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      가부장 사회 속 여성의 금기적 욕망 = Women's Tabooed Desire in Patriarchal Society: English Renaissance and Ovidian Narrative Poems

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      https://www.riss.kr/link?id=A100140318

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      다국어 초록 (Multilingual Abstract)

      Men's inner problems and set of values are projected on the story of myth, because men have personified natural phenomena as a living relationship between gods and men in life. Tabooed desire of gods and men in Greek and Roman myth story of Ovid's Metamorphoses shows psychological phenomena of patriarchal, male-centered society. English Renaissance Ovidian narrative poems emphasize not only patriarchal values but also physical features disrupting sexual difference by taking mystical motifs away from Metamorphoses. However, females of early modern English Ovidian poems don't rationalize their tabooed desire like females in Metamorphoses. They just feel confused about their own desire because of patriarchal values operating in them while males in the poems openly express their tabooed desire blaming the females who denied their tabooed sexual demands. This less autonomous psychology of women than females in Metamorphoses indicates that in 16th century England where traditional social and economic roles were sloughed off by Renaissance movement, patriarchal English Renaissance ironically depended on the female other in order to be autonomous subject because male's ontological fears about the transformation of the self fixated primarily on gender difference.
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      Men's inner problems and set of values are projected on the story of myth, because men have personified natural phenomena as a living relationship between gods and men in life. Tabooed desire of gods and men in Greek and Roman myth story of Ovid's Met...

      Men's inner problems and set of values are projected on the story of myth, because men have personified natural phenomena as a living relationship between gods and men in life. Tabooed desire of gods and men in Greek and Roman myth story of Ovid's Metamorphoses shows psychological phenomena of patriarchal, male-centered society. English Renaissance Ovidian narrative poems emphasize not only patriarchal values but also physical features disrupting sexual difference by taking mystical motifs away from Metamorphoses. However, females of early modern English Ovidian poems don't rationalize their tabooed desire like females in Metamorphoses. They just feel confused about their own desire because of patriarchal values operating in them while males in the poems openly express their tabooed desire blaming the females who denied their tabooed sexual demands. This less autonomous psychology of women than females in Metamorphoses indicates that in 16th century England where traditional social and economic roles were sloughed off by Renaissance movement, patriarchal English Renaissance ironically depended on the female other in order to be autonomous subject because male's ontological fears about the transformation of the self fixated primarily on gender difference.

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      목차 (Table of Contents)

      • Ⅰ. 서론
      • Ⅱ. 금기 위반의 장(場): 오비드의 변신
      • Ⅲ. 영국 르네상스와 오비드풍 설화시
      • Ⅳ. 결론
      • 인용문헌
      • Ⅰ. 서론
      • Ⅱ. 금기 위반의 장(場): 오비드의 변신
      • Ⅲ. 영국 르네상스와 오비드풍 설화시
      • Ⅳ. 결론
      • 인용문헌
      • Abstract
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      참고문헌 (Reference)

