The objectives of this thesis are to categorize the vision and function of narrators revealed on the Beginning of short story. The modified version of three dimensions, person, mode, and perspective, presented in Franz Karl Stanzel's A Theory of Narra...
The objectives of this thesis are to categorize the vision and function of narrators revealed on the Beginning of short story. The modified version of three dimensions, person, mode, and perspective, presented in Franz Karl Stanzel's A Theory of Narrative were used in classifying the category. At first, four visions , Bukwan style(Author’s prospect ) and Kongkwan style (Reflector's prospect) point of view as third person narrator prospect and Oekwan style ( Self-teller's prospect) and Naekwan style (Self-Experiencing prospect) point of view as first person narrator prospect were classified using person and mode dimension.
This four visions, again, were divided into eight functions, Kwonwi (Authority) and Joung (Harmony) function from Bukwan vision, Donghwa(Assimilation) and Bansung(Reflection) function from Kongkwan vision , Jundal(Transmission) and Koback(Confession) function from Oekwan vision, and Meta (Metaconstruction) and Haeche(Deconstruction) function from Naekwan vision, applying mode dimension.
In conclusion, this transformation of narrative function from teller's to reflector's imply that the orientation of work interpretation is reconstructed from writer's authority to reader's experience. Reader's esthetic desire and writer's narrative desire for exercising authority more strategically facilitated this transformation. The study for examining narrative function has crucial point, because it is helpful to interpret the power and desire of narrative discourse and look into existence form of human being.