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    흥천사(興天寺) 불교 건축의 성격 = The Characteristics of the Buddhist Architecture in Heungcheon-sa Temple

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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    The architectural characteristics of Heungcheon-sa temple are examined by dividing it into Hwanghabang Heungcheon-sa temple and Seongbuksaeulhan Sae Heungcheon-sa temple.
    The architectural character of Hwanghabang Heungcheon-sa temple is well illustrated by the Main Buddha Hall, which shows the ideological character of the temple, and the sarira hall, which is more important than this. It could be revealed that the Shakyamuni Buddha and the character of space of practicing the Shakyamuni Buddha sarira faith were well represented. Also, as the Dohoeso (total headquarters) of Jogye sect and Zen sect, the monk chamber, the so-called Chamseondang, where Zen Meditation, the Zen sect discipline, was practiced, was also the most important architectural space of Heungcheon-sa temple.
    Because the architectural character of Seokbuk Saeulhan Sae Heungcheon-sa temple (Shinheung-sa temple=Heungcheon-sa temple) inherited the ideas and systems of Hwanghabang Heungcheon-sa temple, it is believed that the main Buddha statue was the Main Buddha Hall where Shakyamuni Buddha was enshrined.
    As this Main Buddha Hall was renamed Geungnakbojeon in 1855, it can be said that the nature of the architecture also changed. As Hwanghabang=Heungcheon-sa temple was a subordinate temple of Jogye sect and Zen sect, Saeulhan Sae Heungcheon-sa temple, which succeeded it, must have naturally inherited the character of Zen sect. Therefore, it can be said that the H-type Daebang succeeded the role of the monk chamber, a space where Zen sect's Zen Meditation discipline was practiced. However, it is judged that Daebang's Zen Meditation discipline space was used as a space for invocatory disciplines after 1855 as well.
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    The architectural characteristics of Heungcheon-sa temple are examined by dividing it into Hwanghabang Heungcheon-sa temple and Seongbuksaeulhan Sae Heungcheon-sa temple. The architectural character of Hwanghabang Heungcheon-sa temple is well illustra...

    The architectural characteristics of Heungcheon-sa temple are examined by dividing it into Hwanghabang Heungcheon-sa temple and Seongbuksaeulhan Sae Heungcheon-sa temple.
    The architectural character of Hwanghabang Heungcheon-sa temple is well illustrated by the Main Buddha Hall, which shows the ideological character of the temple, and the sarira hall, which is more important than this. It could be revealed that the Shakyamuni Buddha and the character of space of practicing the Shakyamuni Buddha sarira faith were well represented. Also, as the Dohoeso (total headquarters) of Jogye sect and Zen sect, the monk chamber, the so-called Chamseondang, where Zen Meditation, the Zen sect discipline, was practiced, was also the most important architectural space of Heungcheon-sa temple.
    Because the architectural character of Seokbuk Saeulhan Sae Heungcheon-sa temple (Shinheung-sa temple=Heungcheon-sa temple) inherited the ideas and systems of Hwanghabang Heungcheon-sa temple, it is believed that the main Buddha statue was the Main Buddha Hall where Shakyamuni Buddha was enshrined.
    As this Main Buddha Hall was renamed Geungnakbojeon in 1855, it can be said that the nature of the architecture also changed. As Hwanghabang=Heungcheon-sa temple was a subordinate temple of Jogye sect and Zen sect, Saeulhan Sae Heungcheon-sa temple, which succeeded it, must have naturally inherited the character of Zen sect. Therefore, it can be said that the H-type Daebang succeeded the role of the monk chamber, a space where Zen sect's Zen Meditation discipline was practiced. However, it is judged that Daebang's Zen Meditation discipline space was used as a space for invocatory disciplines after 1855 as well.

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    참고문헌 (Reference)

    1 문무왕, "흥천사의 역사와 사상" 한국불교미술사학회 (53) : 95-111, 2019

    2 문명대, "흥천사(興天寺) 불상의 성격과 1701년 법잠(法岑) 작 목조(木造) 수월관음보살(水月觀音菩薩)삼존상 및 복장품 연구" 한국불교미술사학회 (53) : 15-40, 2019

    3 서울시, "흥천사 실측 조사보고서" 서울시 1988

    4 손신영, "조선후기 興天寺의 연혁과 시주" 한국불교미술사학회 (49) : 145-169, 2017

    5 도윤수, "삼각산 흥천사" 흥천사 2018

    6 (재)불교문화재연구소, "대승사목각아미타여래설법상" 불교문화재연구소 2011

    7 강병희, "興天寺 사리전과 석탑에 관한 연구" 사)한국미술사연구소·한국불교미술사학회 19 : 2002

    8 "東文選卷"

    9 "朝鮮王朝實錄"

    10 문명대, "600년 왕실원찰 서울 흥천사 불상" 사)한국미술사연구소 2019

    1 문무왕, "흥천사의 역사와 사상" 한국불교미술사학회 (53) : 95-111, 2019

    2 문명대, "흥천사(興天寺) 불상의 성격과 1701년 법잠(法岑) 작 목조(木造) 수월관음보살(水月觀音菩薩)삼존상 및 복장품 연구" 한국불교미술사학회 (53) : 15-40, 2019

    3 서울시, "흥천사 실측 조사보고서" 서울시 1988

    4 손신영, "조선후기 興天寺의 연혁과 시주" 한국불교미술사학회 (49) : 145-169, 2017

    5 도윤수, "삼각산 흥천사" 흥천사 2018

    6 (재)불교문화재연구소, "대승사목각아미타여래설법상" 불교문화재연구소 2011

    7 강병희, "興天寺 사리전과 석탑에 관한 연구" 사)한국미술사연구소·한국불교미술사학회 19 : 2002

    8 "東文選卷"

    9 "朝鮮王朝實錄"

    10 문명대, "600년 왕실원찰 서울 흥천사 불상" 사)한국미술사연구소 2019

    11 이혜원, "600년 왕실원찰 서울 흥천사 불교건축" 사)한국미술사연구소 2020

    12 손신영, "600년 왕실원찰 서울 흥천사 불교건축" 사)한국미술사연구소 2020

    13 이강근, "600년 왕실원찰 서울 흥천사 불교건축" 사)한국미술사연구소 2020

    14 문무왕, "600년 왕실원찰 서울 흥천사 불교건축" 사)한국미술사연구소 2020

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    학술지 이력

    학술지 이력
    연월일 이력구분 이력상세 등재구분
    2026 평가 재인증평가 신청대상 (재인증)
    2020-01-01 등재 등재학술지 유지 (재인증) KCI등재
    2017-01-01 등재 등재학술지 유지 (계속평가) KCI등재
    2013-01-01 등재 등재 1차 FAIL (등재유지) KCI등재
    2010-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2008-06-09 학술지명변경 한글명 : 불교미술사학 -> 강좌미술사
    외국어명 : BULKYOMISULSAHAK -> The Art History Journal
    KCI등재
    2008-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2005-01-01 등재 등재학술지 선정 (등재후보2차) KCI등재
    2004-01-01 등재 등재후보 1차 PASS (등재후보1차) KCI등재후보
    2002-01-01 등재 등재후보학술지 선정 (신규평가) KCI등재후보
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    학술지 인용정보

    학술지 인용정보
    기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
    2016 0.21 0.21 0.23
    KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
    0.26 0.3 0.589 0
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