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      KCI우수등재 SCOPUS

      Mechanical Pound = Mechanical Pound

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      https://www.riss.kr/link?id=A103259969

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      다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

      The importance of Ezra Pound`s shift to a machine poetics and how it reflected larger adjustments in early 20th century aesthetics, incorporating art, music and machinery, is the focus of this essay. With specific examples ranging from the paintings of Leger to the industrial photographs of Paul Strand and the music of George Antheil, as well as The Cantos, the importance of a new mechanical praxis for Pound emerges. More precisely, the essay analyzes the appeal of the mechanical for Pound during a critical period in his poetic development and how this shift was prepared, first, by the adaptation of the mechanical to the compositional nature of painting, movement in dance and performance in music. Photography also contributed to the new mechanical aesthetic which for Pound meant a greater focus on precision and efficiency which he had been promoting since his study of such classical writers as Horace and Propertius and expressed in works like Mauberley. The ideas of the Futurists also play an important role in Pound`s acceptance of the new mechanical approach to art. His critical writing from ca. 1929-1934 further confirms his attraction to a machine aesthetic.
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      The importance of Ezra Pound`s shift to a machine poetics and how it reflected larger adjustments in early 20th century aesthetics, incorporating art, music and machinery, is the focus of this essay. With specific examples ranging from the paintings ...

      The importance of Ezra Pound`s shift to a machine poetics and how it reflected larger adjustments in early 20th century aesthetics, incorporating art, music and machinery, is the focus of this essay. With specific examples ranging from the paintings of Leger to the industrial photographs of Paul Strand and the music of George Antheil, as well as The Cantos, the importance of a new mechanical praxis for Pound emerges. More precisely, the essay analyzes the appeal of the mechanical for Pound during a critical period in his poetic development and how this shift was prepared, first, by the adaptation of the mechanical to the compositional nature of painting, movement in dance and performance in music. Photography also contributed to the new mechanical aesthetic which for Pound meant a greater focus on precision and efficiency which he had been promoting since his study of such classical writers as Horace and Propertius and expressed in works like Mauberley. The ideas of the Futurists also play an important role in Pound`s acceptance of the new mechanical approach to art. His critical writing from ca. 1929-1934 further confirms his attraction to a machine aesthetic.

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      참고문헌 (Reference)

