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      임화와 일본 나프의 시 = A Comparative Study between Im Hwa`s poetry and Japanese Proletaria Poetry

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      This thesis is tried to compare Im Hwa`s poetry with Japasese Proletaria Poetry. Im-Hwa`s poetry had established `a new mode as the short epic` and a methodology of `the revolutionary romanticism`. 1) But We checked his short epic is like NAPF(=Nippona Artista Proleta Federacio)`s poetry. The reflections in both Im Hwa`s and NAPF`s poetry show a common drift of reducing poetry to a form of meager description of reality and strife, a means of working themselves into full-blown anger, a slogan. A good example is the series of Im Hwa`s short epic poetry(or `short descriptive poetry`) written from 1929 until 1930 and NAPF`s works had was produced in the similar times. It`s possible that Im Hwa was influenced from NAPF`s poetry. The stronger the force of political repression becomes to drive one`s ego deeper inside, the closer self-introspection comes around and the more the feeble ego searches for ways to cope with repressive realities. But we can meet the special facination of Im Hwa`s poetry. 2) The Marxism of this time was one of Im Hwa`s Confrontation from against his negative reality which he realized, and that, as a result of popularization effort for the proletariate poetry, he developed the short epi and he tried to enhance the power of persuasion by make appear woman`s narrator and the subject. But The woman`s narrator on his poetry is not an active labour type but a passive labour type. 3) We can read a lot of the Anti-War Poetry written by NAPF`s poets. While we can read a lot of Diaspora`s narritive in the Im Hwa`s poetry. In these contexts, `transplanted literature history` had been presented by the modern colonial disruption of illusion and desire to a new modernity. When we compare Im Hwa`s Poetry with NAPF`s Poetry, Our vivid feeling get smaller than before. Nevertheless, Im Hwa`s short epic became the real base for the Narritive Imagination of Korean Poetry.
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      This thesis is tried to compare Im Hwa`s poetry with Japasese Proletaria Poetry. Im-Hwa`s poetry had established `a new mode as the short epic` and a methodology of `the revolutionary romanticism`. 1) But We checked his short epic is like NAPF(=Nippon...

      This thesis is tried to compare Im Hwa`s poetry with Japasese Proletaria Poetry. Im-Hwa`s poetry had established `a new mode as the short epic` and a methodology of `the revolutionary romanticism`. 1) But We checked his short epic is like NAPF(=Nippona Artista Proleta Federacio)`s poetry. The reflections in both Im Hwa`s and NAPF`s poetry show a common drift of reducing poetry to a form of meager description of reality and strife, a means of working themselves into full-blown anger, a slogan. A good example is the series of Im Hwa`s short epic poetry(or `short descriptive poetry`) written from 1929 until 1930 and NAPF`s works had was produced in the similar times. It`s possible that Im Hwa was influenced from NAPF`s poetry. The stronger the force of political repression becomes to drive one`s ego deeper inside, the closer self-introspection comes around and the more the feeble ego searches for ways to cope with repressive realities. But we can meet the special facination of Im Hwa`s poetry. 2) The Marxism of this time was one of Im Hwa`s Confrontation from against his negative reality which he realized, and that, as a result of popularization effort for the proletariate poetry, he developed the short epi and he tried to enhance the power of persuasion by make appear woman`s narrator and the subject. But The woman`s narrator on his poetry is not an active labour type but a passive labour type. 3) We can read a lot of the Anti-War Poetry written by NAPF`s poets. While we can read a lot of Diaspora`s narritive in the Im Hwa`s poetry. In these contexts, `transplanted literature history` had been presented by the modern colonial disruption of illusion and desire to a new modernity. When we compare Im Hwa`s Poetry with NAPF`s Poetry, Our vivid feeling get smaller than before. Nevertheless, Im Hwa`s short epic became the real base for the Narritive Imagination of Korean Poetry.

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