<조신몽>에 나타난 시공간의 변주와 서사적 의미

다국어 초록 (Multilingual Abstract)

This article examines the Buddhist grotesque biographical characteristics and literary historical significance of Chosinmong, focusing on the changes in space and time. Based on this, characteristics of the narrative literature or the significance of the narrative literature history is overlooked according to the variation in space and time.
First of all, it is the intention of production and the composition of the work. This work appears to have been produced on the premise of the intellectual class. Buddhist monk who has excellent literacy skills is also believed to have produced it. That is natural in that it is the biographical literature of the literacy class. Confucian grotesque biographies express happiness in everything, even in virtual space, and are intended to be vicarious satisfaction. But Chosinmong express a life in reality as a series of suffering. To induce devotion for Buddhism is the reasons such structure was mobilized.
Next is the inflection of variated space-time and narrative variation. Grotesque Biography creates a fictional world when it is difficult to directly address the problems of reality, and strongly highlights the problems of reality there. Meanwhile, literary embellishments are applied to the development of story literature. Chosinmong uses dreams as a virtual space-time to amplify the curvature of reality and emphasize the need to converse to Buddhism. By doing so, strong writer consciousness was embodied, as well as epic expansion and addition and development of rhetorical style. It has transformed popular gossip into a aristocratic documentary, laying the groundwork for its development into an grotesque biographical novel.
Lastly, it is an epic literature character and significance according to the variation of space-time. First of all, the Buddhist narrative and the Buddhist grotesque biographical characteristics was made clear with narrative literacy character. The negative handling of reality through dreams is an emphasis on Buddhist ideology, which has made clear its Buddhist biographical characteristics. Next, the tragic treatment of dreams, which is the internal frame, is an important element in later Buddhist history. Many Buddhist narrations from later generations also painted the introduction and closing figures in a positive way and the internal frame as a tragedy in a three-tier structure. Therefore, it should be noted in terms of epic literature history in that Chosinmong is an early work of a Buddhist epic dealing with the early time.

참고문헌 (Reference)

1 김미령, "환상공간으로서의 꿈의 기능" 조선대학교 인문학연구소 33 : 113-136, 2005

2 박진아, "환몽구조로 본 <조신전> 연구" 택민국학연구원 (6) : 247-276, 2010

3 김광순, "한국고소설사와 론" 새문사 149-169, 1990

4 서경호, "중국소설사" 서울대학교출판부 221-223, 2004

5 이윤석, "조신설화의 문학적 가치에 관한 소고" 효성여대 한국전통문화연구소 4 : 167-189, 1988

6 차용주, "조신설화(調信說話)의 비교연구" 한국문화인류학회 57-73, 1969

7 임철호, "조신설화 연구" 연세어문학회 7 (7): 267-284, 1976

8 채용복, "조신구조의 분석적 고찰" 한국어문학회 49 : 233-, 1988

9 지준모, "전기소설의 효시는 신라에 있다-<조신몽>을 해부함" 한국어문학회 32 : 117-134, 1975

10 소인호, "저승체험담의 서사문학적 전개 -초기소설과의 관련 양상을 중심으로" 우리문학회 (27) : 103-130, 2009

11 임형택, "나말여초의 전기문학" 한국한문학회 5 : 89-104, 1981

12 오대혁, "나말여초 傳奇小說의 형성 문제-불교계 전기소설을 중심으로" 동악어문학회 46 : 97-125, 2006

13 김종철, "고소설연구논총" 다곡이수봉선생 화갑기년논총 간행위원회 184-, 1988

14 김종철, "고려 전기소설의 발생과 그 행방에 대한 재론" 어문연구학회 26 : 529-552, 1995

15 김승호, "佛敎傳奇小說의 類型 설정과 그 전개 양상" 한국고소설학회 (17) : 107-131, 2004

16 양승목, "『삼국유사』 속 꿈 화소의 활용 양상과「조신」의 위상" 동양한문학회 39 (39): 139-166, 2014

17 오대혁, "「조신전」의 구조와 형성배경" 한국문학연구소 (20) : 349-386, 1998

18 김진영, "<하생기우전>의 결말구조 양상과 그 의미" 인문학연구소 19 (19): 181-206, 2018

19 곽정식, "<조신전>의 갈래 규정" 효성대학교 21 (21): 45-60, 2000

20 김진영, "<조신몽>의 형성배경과 문학적 성격" 한국불교어문학회 10 : 119-149, 2005