1950-1960년대 한국의 용접 조각 = Korean Welded Sculpture in 1950s-60s

다국어 초록 (Multilingual Abstract)

Begun by Pablo Picasso and Julio Gonzalez in France in the late 1920s, welded sculpture has been favored by artists who seek to escape the traditional nation of sculpture as a 'solid mass'. In the postwar period, the approach was deemed especially suitable for expressing psychological pains and anxieties, and the widely spread in Europe, the United States, and Asian countries such as Korea and Japan. In the radically transformed social situations in the wake of the Korean War, welded sculpture attracted certain Korean artists who sought new directions in art.
In this paper, I look at how welded sculpture was introduced from the west to Japan and Korea, and went through subsequent transformations. Especially, I map out how Korean welded sculpture developed, and what similarities and differences it came to have vis-à-vis its Japanese counterpart. I argue, specially through the examples of Tatehata Kakuzo, Horiuzi Masakaz, Song Young-Soo, Park Jong-Bae, Park Soek-Won and Oh Jong-Uk, that Japanese sculptors were interested in innovative possibilities the welded sculpture offered, while Korean artists were more drawn to its expressive capacity. I hope to clarify how this particular methodology played an important role in the shaping of the overall topography of postwar Korean art, and in the larger context of shifting structure of society. I try to also show how Koreans artists found in welded sculpture apt means and medium to reflect and inject their own artistic identities.

참고문헌 (Reference)

1 "현대조각의 발전｣" 1960.2.19

2 "한국조각의 근대적 과정｣ 한국근대미술연구" 동화출판사 107-146, 1975

3 "한국 현대조각의 도입과 전개｣ 한국현대미술의 형성과 비평" 한국미술평론가협회 앤솔로지 2집 50-60, 1985

4 "한국 근대조각의 흐름과 성격｣" 45-70, 1994

5 "최의순과의 인터뷰" 2000.10.

6 "최병상과의 전화 인터뷰" 2000.8.

7 "최병상과의 인터뷰" 2000.9.

8 "조각을 위한 드로잉" 1928년

9 "정원의 여인" 1930년경

10 "이정갑과의 전화 인터뷰" 2000.9.

11 "이운식과의 인더뷰" 2000.8.

12 "어느 금요일의 변신"

13 "박종배가 필자에게 보낸 편지" 2000.10

14 "박석원과의 인터뷰" 2001.3.

15 "미국현대조각의 동향 …일반적으로 용접조각이 많다…｣" 1960.1.26

16 "미국의 현대조각 작가와 그들의 작품세계｣"

17 "무카이 료키치 개미의 성" 1962년

18 "높이 65cm" 1956년

19 "남철과의 인터뷰" 2001.2.

20 "근대조각의 도입과 정착｣" 5173 : 81-112, 1978

21 "非情을 그린 抽象 - 大統領賞에 歷史의 原" 1965.10.12

22 "窟內正和 窟內正和"

23 "歷史의 原 은 현실 고발한 추상｣" 1965.10.12

24 "日本の現代彫刻の流れ - 1950年以降を中心に｣" 12-16, 1985

25 "向井良吉の彫刻ー 向井良吉展" 1989

26 "The Forging of New Philosophical Armatures Sculpture Between the Wars and Ever Since Picasso and the Age of Iron" 1993

27 "The Artistic Collaboration of Picasso and Julio Gonzalez" 107-114,

28 "Sculpture of the New York School Whitney Museum of American Art" 1985.

29 "Realism in Post Japan 나고야 시립미술관" 1945-1960

30 "Expressionist Confluences in French Postwar Sculpture" 75-,

31 "David Smith by David Smith" 25-, 1988

32 "A Question of Balance" 102-114, 198402

33 "A Pioneer in Direct-Metal Sculpture The Register of Museum of Art of the Kansas" 20-27,

34 "5개의 정방형과 5개의 장방형 높이 77cm" 1955년

35 "1950년대 조각의 상황｣" 열화당 173-180, 1995

36 "1950-60년대 한국 생명주의 조각의 제 특성｣" (3) : 174-, 1999