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    고전중국어에서 유성 저해음 두음 음절의 성조변화 양상 연구 = A study on aspects of tonal variation of voiced obstruent onset syllable in the Classical Chinese

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    https://www.riss.kr/link?id=A108650303

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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    This study focuses on the aspects of tonal variation of voiced obstruent onset syllable in the Classical Chinese, and tries to interpret its forming of phonological representation and variational principle with the Non-linear Phonology, specially Autosegmental Phonology, Feature Geometry Theory and Underspecification Theory.
    This study develops as follow: The paper is divided into four chapters according to the research content. Chapter Ⅰ provides introductory remark about this paper. In chapter Ⅱ, concerning tonal variation of voiced obstruent onset syllable in the Classical Chinese are presented. It also showed a work list through this. Chapter Ⅲ is divided into two sections according to the content again. In section Ⅰ, based on the previous analyses by Mei and Dingbangxin and description of tone form in literature materials, we explained tone value of in Ancient Chinese and Old Mandarin. On the next section, we proposes an alternative analysis of the aspects of tonal variation of voiced obstruent onset syllable in the Classical Chinese. Namely, tonal variation of voiced obstruent onset syllable is a tone spread of voiced obstruent onset to nuclear by universal linking convention, which explain spread from tone character, tone stability, tone mobility etc. The alternative analysis shows a systematic relationship among the tonal variation of voiced obstruent onset syllable in Zhuoshangbianqu(濁上變去) and can easily be re-explained to variation of Qusheng(去聲) through tonal characteristics and the frame work of Non-linear Phonology as spreading and re-linking of L of the voiced onset after devocalization to the following nuclear tone H by stranded tone principle. Other tone changes, such as Pingfenyinyang(平分陰陽), Quanzhuorubianyangping(全濁入變陽平), could be explained in the same way. Comparing with previous analysis based by structure linguistic etc., the Non-linear phonological analysis model suggested here shows the expository adequacy, economical efficiency and grammatical simplicity of the explanation. In final chapter shows the effectiveness and application of research results.
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    This study focuses on the aspects of tonal variation of voiced obstruent onset syllable in the Classical Chinese, and tries to interpret its forming of phonological representation and variational principle with the Non-linear Phonology, specially Auto...

    This study focuses on the aspects of tonal variation of voiced obstruent onset syllable in the Classical Chinese, and tries to interpret its forming of phonological representation and variational principle with the Non-linear Phonology, specially Autosegmental Phonology, Feature Geometry Theory and Underspecification Theory.
    This study develops as follow: The paper is divided into four chapters according to the research content. Chapter Ⅰ provides introductory remark about this paper. In chapter Ⅱ, concerning tonal variation of voiced obstruent onset syllable in the Classical Chinese are presented. It also showed a work list through this. Chapter Ⅲ is divided into two sections according to the content again. In section Ⅰ, based on the previous analyses by Mei and Dingbangxin and description of tone form in literature materials, we explained tone value of in Ancient Chinese and Old Mandarin. On the next section, we proposes an alternative analysis of the aspects of tonal variation of voiced obstruent onset syllable in the Classical Chinese. Namely, tonal variation of voiced obstruent onset syllable is a tone spread of voiced obstruent onset to nuclear by universal linking convention, which explain spread from tone character, tone stability, tone mobility etc. The alternative analysis shows a systematic relationship among the tonal variation of voiced obstruent onset syllable in Zhuoshangbianqu(濁上變去) and can easily be re-explained to variation of Qusheng(去聲) through tonal characteristics and the frame work of Non-linear Phonology as spreading and re-linking of L of the voiced onset after devocalization to the following nuclear tone H by stranded tone principle. Other tone changes, such as Pingfenyinyang(平分陰陽), Quanzhuorubianyangping(全濁入變陽平), could be explained in the same way. Comparing with previous analysis based by structure linguistic etc., the Non-linear phonological analysis model suggested here shows the expository adequacy, economical efficiency and grammatical simplicity of the explanation. In final chapter shows the effectiveness and application of research results.

