韓國 狂歌의 考察

다국어 초록 (Multilingual Abstract)

This study aims to look into the inner consciousness of the lyrical self in 16 Frantic Verses and to present the characteristics of them. The essay can be summarized as follows:

The first author of Frantic Verses was Yee Sack. Two Frantic Verses were created in the 14th century, about four verses in the 17th century, one verse in the 18th century, six verses in the 19th century and three verses in the 20th century. Frantic Verses in the first half before the 18th century were ancient types of poems, and those in the latter half were recent types of poems since the 19th century. In the verses in the first half, we cannot generally see scenes of the lyrical self’s drinking, whereas there were drinking scenes in almost all verses in the latter half.
① The lyrical self in Frantic Verses has a strong sense of pride with a feeling of regret as his ability was not recognized in real life. ② The lyrical self with self-respect acts freely and keeps aloof from the values of the mundane world. ③ The lyrical self deplores reality and lets out frustration, which seems to be relevant to historical events or situations. ④ The lyrical self appears to be a Confucian scholar who respects doctrines of Confucius and Mencius. They urge to keep in mind that you should ‘be comfortable with poverty and enjoy truth’ and to try to be a saint.
The characteristics of Frantic Verses are as follows: ① They set up realistic situations, whereas Chinese verses set up non-realistic situations. ② The lyrical self in Frantic Verses regards saints as his ideal and greatly respects Confucius and Mencius, which we cannot see in Chinese verses. ③ This characteristic stems from the academic narrow-mindedness of Korean Confucian scholars. ‘Frantic’ is a kind of limited deviation which stays within the bounds of Confucian doctrines.

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