김계옥작곡「궁타령의 멋」의 작품 분석 = (An) Analysis of Gye-Ok Kim's Work 「Charm of Gung Taryeong」

다국어 초록 (Multilingual Abstract)

25-stringed gayageum solo 「Charm of Gung Taryeong」 is written based on the traditional 5 tone scale and rhythm. In this study, 「Charm of Gung Taryeong」 is analyzed as follows in terms of melody, rhythm and how to play.
First, melody-oriented analysis showed that the 1st and 5th movement is in c minor with Ⅰ,Ⅰ_(7),Ⅳ_(7) chords and non-chordal tone F. The 2nd movement is in g minor with Ⅰ,Ⅰ_(7),Ⅳ_(7),Ⅴ,Ⅴ_(7) and non-chordal tone C. The 3rd movement is in f minor with Ⅰ,Ⅰ_(7),Ⅳ,Ⅳ_(7),Ⅴ,Ⅴ_(7) and non-chordal tone B^(♭). The 4th movement is in c minor with Ⅰ,Ⅰ_(7),Ⅳ_(7),Ⅴ,Ⅴ_(7) and non-chordal tone F. Analysis of harmony showed that the F in c minor, C in c minor and B^(♭)in f minor forms a cluster harmony. Korean style melody based on the traditional scale mostly employs major 2nd and perfect 4th. The melody is characterized by cluster harmony that is used regardless of keys of modern harmony and emphasizes rhythm and time. Such cluster harmony is interpreted as a Korea harmony, the additional harmony as a modern harmony resounding at the same time.
Second, rhythm-oriented analysis showed that the 1st and 5th movement adopts Hwimori rhythm that uses 4 successively appearing sixteenth notes. The 2nd movement adopts Danmori rhythm, the Anddang rhythm used in North Korea. There also appears hemiola rhythm of Western music that 3 beat line rhythm pattern is followed by 2 beat line rhythm pattern. The 3rd movement adopts slow Jajinmori rhythm that employs tercet and quintuplet to represent dramatic tension. The 4th movement adopts Jajinmori rhythm that employs diverse variated rhythms including 3-split beat and there appears the rhythm pattern that uses rest to represent the feeling of rhythm.
Lastly, how to play-oriented analysis showed that there are left hand staccato rendition and strike rendition as distinctive to 「Charm of Gung Taryeong」. Left hand staccato rendition is one that uses left hand to block the sound swiftly and neatly and at the same time to show vivid look. Strike rendition is one that expresses valiant and cheerful mood efficiently by striking the upper part of Jwadan and chevalet to Jajinmori rhythm.
As above, this study treated the 25-stringed gayageum tune that is variated from Gyeongbokkung Taryeong, is composed of sanjo rhythm like Jajinmori, Hwimori and Danmori, new renditions like employs left hand staccato rendition and strike rendition, adopts the rhythmical expression of Jajinmori rhythm that uses the harmony of melody, and uses mainly the Korean style melody composed of non-chordal tones like major 2nd and perfect 4th to enrich tone color and to emphasize rhythm. The 5th movement is the repetition of the 1st movement and can be compared to the sonata form in Western music.
It is desired that above analysis of 「Charm of Gung Taryeong」 might be helpful to younger scholars who will understand and perform the works of Gye-Ok Kim.

목차 (Table of Contents)

• Ⅰ. 서론 = 1
• 가. 연구의 목적 = 1
• 나. 연구범위와 연구방법 = 2
• Ⅱ. 「궁타령의 멋」의 분석 = 4
• 가. 선율 분석 = 5
• 1. 제1악장 = 6
• 2. 제2악장 = 9
• 3. 제3악장 = 11
• 4. 제4악장 = 14
• 5. 제5악장 = 20
• 나. 리듬분석 = 22
• 1. 휘모리 = 22
• 2. 단모리 = 28
• 3. 늦은 자진모리 = 33
• 4. 자진모리 = 39
• 다. 주법분석 = 45
• Ⅲ. 결론 = 62
• 참고문헌 = 64
• (Abstract) = 66
• 참고 악보 = 68