      1 조르주 바타유, "에로티즘" 민음사 1997

      2 임봉길, "신화학1-날것과 익힌 것" 한길사 2005

      3 최창모, "금기의 수수께끼: 성서속의 금기와 인간의 지혜" 한길사 2003

      4 Keilen, Sean., "Vulgar Eloquence" Yale UP 2006

      5 Freud, Sigmund., "Totem and Taboo" Moffat, Yard and Company 1919

      6 Enterline, Lynn., "The Rhetoric of Body from Ovid to Shakespeare" Cambridge UP 2000

      7 Ferguson, Wallace K., "The Renaissance Historical Thought" The Riverside P. Cambridge 1948

      8 Campbell, Joseph, "The Power of Myth" Anchor Books 1991

      9 Scholes, Robert. and Robert Kellog, "The Nature of Narrative" Oxford UP 1979

      10 Aughterson, Kate, "The English Renaissance" Routledge 1998

      1 조르주 바타유, "에로티즘" 민음사 1997

      2 임봉길, "신화학1-날것과 익힌 것" 한길사 2005

      3 최창모, "금기의 수수께끼: 성서속의 금기와 인간의 지혜" 한길사 2003

      4 Keilen, Sean., "Vulgar Eloquence" Yale UP 2006

      5 Freud, Sigmund., "Totem and Taboo" Moffat, Yard and Company 1919

      6 Enterline, Lynn., "The Rhetoric of Body from Ovid to Shakespeare" Cambridge UP 2000

      7 Ferguson, Wallace K., "The Renaissance Historical Thought" The Riverside P. Cambridge 1948

      8 Campbell, Joseph, "The Power of Myth" Anchor Books 1991

      9 Scholes, Robert. and Robert Kellog, "The Nature of Narrative" Oxford UP 1979

      10 Aughterson, Kate, "The English Renaissance" Routledge 1998

      11 Burckhardt, J., "The Civilization of the Renaissance in Italy" Phaidon 1965

      12 Shakespeare, William., "The Arden Shakespeare: The Poems" Methuen 1969

      13 Ovidius, Publius Naso., "Shakespeare's Ovid: Being Arthur Golding's Translation of Metamorphoses" Norton 1966

      14 Maslen, R. W., "Shakespeare's Ovid" Cambridge UP 15-30, 2000

      15 Cohen, Stephen., "Shakespeare and Modernity" Routledge 20-39, 2000

      16 Bate, Jonathan., "Sexual Perversity in Venus and Adonis" 67 : 320-327, 2002

      17 Lodge, Thomas., "Scillaes Metamorphoses: Enterlaced with Vnfortunate Loue of Glaucus" Richard Jhones 1589

      18 Heisch, A., "Queen Elizabeth I: parliamentary rhetoric and the exercise of power" 1 : 31-55, 1975

      19 Griffin, Alan H. F., "Ovid’s Metamorphose’" 24 (24): 57-70, 1977

      20 Milowicki, Edward J., "Ovid through Shakespeare: The Divided Self" 16 : 217-252, 1995

      21 Lerner, Laurence., "Ovid Renewed" Cambridge UP 121-135, 1988

      22 Marlowe, Christopher., "Marlowe's Plays and Poems" Dent 1965

      23 Laqueur, Thomas Walter., "Making Sex: Body and Gender from the Greeks to Freud" Harvard UP 1992

      24 Kenny, E.J., "Introduction. Ovid: Metamorphoses" Oxford UP xii-xxix, 1986

      25 Dubrow, Heather., "Genre" Methuen 1982

      26 Schiebinger, Londa., "Feminism and the Body" Oxford UP 2000

      27 Wrightson, Keith., "English Society 1580-1680" Hutchinson 1986

      28 Keach, William., "Elizabethan Erotic Narratives New Brunswick" Rutgers UP 1977

      29 Marder, Elissa., "Disarticulated Voices : Feminism and Philomela" 7 : 148-166, 1992

      30 Park, Katherine., "Crossing Boundaries:Attending to Early Modern Women" U of Delaware P 29-47, 2000

      31 Jones, Ann Rosalind, "Body Guards: the Cultural Politics of Gender Ambiguity" Routledge 81-107, 1991

      32 Faludi, Susan., "Backlash: the Undeclared War against American Women" Anchor Books 1992

      33 Hyland, Peter., "An Introduction to Shakespeare’s Poems" Palgrave 2003

      34 Belsey, C., "Alternative Shakespeare" Methuen 1985

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      학술지 이력

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      연월일 이력구분 이력상세 등재구분
      2026 평가예정 재인증평가 신청대상 (재인증)
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      2013-01-01 평가 등재 1차 FAIL (등재유지) KCI등재
      2010-01-01 평가 등재학술지 선정 (등재후보2차) KCI등재
      2009-01-01 평가 등재후보 1차 PASS (등재후보1차) KCI등재후보
      2008-01-01 평가 등재후보 1차 FAIL (등재후보1차) KCI등재후보
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      학술지 인용정보

      학술지 인용정보
      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.17 0.17 0.18
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.16 0.15 0.462 0.15
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