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    헬렌 & 뉴턴 해리슨의 생태계를 위한 협업 = The Harrisons' Collaboration for the Ecosystem

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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    This treatise is on the collaboration for ecosystem between Helen Mayer Harrison and Newton Harrison, pioneers of ecological and environmental art. The Harrisons have become world-renowned for using art to tackle environmental problems on a global scale. They maintained separate careers until the end of the 1960s. Newton as an artist, and Helen as a sociologist as well as an educator. In 1970, they decided to put the two careers together and to do no work that did not include the environment. It was a lifetime artistic decision. Then Helen and Newton began their artistic collaboration that would last for the next half-century. The Harrisons are famous, but surprisingly little-known artists. This study comes from the basic question, “Who are the Harrisons?” This involves the following three questions: What kind of career have Helen and Newton each made? How did the two develop their collaboration? Why did they choose art for the ecosystem? Following the chronology, this essay examines the development process of their artistic collaboration and explores their motives for collaboration for the ecosystem. This will clearly reveal the Harrisons, who have made the collaboration itself a successful work of art on an existential level.
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    This treatise is on the collaboration for ecosystem between Helen Mayer Harrison and Newton Harrison, pioneers of ecological and environmental art. The Harrisons have become world-renowned for using art to tackle environmental problems on a global sca...

    This treatise is on the collaboration for ecosystem between Helen Mayer Harrison and Newton Harrison, pioneers of ecological and environmental art. The Harrisons have become world-renowned for using art to tackle environmental problems on a global scale. They maintained separate careers until the end of the 1960s. Newton as an artist, and Helen as a sociologist as well as an educator. In 1970, they decided to put the two careers together and to do no work that did not include the environment. It was a lifetime artistic decision. Then Helen and Newton began their artistic collaboration that would last for the next half-century. The Harrisons are famous, but surprisingly little-known artists. This study comes from the basic question, “Who are the Harrisons?” This involves the following three questions: What kind of career have Helen and Newton each made? How did the two develop their collaboration? Why did they choose art for the ecosystem? Following the chronology, this essay examines the development process of their artistic collaboration and explores their motives for collaboration for the ecosystem. This will clearly reveal the Harrisons, who have made the collaboration itself a successful work of art on an existential level.

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    참고문헌 (Reference)

    1 김융희, "생태예술의 지형그리기: 대지예술, 환경예술, 자연예술과의 관계를 중심으로" 한국기초조형학회 11 (11): 75-88, 2010

    2 유현주, "생태미학은 가능한가? - ‘자기조직화’를 바탕으로 한 생태예술의 체계화 Ⅰ" 한국미학예술학회 46 : 151-179, 2016

    3 "the Museum of Contemporary Crafts(현재 the Museum of Arts and Design)"

    4 Harrison, "Women, Art & Technology" MIT Press 160-179, 2003

    5 "Various Small Fires 웹사이트"

    6 Weintraub, Linda, "To life!: Eco Art in Pursuit of a Sustainable Planet" University of California Press 2012

    7 Douglas, Anne, "The Time of the Force Majeure: After 45 Years Counterforce is on the Horizon" Prestel 2016

    8 Green, Charles, "The Third Hand: “Collaboration in Art from Conceptualism to Postmodernism”" University of Minnesota Press 2001

    9 Rogers, Laura Cassidy, "The Social and Environmental Turn in Late 20th Century Art: A Case Study of Helen and Newton Harrison after Modernism" Stanford University 2017

    10 Harrison, "The Seventh Lagoon from (1974-1984)" 1 (1): 2006

    1 김융희, "생태예술의 지형그리기: 대지예술, 환경예술, 자연예술과의 관계를 중심으로" 한국기초조형학회 11 (11): 75-88, 2010

    2 유현주, "생태미학은 가능한가? - ‘자기조직화’를 바탕으로 한 생태예술의 체계화 Ⅰ" 한국미학예술학회 46 : 151-179, 2016

    3 "the Museum of Contemporary Crafts(현재 the Museum of Arts and Design)"

    4 Harrison, "Women, Art & Technology" MIT Press 160-179, 2003

    5 "Various Small Fires 웹사이트"

