 : 67-95, 2010
6 "《털복숭이 원숭이》공연 팜플렛"
7 유진 오닐, "《털복숭이 원숭이》각색대본"
8 나진환, "《악령》의 창조과정에 나타난 연극무용(Theater-Dance)의 창작 방식*" 한국연극교육학회 1 (1): 119-156, 2011
9 Jerzy Grotowski, "Vers un Théâtre" L'Age d'Homme 1971
10 Thomas Richars, "Travailler avec Grotowski" Actes Sud 1995
11 Eugenio Barba, "Le Canoë de papier" Bouffonneries 1993
12 Jean-Marie Pradier, "La scène et la fabrique des corps" press univeritaires de Bordeaux 1997
13 Jean-Marie Pradier, "L'Ethnographie" L'Entretemps 2001
14 Jean-Marie Pradier, "Ethnoscénologie: la profondeur des émergences" 5 : 1996
15 Jean-Marie Pradier, "Ethnoscénologie manifeste" 1995
논문 : 진화심리학적 관점으로 본《느릅나무 밑의 욕망》의 애비와 에벤 인물분석
논문 : 21세기 극장 공간의 진화(進化)와 다양성에 대한 연구
논문 : 독일학교 교육정치와 연극과목 Darstellungsspiel(표현놀이)
학술지 이력
연월일 | 이력구분 | 이력상세 | 등재구분 |
---|---|---|---|
2026 | 평가예정 | 재인증평가 신청대상 (재인증) | |
2020-01-01 | 평가 | 등재학술지 유지 (재인증) | |
2017-01-01 | 평가 | 등재학술지 선정 (계속평가) | |
2016-12-01 | 평가 | 등재후보로 하락 (계속평가) | |
2012-01-01 | 평가 | 등재학술지 선정 (등재후보2차) | |
2011-01-01 | 평가 | 등재후보 1차 PASS (등재후보1차) | |
2009-01-01 | 평가 | 등재후보학술지 선정 (신규평가) |
학술지 인용정보
기준연도 | WOS-KCI 통합IF(2년) | KCIF(2년) | KCIF(3년) |
---|---|---|---|
2016 | 0.15 | 0.15 | 0.17 |
KCIF(4년) | KCIF(5년) | 중심성지수(3년) | 즉시성지수 |
0.16 | 0.15 | 0.465 | 0.06 |