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      <새끼 서 발> 설화의 놀이적 성격 = Playful Characteristics of a Six-Yard Straw Rope

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      https://www.riss.kr/link?id=A109022040

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      다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

      The folktale Six-yard [seo-bal] Straw Rope is unique. Its formal characteristic of cumulative repetition is prominent, and the story is well-developed, making it seem sufficiently open to interpretation. However, discussing the meaning is not as easy as anticipated. This is because the coherence of characters and the causality of events, often emphasized when understanding works centered on content, is lacking, and the structure of the ending is dispersed. This study addresses these issues by focusing on the formal characteristics of the work; it seeks to reinterpret these formal features from a playful perspective.
      The Six-yard Straw Rope follows a format similar to phrase-tail linking folk songs. The gradual exchange process from the six-yard straw rope to the maiden unfolds as a weaving play characterized by phrase-tail linking. The key in narrativizing lies in ‘creating a situation,’ which entails crafting a specific and appropriate situation where two objects can be exchanged. Ultimately, Six-yard Straw Rope is created by aptly weaving various situations where low- and high-value items can be exchanged into a narrative. This study names it the ‘Situation-Weaving Play.’ The lack of consistency in character portrayal and causality in event development and the dispersed structure of the resolution all stem from the playful nature of the work.
      The playful characteristic of the Six-yard Straw Rope is deeply related to the situational thinking encouraged in oral culture. Utilizing common objects found in everyday spaces to create appropriate situations in folktales is the ultimate play that enhances situational thinking in oral culture. Folktales with a situational play abound beyond Six-yard Straw Rope, with Mole’s Wedding being a prime example. The charm of situational play, based on situational thinking, lies in the fact that humble objects like a six-yard straw rope can become a maiden or silk when well combined with situations, and even a humble mole can become the finest groom in the world under various situations.
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      The folktale Six-yard [seo-bal] Straw Rope is unique. Its formal characteristic of cumulative repetition is prominent, and the story is well-developed, making it seem sufficiently open to interpretation. However, discussing the meaning is not as easy ...

      The folktale Six-yard [seo-bal] Straw Rope is unique. Its formal characteristic of cumulative repetition is prominent, and the story is well-developed, making it seem sufficiently open to interpretation. However, discussing the meaning is not as easy as anticipated. This is because the coherence of characters and the causality of events, often emphasized when understanding works centered on content, is lacking, and the structure of the ending is dispersed. This study addresses these issues by focusing on the formal characteristics of the work; it seeks to reinterpret these formal features from a playful perspective.
      The Six-yard Straw Rope follows a format similar to phrase-tail linking folk songs. The gradual exchange process from the six-yard straw rope to the maiden unfolds as a weaving play characterized by phrase-tail linking. The key in narrativizing lies in ‘creating a situation,’ which entails crafting a specific and appropriate situation where two objects can be exchanged. Ultimately, Six-yard Straw Rope is created by aptly weaving various situations where low- and high-value items can be exchanged into a narrative. This study names it the ‘Situation-Weaving Play.’ The lack of consistency in character portrayal and causality in event development and the dispersed structure of the resolution all stem from the playful nature of the work.
      The playful characteristic of the Six-yard Straw Rope is deeply related to the situational thinking encouraged in oral culture. Utilizing common objects found in everyday spaces to create appropriate situations in folktales is the ultimate play that enhances situational thinking in oral culture. Folktales with a situational play abound beyond Six-yard Straw Rope, with Mole’s Wedding being a prime example. The charm of situational play, based on situational thinking, lies in the fact that humble objects like a six-yard straw rope can become a maiden or silk when well combined with situations, and even a humble mole can become the finest groom in the world under various situations.