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    참고문헌 (Reference)

    1 杜其容, "論中古聲調" 9 (9): 22-30, 1976

    2 오정란, "현대국어음운론" 형설출판사 1993

    3 Norman, J., "중국언어학총론" 동문선 2003

    4 최영애, "중국어음운학" 통나무출판사 2000

    5 Lin Yen-Hwei, "중국어말소리" 역락 2010

    6 唐作藩, "중국 음운학" 교육과학사 2000

    7 Goldsmith, J, "자율분절음운론" 한신문화사 1991

    8 Gussenhoven, C., "음운론 이해" 동인 2005

    9 김경란, "음운론" 한신문화사 2001

    10 Yip, Moira, "성조" 역락 2013

    1 杜其容, "論中古聲調" 9 (9): 22-30, 1976

    2 오정란, "현대국어음운론" 형설출판사 1993

    3 Norman, J., "중국언어학총론" 동문선 2003

    4 최영애, "중국어음운학" 통나무출판사 2000

    5 Lin Yen-Hwei, "중국어말소리" 역락 2010

    6 唐作藩, "중국 음운학" 교육과학사 2000

    7 Goldsmith, J, "자율분절음운론" 한신문화사 1991

    8 Gussenhoven, C., "음운론 이해" 동인 2005

    9 김경란, "음운론" 한신문화사 2001

    10 Yip, Moira, "성조" 역락 2013

    11 Kenstowicz, M, "생성문법의 음운론" 한신문화사 1997

    12 柏雪, "诗歌用韵中“上去通押”现象研究-以唐代关中诗歌用韵为例" 1 : 60-64, 2016

    13 李琴, "试析浊上变去的演变机制" 6 : 46-53, 2007

    14 魏慧斌, "词韵“上去通押”與“浊上变去”" 4 : 15-18, 2005

    15 李树俨, "论“平分阴阳, 入派三声”" 1 : 15-22, 2000

    16 梅祖麟, "說上聲" 新14-1 (新14-1): 233-241, 1982

    17 平山久雄, "語言學論文集" 商務印書館 2005

    18 范新幹, "濁上變去發端於三國時代考" 巴蜀書社 2 : 321-329, 2000

    19 何大安, "濁上歸去與現代方言" 59 (59): 115-140, 1988

    20 王力, "漢語詩律學" 上海敎育出版社 1962

    21 趙元任, "漢語口語語法" 商務印書館 2010

    22 郑张尚芳, "汉语唐代四声的声调特征与全浊上归去的产生" 2 : 316-317, 2017

    23 劉丹靑, "新中國語言文字硏究70年" 中國社會科學出版社 2019

    24 黃淬伯, "慧琳一切經音義反切聲類考" 1 (1): 165-182, 1930

    25 谭伦华, "关于汉语北方话“平分阴阳”的年代" 3 : 84-90, 1996

    26 夏中易, "入聲獻疑" 巴蜀書社 2009

    27 王力, "中國語言學史" 山東敎育出版社 12 : 1-264, 1990

    28 李新魁, "中原音韻音系硏究" 中州書畵社 1983

    29 楊耐思, "中原音韻音系" 中國社會科學出版社 1981

    30 寧繼福, "中原音韻表稿" 吉林文史出版社 1985

    31 周德淸, "中原音韻" 藝文印書館 1324

    32 丁邦新, "丁邦新語言學論文集" 商務印書館 64-82, 1998

    33 林端, "《中原音韵》的“入派三声”" 1 : 92-98, 1989

    34 Mei, Tsulin, "Tones and Prosody in Middle Chinese and the Origin of the Rising Tone" 30 : 86-110, 1970

    35 Chen, M. Y., "Tone Sandhi: Patterns across Chinese Dialects" Cambridge University Press 2000

    36 Sagey, E. C, "The Reprensentation of Features and Relations in Non-linear Phonology" MIT 1986

    37 Clements, G. N., "The Geometry of Phonological Features" 225-252, 1985

    38 Hsueh, F. S., "Phonology of Old Mandarin" Mouton 1975

    39 Pulleyblank, Edwin G., "Middle Chinese: A Study in Historical Phonology" University of British Columbia Press 1984

    40 Norman, J., "Junggugeoneohagchongron" Dongmunseon 2003

    41 Chen, M. Y., "From Middle Chinese to Modern Chinese" 4 : 133-277, 1976

    42 Cheng, Tsai Fa, "Ancient Chinese and Early Mandarin" (2) : 1985

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