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      기록을 통해 본 통도사 보광전 = A Study of Historical Records on Bogwangjeon Hall at Tongdosa

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      https://www.riss.kr/link?id=A109743688

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      This study explores the history, functional transformations, and key figures associated with Bogwangjeon Hall at Tongdosa Temple in Yangsan through historical records, aiming to clarify its significance within the temple complex. Originally built in 1757 by Beomeum Hyejeong as a residence for eminent monks, Bogwangjeon was reconstructed in 1807 as a Seon meditation hall by Hongmyeong Gwegan, with support from Hwaak Jitak, a renowned scholar of Hwaeom thought. The continuation of Buddhist projects centered on Bogwangjeon by Hwaak Jitak’s disciples—Hwadam Gyeonghwa, Bowol Hyeso, and Ssangwol Seonghwal—reflects the hall’s esteemed status. Bogwangjeon functioned as a Seon center, chanting hall, and lecture space, embodying the late Joseon tradition of “Three Gates Practice” (Sammun Suhaeng). Its prestige continues today through its successor, Bogwang Seonwon.
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      This study explores the history, functional transformations, and key figures associated with Bogwangjeon Hall at Tongdosa Temple in Yangsan through historical records, aiming to clarify its significance within the temple complex. Originally built in 1...

      This study explores the history, functional transformations, and key figures associated with Bogwangjeon Hall at Tongdosa Temple in Yangsan through historical records, aiming to clarify its significance within the temple complex. Originally built in 1757 by Beomeum Hyejeong as a residence for eminent monks, Bogwangjeon was reconstructed in 1807 as a Seon meditation hall by Hongmyeong Gwegan, with support from Hwaak Jitak, a renowned scholar of Hwaeom thought. The continuation of Buddhist projects centered on Bogwangjeon by Hwaak Jitak’s disciples—Hwadam Gyeonghwa, Bowol Hyeso, and Ssangwol Seonghwal—reflects the hall’s esteemed status. Bogwangjeon functioned as a Seon center, chanting hall, and lecture space, embodying the late Joseon tradition of “Three Gates Practice” (Sammun Suhaeng). Its prestige continues today through its successor, Bogwang Seonwon.

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