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      참고문헌 (Reference)

      1 요한 하위징아, "호모루덴스 : 놀이하는 인간" 연암서가 2018

      2 이홍우 ; 김경희 ; 정숙영 ; 조선영 ; 심우장, "한국설화의 분류에 관한 제언 : 형식담(形式譚)에서 유희담(遊戱譚)으로" (52) : 93-125, 2014

      3 조희웅, "한국설화의 분류" 일조각 1996

      4 국립민속박물관, "한국민속문학사전-설화" 국립민속박물관 2012

      5 국립민속박물관, "한국민속문학사전-민요" 국립민속박물관 2013

      6 한상수, "한국민담선" 정음사 1974

      7 임석재, "한국구전설화 8 전라북도편Ⅱ" 평민사 1991

      8 임석재, "한국구전설화 3" 평민사 1988

      9 임석재, "한국구전설화 2 평안북도편Ⅱ" 평민사 1988

      10 최덕원, "한국구비문학대계 6-7 전라남도 신안군 편(2)" 한국정신문화연구원 1985

      1 요한 하위징아, "호모루덴스 : 놀이하는 인간" 연암서가 2018

      2 이홍우 ; 김경희 ; 정숙영 ; 조선영 ; 심우장, "한국설화의 분류에 관한 제언 : 형식담(形式譚)에서 유희담(遊戱譚)으로" (52) : 93-125, 2014

      3 조희웅, "한국설화의 분류" 일조각 1996

      4 국립민속박물관, "한국민속문학사전-설화" 국립민속박물관 2012

      5 국립민속박물관, "한국민속문학사전-민요" 국립민속박물관 2013

      6 한상수, "한국민담선" 정음사 1974

      7 임석재, "한국구전설화 8 전라북도편Ⅱ" 평민사 1991

      8 임석재, "한국구전설화 3" 평민사 1988

      9 임석재, "한국구전설화 2 평안북도편Ⅱ" 평민사 1988

      10 최덕원, "한국구비문학대계 6-7 전라남도 신안군 편(2)" 한국정신문화연구원 1985

      11 이현수, "한국구비문학대계 6-5" 한국정신문화연구원 1985

      12 박순호, "한국구비문학대계 5-4" 한국정신문화연구원 1984

      13 박계홍, "한국구비문학대계 4-6" 한국정신문화연구원 1984

      14 서대석, "한국구비문학대계 2-6" 한국정신문화연구원 1985

      15 성기열, "한국구비문학대계 1-7" 한국정신문화연구원 1982

      16 성기열, "한국구비문학대계 1-3" 한국정신문화연구원 1980

      17 에릭 A. 해블록, "플라톤 서설 : 구송에서 기록으로, 고대 그리스의 미디어 혁명" 글항아리 2011

      18 손진태, "조선설화집" 민속원 2009

      19 A. R. 루리아, "인지발달교육 : 문화, 사회적 기초를 중심으로" 학문사 1994

      20 이정림, "원숭이 똥구멍은 빨개" 한국구비문학대계

      21 어월순, "원숭이 똥구멍은" 한국구비문학대계

      22 강성숙, "연결성의 에톨로지로 본 ‘새끼 서 발’" (82) : 93-123, 2022

      23 김경섭, "수수께끼담에 대한 기호학적 연구" 서강대학교 대학원 2003

      24 조은상, "설화 <새끼 서 발>에 나타난 과장과 허언의 심리적 의미와 효용" (47) : 153-190, 2015

      25 손영례, "새끼 서발에 동우 하나" 한국구비문학대계

      26 신은경, "사설시조의 시학적 연구" 개문사 1992

      27 이강엽, "바보설화에 나타난 웃음의 의미와 기능" (32) : 337-368, 2010

      28 심이순, "말꼬리 잇기" 한국구비문학대계

      29 조희웅, "두더지 혼인 설화" 한국민족문화대백과사전

      30 로제 카이와, "놀이와 인간 : 가면과 현기증" 문예출판사 1994

      31 월터 J. 옹, "구술문화와 문자문화 : 언어를 다루는 기술" 문예출판사 1995

      32 류정월, "“두더지 혼인” 설화의 해석적 코드" 40 : 53-84, 2014

      33 조홍윤 ; 메르베 카르흐만 ; 손영은, "<새끼 서 발>과 <켈올란(Keloğlan)과 공주>에 나타난 한·터 설화 속 바보 형상의 보편성 연구" 51 : 127-169, 2019

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