萬海詩와 再生의 이미지 = Image of Rebirth on Man Hae's Poetry

다국어 초록 (Multilingual Abstract)

Man Hae's poetry is singing the experience of religious transition, and is that of salvation. Accordingly, the expierience that speaker sings with scheme of ritual rebirth.
The atitude to complete a myphological world on the history was the relighion and life of the ancients. The speaker on Man Hae's poetrys wanted and hoped to implement such an ancient ritual rebirth. Thefore, he understood the history as an agony and desired the history to be purified. It is deeply related to our social surroundings on which these poem was written. Namely, this can mean to abolish 'The period when lover keeps silence. These agonies was described as 'prison', 'night' and 'devil' It is described as an ordeal to be tolerated through 'boat'.
Agany and ordeal reenacting the sacred history repeatedly are appered as a course to complete the hierophany. Being completed through Rites of passage, and the scheme of rites can be found in 「Farewell is creation of beauty」 and 「please tolerate」.「Art of Life」. 「Wild Rose」 and 「Flower knows first」show that the sacredness identify the profanity. Being 「Zen out of Zen」 described by Man Hae equals the identity of nature and human-being.
But the intrinsic nature on Man Hae's poetrys exists to united the historical and mythological imaginatin. This means that Man Hea's poetry forms simultaneously the historical reality and mythological transcendency. The speaker on Man Hae's poetry has character like a Buddist saint and it must and described on 「Meditain」. Therefore, the rebirth on Man Hae's poetry has a specific imaginatin within histcrical reality based on the mythological imagination of the ancients. It is historical renewal, purification and eternal return of history. Thefore, lover is paradoxically me and also you, man and also God, history and also myth.

목차 (Table of Contents)

• Ⅰ. 머리말
• Ⅱ. 苦痛스런 歷史의 이미지
• Ⅲ. 神聖한 歷史의 聖顯(hiero-phany)
• Ⅳ. 再生의 構造一非歷史와 非神話
• Ⅴ.맺음말