1990년대 “금융자동화”의 문화적 의미 —신자유주의 세계화와 금융 투명성의 맥락에서 = The Cultural Significance of “Financial Automation” in 1990s South Korea―In the Context of Neoliberal Globalization and Financial Transparency

다국어 초록 (Multilingual Abstract)

This paper defines the turning point of the “automation” discourse in South Korea as the 1990s, especially when the discourse and technologies of “financial automation” spread in the society, by analyzing the popular narratives in the media at the time. The “automation” discourse previously centered on a rather playful imagination of a hopeful future but, at this turn, connected with a sense of anxiety over an inhuman and cold-hearted dystopia.
To examine this, the paper traces the trajectory of the “automation” discourses in South Korea and, based on that historicization, investigates the representations of financial automation in the films of the 1990s.
It explores the transition from the 1980s when the automation technology and its mobility system were embraced as the objects of amusement and admiration in a consumer utopia to the 1990s when the financial transparency became the spirit of the times in that neoliberal globalization visualized the individual’s everyday life in the flow of financial automation.

참고문헌 (Reference)

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3 "한겨레"

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9 "연합뉴스"

10 "서울파이낸스"

11 "문화일보"

12 "매일경제"

13 "동아일보"

14 "뉴시스"

15 주은우, "금지의 명령에서 향유의 명령으로: 자본주의와 한국사회의 문화변동에 대한 해석적 시론" 한국사회학회 48 (48): 59-97, 2014

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17 "경향신문"

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21 "The NewYork Times"

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