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    고전주의의 재토착화와 구축적 논리의 문제 - 군너 아스플룬트의 우드랜드 채플(1918-20)에 관한 연구 - = Revernacularization of Classicism and the Matter of the Constructional Logic - A Study on Gunnar Asplund's Woodland Chapel (1918-20) -

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    https://www.riss.kr/link?id=A105705056

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    The purpose of this paper is to research Gunnar Asplund's Woodland Chapel (1918-20) in terms of the revernacularization of classicism and to investigate into the matter of the constructional logic. The term 'revernacularization of classicism' was used by Alan Colquhoun to explain the process to return to the pure sources of classical architecture, and the case of a successful fusion of classicism and vernacular traditions was suggested by Demetri Porphyrios through Scandinavian Doricist sensibility in the early 20th century. Porphyrios's classicism, not as style but as sensibility, is premised on a constructional logic of vernacular, and is to achieve an aesthetic quality by its mythical elaboration. Woodland Chapel, a representative of the Scandinavian Doricism according to him, illustrates characteristics of the revernacularized classicism as in the fact that it thickly displays vernacular images at the same time as relying on classicism; in the return to primitive simplicity; and in the mythopoeic power. However, the constructional logic of this building was obscured in the capital of the portico columns, the interior dome, and the whole structure of the roof. Confronting this paradox, we have to remember that although Porphyrios emphasized the constructional logic he opened an aesthetic exit of the mythical elaboration, which is in accord with the concept of the tectonic as the poetics of construction. Woodland Chapel assumes atectonic features but is never anti-tectonic. Asplund intensified a poetic effect by setting the myth over construction in the chapel, and so it can be seen as a key example of the revernacularized classicism with the Doricist sensibility.
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    The purpose of this paper is to research Gunnar Asplund's Woodland Chapel (1918-20) in terms of the revernacularization of classicism and to investigate into the matter of the constructional logic. The term 'revernacularization of classicism' was used...

    The purpose of this paper is to research Gunnar Asplund's Woodland Chapel (1918-20) in terms of the revernacularization of classicism and to investigate into the matter of the constructional logic. The term 'revernacularization of classicism' was used by Alan Colquhoun to explain the process to return to the pure sources of classical architecture, and the case of a successful fusion of classicism and vernacular traditions was suggested by Demetri Porphyrios through Scandinavian Doricist sensibility in the early 20th century. Porphyrios's classicism, not as style but as sensibility, is premised on a constructional logic of vernacular, and is to achieve an aesthetic quality by its mythical elaboration. Woodland Chapel, a representative of the Scandinavian Doricism according to him, illustrates characteristics of the revernacularized classicism as in the fact that it thickly displays vernacular images at the same time as relying on classicism; in the return to primitive simplicity; and in the mythopoeic power. However, the constructional logic of this building was obscured in the capital of the portico columns, the interior dome, and the whole structure of the roof. Confronting this paradox, we have to remember that although Porphyrios emphasized the constructional logic he opened an aesthetic exit of the mythical elaboration, which is in accord with the concept of the tectonic as the poetics of construction. Woodland Chapel assumes atectonic features but is never anti-tectonic. Asplund intensified a poetic effect by setting the myth over construction in the chapel, and so it can be seen as a key example of the revernacularized classicism with the Doricist sensibility.

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    참고문헌 (Reference)

    1 김현섭, "민족 정체성의 건축적 구현: 1900년 전후의 핀란드 민족낭만주의 건축에 관한 고찰" 한국건축역사학회 14 (14): 59-72, 2005

    2 김현섭, "군너 아스플룬트와 알바 알토의 고전주의 건축에 관한 비교연구" 대한건축학회 26 (26): 209-216, 2010

    3 Kenneth Frampton, "Towards a Critical Regionalism, In The Anti-aesthetics" New Press 1998

    4 Kate Nesbitt, "Theorizing a New Agenda for Architecture: an anthology of architectural theory, 1965-1995" Princeton Architectural Press 1996

    5 Caroline Constant, "The Woodland Cemetery: Toward a Spiritual Landscape" Byggförlaget 1994

    6 Marcus Vitruvius Pollio, "The Ten Books on Architecture" Dover 1960

    7 Charles Jencks, "The Language of the Post-Modern Architecture" Rizzoli 1977

    8 Kenneth Frampton, "The Classical Tradition and the European Avant-Garde: Notes on France, Germany and Scandinavia in 1912-37" 1982

    9 Stewart Wrede, "The Architect of Erik Gunnar Asplund" MIT Press 1980

    10 Kenneth Frampton, "Studies in Tectonic Culture: The Poetics of Construction in Nineteenth and Twentieth Century Architecture" MIT Press 1995

    1 김현섭, "민족 정체성의 건축적 구현: 1900년 전후의 핀란드 민족낭만주의 건축에 관한 고찰" 한국건축역사학회 14 (14): 59-72, 2005

    2 김현섭, "군너 아스플룬트와 알바 알토의 고전주의 건축에 관한 비교연구" 대한건축학회 26 (26): 209-216, 2010

    3 Kenneth Frampton, "Towards a Critical Regionalism, In The Anti-aesthetics" New Press 1998

    4 Kate Nesbitt, "Theorizing a New Agenda for Architecture: an anthology of architectural theory, 1965-1995" Princeton Architectural Press 1996

    5 Caroline Constant, "The Woodland Cemetery: Toward a Spiritual Landscape" Byggförlaget 1994

    6 Marcus Vitruvius Pollio, "The Ten Books on Architecture" Dover 1960

    7 Charles Jencks, "The Language of the Post-Modern Architecture" Rizzoli 1977

    8 Kenneth Frampton, "The Classical Tradition and the European Avant-Garde: Notes on France, Germany and Scandinavia in 1912-37" 1982

    9 Stewart Wrede, "The Architect of Erik Gunnar Asplund" MIT Press 1980

    10 Kenneth Frampton, "Studies in Tectonic Culture: The Poetics of Construction in Nineteenth and Twentieth Century Architecture" MIT Press 1995

    11 Neil Leach, "Rethinking Architecture: A Reader in Cultural Theory" Routledge 1997

    12 Joseph Rykwert, "On Adam's House in Paradise: The idea of the primitive hut in architectural history, 2nd ed" MIT Press 1982

    13 Simo Paavilainen, "Nordic Classicism: 1910-1930" Museum of Finnish Architecture 1982

    14 Alan Colquhoun, "Modernity and the Classical Tradition: Architectural Essays 1980-1987" MIT Press 1989

    15 Gustav Holmdahl, "Gunnar Asplund Architect 1885-1940: Plans, sketches, and photographs" Tidskriften Byggmästaren 1950

    16 Peter Blundell Jones, "Gunnar Asplund" Phaidon 2006

    17 Demetri Porphyrios, "Classicism is Not a Style" Architectural Design & Academy Editions 1982

    18 Claes Caldenby, "Asplund" Rizzoli 1986

    19 Nikolaus Pevsner, "An Outline of European Architecture" Penguin 1972

    20 Frank Lloyd Wright, "An Organic Architecture" Lund Humphries 1939

    21 Richard Weston, "Alvar Aalto" Phaidon 1995

    22 David Watkin, "A History of Western Architecture, 3rd ed" Laurence King 2000

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