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    포스트온라인 매체 조건과 수행성의 역설: 데리다의 루소를 통하여 = The Post-online Condition and the Paradox of Performativity: Through Derrida's Critique of Rousseau

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    https://www.riss.kr/link?id=A107342685

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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    This research started with a problematic recognition of the following two contemporary situations. First, I paid attention to the phenomenon that the online media have shifted to a post-online condition due to the advance of ICT and social media and mobile network environments. Next, criticism can be raised about the contemporary tendency in which performance is complicated not only in academia and culture and art scenes, but also in the field of economy and labor. In particular, this thesis attempted to provide insight into the neoliberal economy and working conditions, the communication/relationships with contemporary media, and the tendency of performance to dominate in contemporary art.
    To this, I added a parallax view that refers to Derrida's critique of Rousseau. This is because there was a need for a basis to criticize the understanding and approach to our time from another perspective. In short, my argument was to reconsider the issues surrounding post-online, meritocracy, and post-truth, and the paradox of performativity, interpreting the criticism that Derrida reconstructed in Rousseau's texts, focusing on the concepts of ‘mediation’ and ‘supplement’.
    A public art project by M. L. Ukeles and street performances by TSI are examples for my research. Especially it is significant that her work honored the service workers under the pandemic situation. this research was able to criticize the paradoxical realization of contemporary performativity, the different characteristics of transparency and directness, and discrimination of social relationships that ignored mediation and supplement.
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    This research started with a problematic recognition of the following two contemporary situations. First, I paid attention to the phenomenon that the online media have shifted to a post-online condition due to the advance of ICT and social media and m...

    This research started with a problematic recognition of the following two contemporary situations. First, I paid attention to the phenomenon that the online media have shifted to a post-online condition due to the advance of ICT and social media and mobile network environments. Next, criticism can be raised about the contemporary tendency in which performance is complicated not only in academia and culture and art scenes, but also in the field of economy and labor. In particular, this thesis attempted to provide insight into the neoliberal economy and working conditions, the communication/relationships with contemporary media, and the tendency of performance to dominate in contemporary art.
    To this, I added a parallax view that refers to Derrida's critique of Rousseau. This is because there was a need for a basis to criticize the understanding and approach to our time from another perspective. In short, my argument was to reconsider the issues surrounding post-online, meritocracy, and post-truth, and the paradox of performativity, interpreting the criticism that Derrida reconstructed in Rousseau's texts, focusing on the concepts of ‘mediation’ and ‘supplement’.
    A public art project by M. L. Ukeles and street performances by TSI are examples for my research. Especially it is significant that her work honored the service workers under the pandemic situation. this research was able to criticize the paradoxical realization of contemporary performativity, the different characteristics of transparency and directness, and discrimination of social relationships that ignored mediation and supplement.

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    참고문헌 (Reference)