      1 Léger, Fernand, "Une correspodance de guerre. Les cahiers du musée national d’art modern"

      2 Leland, Hannah, "The ‘Bad Boy of Music’ in Paris: George Antheil’s Violin" Arizona State U 2015

      3 Pound, Ezra, "The Spirt of Romance" New Directions 87-100, 1968

      4 Perloff, Marjorie, "The Futurist Moment" U of Chicago P 2003

      5 Lewis, Wyndham, "The Cubist Room"

      6 Crane, Hart, "The Complete Poems and Selected Letters and Prose of Hart Crane" Doubleday 260-263, 1966

      7 Pound, Ezra, "The Cantos" New Directions 1995

      8 Rusollo, Luigi, "The Art of Noise" UBU Classics 2004

      9 Hulme, T. E, "Speculations" Kegan Paul, Trench, Trubner & Co 73-110, 1936

      10 Albright, Daniel, "Quantum Poetics, Yeats, Pound, Eliot and the Science of Modernism" Cambridge UP 1997

      1 Léger, Fernand, "Une correspodance de guerre. Les cahiers du musée national d’art modern"

      2 Leland, Hannah, "The ‘Bad Boy of Music’ in Paris: George Antheil’s Violin" Arizona State U 2015

      3 Pound, Ezra, "The Spirt of Romance" New Directions 87-100, 1968

      4 Perloff, Marjorie, "The Futurist Moment" U of Chicago P 2003

      5 Lewis, Wyndham, "The Cubist Room"

      6 Crane, Hart, "The Complete Poems and Selected Letters and Prose of Hart Crane" Doubleday 260-263, 1966

      7 Pound, Ezra, "The Cantos" New Directions 1995

      8 Rusollo, Luigi, "The Art of Noise" UBU Classics 2004

      9 Hulme, T. E, "Speculations" Kegan Paul, Trench, Trubner & Co 73-110, 1936

      10 Albright, Daniel, "Quantum Poetics, Yeats, Pound, Eliot and the Science of Modernism" Cambridge UP 1997

      11 Pound, Ezra, "Poems and Translations" Library of America 2003

      12 Strand, Paul, "Paul Strand, Sixty Years of Photographs" Aperture 1976

      13 Marinetti, F.T, "Modernism: An Anthology" John Wiley & Sons 27-34, 2005

      14 Pound, Ezra, "Machine Art & Other Writings" Duke UP 57-83, 1996

      15 Pound, Ezra, "Machine Art & Other Writings" Duke UP 87-121, 1996

      16 Marshall, Jennifer Jane, "Machine Art" U of Chicago P 2012

      17 Léger gave, "L’art et le peuple (causeries sur l’art)" 6 : 36-42, 1946

      18 Neret, Gilles, "Léger" Alpine Fine Arts 1993

      19 Jones, Susan, "Literature, Modernism and Dance" Oxford UP 2013

      20 Pound, Ezra, "Literary Essays of Ezra Pound" New Directions 41-57, 1968

      21 Pound, Ezra, "Literary Essays" New Directions 15-40, 1968

      22 Pound, Ezra, "Gaudier-Brzeska, A Memoir" New Directions 1970

      23 Léger, "Functions of Painting" Thames and Hudson 143-148, 1973

      24 Tytell, John, "Ezra Pound, The Solitary Volcano" Doubleday 1987

      25 Pound, Ezra, "Ezra Pound to His Parents, Letters 1895-1919" Oxford UP 2010

      26 Wilhelm, J.J, "Ezra Pound in London and Paris 1908-1925" Pennsylvania State UP 1990

      27 Pound, Ezra, "Ezra Pound and the Visual Arts" New Directions 1980

      28 Pound, Ezra, "Ezra Pound and the Visual Arts" New Directions 5-10, 1980

      29 Pound, Ezra, "Ezra Pound and the Visual Arts" New Directions 215-227, 1980

      30 Pound, Ezra, "Ezra Pound and the Visual Arts" New Directions 300-301, 1980

      31 Pound, Ezra, "Ezra Pound and Music, The Complete Criticism" New Directions 313-316, 1977

      32 Pound, Ezra, "Ezra Pound and Music" New Directions 309-313, 1977

      33 Pound, Ezra, "Early Writings, Poems and Prose" Penguin 304-339, 2005

      34 Garafola, Lynn, "Diaghilev’s Ballets Russes" Oxford UP 1989

      35 Antheil, George, "Bad Boy of Music" Doubleday, Doran & Co 1945

      36 Lewis, Sinclair, "Babbitt. Harcourt" Brace & Co 2017-, 1922

      37 Pound, Ezra, "ABC of Reading" New Directions 1960

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      학술지 이력

      학술지 이력
      연월일 이력구분 이력상세 등재구분
      2022 평가예정 계속평가 신청대상 (등재유지)
      2017-01-01 평가 우수등재학술지 선정 (계속평가)
      2014-10-08 학회명변경 영문명 : 미등록 -> The English Language and Literature Association of Korea KCI등재
      2013-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2010-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2008-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2006-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2005-10-14 학술지등록 한글명 : 영어영문학
      외국어명 : The Journal of English Language and Literature
      KCI등재
      2004-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2001-01-01 평가 등재학술지 선정 (등재후보2차) KCI등재
      1998-07-01 평가 등재후보학술지 선정 (신규평가) KCI등재후보
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      학술지 인용정보

      학술지 인용정보
      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.06 0.06 0.1
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.18 0.2 0.384 0
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