배우의 얼굴을 통한 내면의 표현 : 벨라 발라즈 이론을 중심으로, <오징어게임> 얼굴에 대한 미학적 고찰 = Inner Expression Through the Actor's Face : Focusing on Bela Balazs Theory, Aesthetic Study on the Face of <Squid Game>

다국어 초록 (Multilingual Abstract)

The human face contains the mind, emotion, soul, spirit, personality, existence, and narrative. Like this, the face contains many inner expressions. This study hopes that the aesthetic discussion on the face will proceed more actively, and pay attention to the inner expression through the face of the actor in the movie. Focusing on the film theory of Bella Ballaz, it is suggested that the fine expression of facial expressions mentioned by him should be extended to the acting discourse, and pay attention to the close-up of the face in the Korean video content <Squid Game>, which has recently received worldwide attention.
As the camera closes up the actor's face and begins to dramatically capture the changes and expressions implied therein, the actor's face begins to illuminate anew. The close-up of the face is the limitless potential of the film, and the outstanding concreteness of the actors' performances. I have come to the conclusion that this is the obvious reason why Bella Ballaz's subtle expression of expression should be applied to acting art. Through research, we focus on the complementary organic relationship between cinematic images and close-ups, facial aesthetics and acting, and focus more on the inner meaning expressed in them. It was intended to prove that the face in the movie, which induces self-identification and self-reflection from the audience and allows them to enjoy deep immersion, exists with the work and creates the image of the work. It is significant that the aesthetic discourse on the face was extended to the acting art, referring to the importance that the expression of the actor's face and minute expressions is directly related to the acting.