The Forbidden City in Beijing, China, served as the imperial palace and was a significant political and cultural center during the Ming and Qing dynasties. The complex architectural structure and artistic, symbolic elements of the Forb...

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https://www.riss.kr/link?id=A109320936
2024
Korean
KCI등재,ESCI
학술저널
173-180(8쪽)
0
상세조회0
다운로드다국어 초록 (Multilingual Abstract)
The Forbidden City in Beijing, China, served as the imperial palace and was a significant political and cultural center during the Ming and Qing dynasties. The complex architectural structure and artistic, symbolic elements of the Forb...
The Forbidden City in Beijing, China, served as the imperial palace and was a significant political and cultural center during the Ming and Qing dynasties. The complex architectural structure and artistic, symbolic elements of the Forbidden City continue to inspire modern artists and designers. However, there has been relatively little research on developing jewelry designs inspired by the Forbidden City, particularly in terms of color, form, and other elements. This study selected six major buildings from the Forbidden City and analyzed their exteriors and patterns, creating sketches based on this analysis. The colors were analyzed using the HSB color model. The research used the analyzed forms (double-eaved hipped roof, double-eaves gable and hip roof, and single-eaved hipped roof with four ridges), decorations (dragon patterns, three intersecting six-petal lattice), and color differences, the Hall of Supreme Harmony bracelet, Hall of Preserving Harmony earrings, and Hall of Central Harmony ring were completed. The study reinterprets the historical value and artistic beauty of the Forbidden City through contemporary jewelry design, presenting a new design paradigm that harmonizes tradition and modernity.
참고문헌 (Reference)
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5 Y.H. Kim, "Research on jewelry design utilizing the organic forms of antoni gaudi" Dongshin University 2023
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8 J.Y. Yamada, "Colour matching principle" Jiangsu Phoenix Science and Technology Publishing House 18-, 2017
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10 Z. W. Cao, "A study on the typology and periodization of xicai paintings" 01 : 282-, 2017
1 L. Liu, "The transformation of space function and institutional changes of the qianqing palace(Part 1)" 1 : 4-, 2020
2 T. Y. Nan, "The three main halls of the Forbidden City in Beijing" 16 : 2-, 2020
3 D. Z. Sun, "The forbidden city in the qing dynasty : reconstruction and renovation of the imperial City by qing emperors" 10 : 50-, 2020
4 W. T. Wang, "The finial of the zhonghe hall" 8 : 120-, 2008
5 Y.H. Kim, "Research on jewelry design utilizing the organic forms of antoni gaudi" Dongshin University 2023
6 C. Y. Long, "Qing dynasty official beams and xicai paintings and their aesthetic characteristics" 29 : 204-, 2013
7 W.G. Xiang, "History of Chinese architecture: From pre-qin to late qing" Tsinghua University Press 365-, 2002
8 J.Y. Yamada, "Colour matching principle" Jiangsu Phoenix Science and Technology Publishing House 18-, 2017
9 V. Ward, "Architectonic jewellery: An interrogation of the translation of ideas from architecture to jewellery through the design and production of contemporary jewellery" 2005
10 Z. W. Cao, "A study on the typology and periodization of xicai paintings" 01 : 282-, 2017
11 김경태, "A study on jewelry design parts with the application of traditional patterns-traditional window patterns as the motif" 15 : 213-, 2016
12 S. N. Duan, "A brief analysis of the application value of auspicious patterns in the ming and qing dynasties : A case study of the palace museum" 23 : 38-, 2019
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