李白 賦 初探

다국어 초록 (Multilingual Abstract)

As “The poetic genius(詩仙)”, Li Bai(李白)’s poems are widely read by later generations. Lots of scholars analyzed and appreciated his poems in detail. Under the shadow of his shining poems, neither his works of fu(賦) draw too much attention nor been researched. However, if we would like to study about Li Bai comprehensively, we should understand Li Bai not only as a poet, but also as a writer of fu. Only can we interpret Li Bai’s fu accurately, could we understand Li Bai as a writer of fu. Wang Qi, who is a scholar in Qing dynasty, collected Li Bai’s eight pieces of fu in 《Li Taibai Wenji(李太白文集)》of volume 1, including 〈Da peng fu(大鵬賦)〉, 〈Ni hen fu(擬恨賦)〉, 〈Xi yu chun fu(惜餘春賦)〉, 〈Chou yang cun fu(愁陽春賦)〉, 〈Bei qing qiu fu(悲清秋賦)〉, 〈Jian ge fu(劍閣賦)〉, 〈Ming tang fu(明堂賦)〉, 〈Da lie fu(大獵賦)〉. Those works are divided into Changpian Dafu(长篇大赋) and Shuqing Xiaofu(抒情小赋) two parts in form, and included irony, nostalgia and other aspects in content.
This article starts the research of those works of fu through effects of the former dynasties’ works of fu, motivations of creation and features of illustration three parts, and got conclusions as below. Firstly, there is a trace of imitating other writes fu in Li Bai’s work since he got effected from their works, but Li Bai also has his own unique opinions on fu. In another words, Li Bai’s fu not only inherited the tradition of fu, but also presented some innovations. Secondly, Li Bai created fu sometimes for showing his aspirations, sometimes for pursuing fame and fortune, and sometimes for expressing his emotions. Thirdly, In Li Bai’s fu, he used different illustrating skills, including exaggeration, mixture of emotions and scenes, quoting lots of allusion and so on. Even though all of those are the resulting of initial researches, it presented that Li Bai has his own unique artistic style. There are important meanings of knowing the content mentioned above for understanding Li Bai’s whole life and studying his literati thoughts and work’s features. The author hopes this article could play a role of appealing other creative and important ideas, expecting there are more and more people focus on Li Bai’s works of fu and conducting further research.

목차 (Table of Contents)

• 1. 들어가며
• 2. 전대 賦의 영향
• 3. 이백의 賦 창작 목적
• 4. 이백 賦의 특징
• 5. 나오며
• 【참고문헌】
• 【中文提要】
• 【Abstract】

참고문헌 (Reference)

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2 何易展, "李白辭賦篇目及分類" 23 (23): 2013

3 宮玉婷, "李白辭賦硏究" 中國海洋大學 2011

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5 郭沫若, "李白與杜甫" 人民文學出版社 1971

6 毛水淸, "李白獻賦考" 1992

7 閔澤平, "李白杜甫的散文創作與藝術精神" 23 (23): 2006

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9 高 靜, "李白散文硏究" 內蒙古大學 2009

10 葛景春, "李白思想藝術探驪" 中州古籍出版社 1991

11 戴偉華, "李白寫實文學思想述論" 20 (20): 2005

12 謝育爭, "李白古賦硏究" 文津出版社有限公司 2010

13 李白, "李白全集校注彙釋集評" 白花文藝出版社 1996

14 徐小潔, "李白[大鵬賦]的都家淵源初論" 31 (31): 2015

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38 葛景春, "李白東都洛陽獻賦考" 1995

39 張 波, "李白對漢賦的學習及其賦學觀" 34 (34): 2015

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43 呂華明, "李白[大鵬賦]系年新考" 61 (61): 2001

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47 李白, "分類補注李太白詩" 臺北中華書局 1979

48 劉汾, "以詩爲文, 以情動人--論李白散文的獨特個性" 3 (3): 2003