    1 한병철, "피로사회" 문학과지성사 2012

    2 슬라보예 지젝, "팬데믹 패닉" 북하우스 2020

    3 프랑수아 누델만, "철학자의 거짓말" 낮은산 2020

    4 장 스타로뱅스키, "장 자크 루소 투명성과 장애물" 아카넷 2012

    5 장 자크 루소, "인간 불평등 기원론" 책세상 2003

    6 장 자크 루소, "언어의 기원" 한국문화사 2013

    7 박준상, "언어와 정념" 새한철학회 94 (94): 261-278, 2018

    8 슬라보예 지젝, "시차적 관점" 마티 2009

    9 에리카 피셔-리히테, "수행성의 미학" 문학과지성사 2017

    10 장 자크 루소, "사회계약론" 책세상 2015

    1 한병철, "피로사회" 문학과지성사 2012

    2 슬라보예 지젝, "팬데믹 패닉" 북하우스 2020

    3 프랑수아 누델만, "철학자의 거짓말" 낮은산 2020

    4 장 스타로뱅스키, "장 자크 루소 투명성과 장애물" 아카넷 2012

    5 장 자크 루소, "인간 불평등 기원론" 책세상 2003

    6 장 자크 루소, "언어의 기원" 한국문화사 2013

    7 박준상, "언어와 정념" 새한철학회 94 (94): 261-278, 2018

    8 슬라보예 지젝, "시차적 관점" 마티 2009

    9 에리카 피셔-리히테, "수행성의 미학" 문학과지성사 2017

    10 장 자크 루소, "사회계약론" 책세상 2015

    11 파올로 비르노, "비물질노동과 다중" 갈무리 2005

    12 에드워드 사이드, "말년의 양식에 관하여 On Late Style" 마티 2006

    13 임금희, "루소(J. J. Rousseau)의 정치사회에서 언어의 역할" 한국정치학회 46 (46): 5-27, 2012

    14 김영욱, "루소 연민이론 해석사 : 체계화의 시도와 그 이후" 한국불어불문학회 (122) : 41-80, 2020

    15 강수미, "다른 미적 수행성: 현대미술의 포스트온라인 조건" 한국미학예술학회 53 : 3-39, 2018

    16 강수미, "다공예술: 한국 현대미술의 수행적 의사소통 구조와 소셜네트워킹" 글항아리 2020

    17 자크 데리다, "그라마톨로지" 민음사 2010

    18 Markovits, Daniel, "The Meritocracy Trap" Penguin Press 2019

    19 Brisset, Nicolas, "The Future of Performativity" 7 (7): 439-452, 2017

    20 "TSI"

    21 Murray, Abdu, "Saving Truth: Finding Meaning & Clarityin a Post-Truth World" Zondervan 2018

    22 Higgins, Kathleen, "Post-Truth: A Guide for the Perplexed" Nature

    23 Goldberg, RoseLee, "Performance: Live art since the 60s" Thames & Hudson 1998

    24 Sommerfeldt, Chris, "NYC visited by ‘living statue’ of Trump riding golden golf cart through COVID-19 cemetery" NY Daily News

    25 Kakoliris, Gerasimos, "Misreading Rousseau? Jacques Derrida's Deconstructive Reading of Rousseau's Essay on the Origin of Languages" 5 (5): 499-512, 2015

    26 Ukeles, Mierle Laderman, "Mierle Laderman Ukeles Celebrates Public Service Workers with Citywide Public Art Initiative “For → forever…”" Queens Museum

    27 McDonald, Christie V., "Jacques Derrida’s Reading of Rousseau" University of Pennsylvania Press 20 (20): 82-95, 1979

    28 Reynolds, Emma, "It's the worst disaster of the pandemic. But WHO chief says our lack of concern shows ‘moral bankruptcy’" CNN

    29 Steinhauer, Jillian, "How Mierle Laderman Ukeles Turned Maintenance Work into Art" hyperallergic.com

    30 Bishop, Claire, "Black Box, White Cube, Gray Zone: Dance Exhibitions and Audience Attention" 62 (62): 22-42, 2018

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    학술지 이력

    학술지 이력
    연월일 이력구분 이력상세 등재구분
    2028 평가 재인증평가 신청대상 (재인증)
    2022-01-01 등재 등재학술지 유지 (재인증) KCI등재
    2019-01-01 등재 등재학술지 유지 (계속평가) KCI등재
    2016-01-01 등재 등재학술지 선정 (계속평가) KCI등재
    2015-12-01 등재 등재후보로 하락 (기타) KCI등재후보
    2011-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2009-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2007-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2004-01-01 등재 등재학술지 선정 (등재후보2차) KCI등재
    2003-01-01 등재 등재후보 1차 PASS (등재후보1차) KCI등재후보
    2001-07-01 등재 등재후보학술지 선정 (신규평가) KCI등재후보
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    학술지 인용정보

    학술지 인용정보
    기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
    2016 0.45 0.45 0.46
    KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
    0.48 0.5 1.082 0.06
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