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      자금성 건축물을 모티브로 한 주얼리 디자인 개발에 관한 연구 = A study on the development of jewelry design inspired by the architecture of the Forbidden City

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      https://www.riss.kr/link?id=A109320936

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      The Forbidden City in Beijing, China, served as the imperial palace and was a significant political and cultural center during the Ming and Qing dynasties. The complex architectural structure and artistic, symbolic elements of the Forbidden City continue to inspire modern artists and designers. However, there has been relatively little research on developing jewelry designs inspired by the Forbidden City, particularly in terms of color, form, and other elements. This study selected six major buildings from the Forbidden City and analyzed their exteriors and patterns, creating sketches based on this analysis. The colors were analyzed using the HSB color model. The research used the analyzed forms (double-eaved hipped roof, double-eaves gable and hip roof, and single-eaved hipped roof with four ridges), decorations (dragon patterns, three intersecting six-petal lattice), and color differences, the Hall of Supreme Harmony bracelet, Hall of Preserving Harmony earrings, and Hall of Central Harmony ring were completed. The study reinterprets the historical value and artistic beauty of the Forbidden City through contemporary jewelry design, presenting a new design paradigm that harmonizes tradition and modernity.
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      The Forbidden City in Beijing, China, served as the imperial palace and was a significant political and cultural center during the Ming and Qing dynasties. The complex architectural structure and artistic, symbolic elements of the Forb...

      The Forbidden City in Beijing, China, served as the imperial palace and was a significant political and cultural center during the Ming and Qing dynasties. The complex architectural structure and artistic, symbolic elements of the Forbidden City continue to inspire modern artists and designers. However, there has been relatively little research on developing jewelry designs inspired by the Forbidden City, particularly in terms of color, form, and other elements. This study selected six major buildings from the Forbidden City and analyzed their exteriors and patterns, creating sketches based on this analysis. The colors were analyzed using the HSB color model. The research used the analyzed forms (double-eaved hipped roof, double-eaves gable and hip roof, and single-eaved hipped roof with four ridges), decorations (dragon patterns, three intersecting six-petal lattice), and color differences, the Hall of Supreme Harmony bracelet, Hall of Preserving Harmony earrings, and Hall of Central Harmony ring were completed. The study reinterprets the historical value and artistic beauty of the Forbidden City through contemporary jewelry design, presenting a new design paradigm that harmonizes tradition and modernity.

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      참고문헌 (Reference)

      1 L. Liu, "The transformation of space function and institutional changes of the qianqing palace(Part 1)" 1 : 4-, 2020

      2 T. Y. Nan, "The three main halls of the Forbidden City in Beijing" 16 : 2-, 2020

      3 D. Z. Sun, "The forbidden city in the qing dynasty : reconstruction and renovation of the imperial City by qing emperors" 10 : 50-, 2020

      4 W. T. Wang, "The finial of the zhonghe hall" 8 : 120-, 2008

      5 Y.H. Kim, "Research on jewelry design utilizing the organic forms of antoni gaudi" Dongshin University 2023

      6 C. Y. Long, "Qing dynasty official beams and xicai paintings and their aesthetic characteristics" 29 : 204-, 2013

      7 W.G. Xiang, "History of Chinese architecture: From pre-qin to late qing" Tsinghua University Press 365-, 2002

      8 J.Y. Yamada, "Colour matching principle" Jiangsu Phoenix Science and Technology Publishing House 18-, 2017

      9 V. Ward, "Architectonic jewellery: An interrogation of the translation of ideas from architecture to jewellery through the design and production of contemporary jewellery" 2005

      10 Z. W. Cao, "A study on the typology and periodization of xicai paintings" 01 : 282-, 2017

      1 L. Liu, "The transformation of space function and institutional changes of the qianqing palace(Part 1)" 1 : 4-, 2020

      2 T. Y. Nan, "The three main halls of the Forbidden City in Beijing" 16 : 2-, 2020

      3 D. Z. Sun, "The forbidden city in the qing dynasty : reconstruction and renovation of the imperial City by qing emperors" 10 : 50-, 2020

      4 W. T. Wang, "The finial of the zhonghe hall" 8 : 120-, 2008

      5 Y.H. Kim, "Research on jewelry design utilizing the organic forms of antoni gaudi" Dongshin University 2023

      6 C. Y. Long, "Qing dynasty official beams and xicai paintings and their aesthetic characteristics" 29 : 204-, 2013

      7 W.G. Xiang, "History of Chinese architecture: From pre-qin to late qing" Tsinghua University Press 365-, 2002

      8 J.Y. Yamada, "Colour matching principle" Jiangsu Phoenix Science and Technology Publishing House 18-, 2017

      9 V. Ward, "Architectonic jewellery: An interrogation of the translation of ideas from architecture to jewellery through the design and production of contemporary jewellery" 2005

      10 Z. W. Cao, "A study on the typology and periodization of xicai paintings" 01 : 282-, 2017

      11 김경태, "A study on jewelry design parts with the application of traditional patterns-traditional window patterns as the motif" 15 : 213-, 2016

      12 S. N. Duan, "A brief analysis of the application value of auspicious patterns in the ming and qing dynasties : A case study of the palace museum" 23 : 38-, 2019

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