    6 Weintraub, Linda, "To life!: Eco Art in Pursuit of a Sustainable Planet" University of California Press 2012

    7 Douglas, Anne, "The Time of the Force Majeure: After 45 Years Counterforce is on the Horizon" Prestel 2016

    8 Green, Charles, "The Third Hand: “Collaboration in Art from Conceptualism to Postmodernism”" University of Minnesota Press 2001

    9 Rogers, Laura Cassidy, "The Social and Environmental Turn in Late 20th Century Art: A Case Study of Helen and Newton Harrison after Modernism" Stanford University 2017

    10 Harrison, "The Seventh Lagoon from (1974-1984)" 1 (1): 2006

    11 "The New York History Blog, the New York Almanack"

    12 "The Helen and Newton Harrison Project Gallery at Stanford Library"

    13 Harrison, "The Harrisons: Talking and Remembering" 45 (45): 9-16, 2012

    14 "The Harrison Studio"

    15 "The Center for the Force Majuere"

    16 Ollman, Leah, "Recession Takes Toll on Arts Groups" Los Angeles Times

    17 "Pennsylvania Academy of the Fine Arts"

    18 Harrison, Newton, "On Catastrophes and Futures: A Conversation with Newton Harrison" UC Santa Cruz Institute of the Arts and Sciences (IAS)

    19 Wittner, Lawrence, "New York's Long History of Peace Activism" New York Almanack

    20 Nelson, Amy, "Leaf Litter Talks with the Experts: Helen Mayer Harrison & Newton Harrison" 11 : 2013

    21 Harrison, "Interview with Helen Mayer Harrison and Newton Harrison" 1 (1): 2011

    22 Allen, Jane Ingram, "How Big is Here: A Conversation with Helen Mayer Harrison and Newton Harrison" Sculpture magazine

    23 Jones, Caroline A., "Helen Mayer Harrison (1927-2018)" Artforum

    24 Harrison, Newton, "Helen Harrison: 1927-2018" 52 (52): 321-322, 2019

    25 "Harrison Papers Collection Guide at Online Archive of California"

    26 Elman, Richard, "Furs and Feathers" 31 (31): 43-47, 1971

    27 Paul J. Smith, "Fur and Feathers, exhibition catalog" Museum of Contemporary Crafts 1971

    28 Stephens, Elizabeth, "Critical and Aesthetic Research in Environmental Art" University of California 2015

    29 Adcock, Craig, "Conversational Drift: Helen Mayer Harrison and Newton Harrison" 51 (51): 35-45, 1992

    30 Glueck, Grace, "Art in the Land. A Critical Anthology of Environmental Art" EP Dutton, Inc 178-182, 1983

    31 Sorkin, Jenni, "Arlene Raven : Homecoming" 17 : 88-95, 2008

    32 Allen, Jane Ingram, "A Marriage Made on Earth: Helen Mayer Harrison and Newton Harrison" 19 (19): 28-30, 2008

    33 박윤조, "1970년대 이후의 미술에 나타난 생태학적 세계관의 구현: 생태미술(Eco-Art)의 전개 과정을중심으로" 이화여자대학교 2019

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    학술지 이력

    학술지 이력
    연월일 이력구분 이력상세 등재구분
    2028 평가 재인증평가 신청대상 (재인증)
    2022-01-01 등재 등재학술지 유지 (재인증) KCI등재
    2019-01-01 등재 등재학술지 유지 (계속평가) KCI등재
    2016-01-01 등재 등재학술지 선정 (계속평가) KCI등재
    2015-12-01 등재 등재후보로 하락 (기타) KCI등재후보
    2011-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2009-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2007-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2004-01-01 등재 등재학술지 선정 (등재후보2차) KCI등재
    2003-01-01 등재 등재후보 1차 PASS (등재후보1차) KCI등재후보
    2001-07-01 등재 등재후보학술지 선정 (신규평가) KCI등재후보
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    학술지 인용정보

    학술지 인용정보
    기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
    2016 0.45 0.45 0.46
    KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
    0.48 0.5 1.082 0.06
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