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      미디어 아트와 중국 전통예술의 융합에 관한 연구 = Research on the Integration of Media Art and Traditional Chinese Art

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      https://www.riss.kr/link?id=A108847592

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      다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

      This study aims to analyze how the aesthetic characteristics of traditional Chinese art are integrated into the development of domestic media art, and to explore the relationship between media art and traditional Chinese art. The research methodology combines the theory of Chinese media art with the aesthetic principles of modern art, reveals its artistic and cultural values, and analyzes the main characteristics of media art in order to grasp the difference and integration process between media art and traditional art. The study covers representative works of Chinese media art since 1990 and five recent typical cases of fusion of traditional Chinese ink techniques with traditional materials. The results of the analysis show that Chinese media art borrows elements of traditional calligraphy and ink painting and activates the structure of images through traditional narratives, which not only innovates from a visual perspective, but also injects a new cultural context into traditional art. As a sublimated form of traditional culture, Chinese media art extends traditional art characteristics through new media. The study concludes that the fusion of media art and traditional art can provide dynamic and interactive display possibilities for traditional art and bring new aesthetic inspirations for media art.
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      This study aims to analyze how the aesthetic characteristics of traditional Chinese art are integrated into the development of domestic media art, and to explore the relationship between media art and traditional Chinese art. The research methodology ...

      This study aims to analyze how the aesthetic characteristics of traditional Chinese art are integrated into the development of domestic media art, and to explore the relationship between media art and traditional Chinese art. The research methodology combines the theory of Chinese media art with the aesthetic principles of modern art, reveals its artistic and cultural values, and analyzes the main characteristics of media art in order to grasp the difference and integration process between media art and traditional art. The study covers representative works of Chinese media art since 1990 and five recent typical cases of fusion of traditional Chinese ink techniques with traditional materials. The results of the analysis show that Chinese media art borrows elements of traditional calligraphy and ink painting and activates the structure of images through traditional narratives, which not only innovates from a visual perspective, but also injects a new cultural context into traditional art. As a sublimated form of traditional culture, Chinese media art extends traditional art characteristics through new media. The study concludes that the fusion of media art and traditional art can provide dynamic and interactive display possibilities for traditional art and bring new aesthetic inspirations for media art.

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      참고문헌 (Reference)

      1 "https://www.youtube.com/watch?v=bufV3Egy PGU"

      2 "https://www.youtube.com/watch?v=XxCykfJ2TXw"

      3 "https://www.sohu.com/a/234306240_410621"

      4 "https://www.pinterest.co.kr/pin/668151294746064032/"

      5 "https://www.artsy.net/artwork/robert-mother well-at-five-in-the-afternoon"

      6 "https://urlzs.com/sSRWv"

      7 "https://reurl.cc/eD4Xjx"

      8 "https://reurl.cc/653NWb"

      9 "https://kknews.cc/culture/q6mqr9y.html"

      10 Xu Peng, "Theoretical Misinterpretation of New Media Art" (12) : 2008

      1 "https://www.youtube.com/watch?v=bufV3Egy PGU"

      2 "https://www.youtube.com/watch?v=XxCykfJ2TXw"

      3 "https://www.sohu.com/a/234306240_410621"

      4 "https://www.pinterest.co.kr/pin/668151294746064032/"

      5 "https://www.artsy.net/artwork/robert-mother well-at-five-in-the-afternoon"

      6 "https://urlzs.com/sSRWv"

      7 "https://reurl.cc/eD4Xjx"

      8 "https://reurl.cc/653NWb"

      9 "https://kknews.cc/culture/q6mqr9y.html"

      10 Xu Peng, "Theoretical Misinterpretation of New Media Art" (12) : 2008

      11 Benjamin, "The Work of Art in the Age of Machine Reproduction, Toward the Age of the Fading of the Spiritual Light - Benjamin on Art" Guangxi Normal University Press 89-, 2004

      12 F. Capra, "The Tao of Physics" Beijing Publishing House 1999

      13 Chen Shu, "The Connotation and Innovation of Nonlinear Editing in the Context of New Media" 116-117, 2012

      14 Yang Xiaohui, "Status and Reflection on Chinese Calligraphy in the Context of Chinese and Foreign Cultures" 76-79, 2014

      15 Wang Haiyan, "Research on the application of calligraphy art in modern digital media" 46-48, 2014

      16 Wang Haiyan, "Research on the application of calligraphy art in modern digital media" 46-48, 2014

      17 Qiu Feng, "Research on the Interactivity of New Media Art" Wuhan University of Technology 2008

      18 R. Liu, "Research on New Media Art" Shandong University 2009

      19 Qi Yue, "Rereading Tapies" China Academy of Art 2012

      20 Ye Lang, "Outline of Chinese Aesthetics" Shanghai People's Publishing House 224-, 1987

      21 Peng Jixiang, "Chinese Art Aesthetics" Peking University Press 2007

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