모리사키 가즈에(森崎和江)의 작품에 나타난 식민지 ‘대구’의 공간표상 - 『경주는 어머니가 부르는 소리: 나의 원향』을 중심으로 - = Spatial Representation of Colonial 'Daegu' in the Works of Kazue Morisaki - Focusing on『Gyeongju is the Sound of My Mother: My Home』-

다국어 초록 (Multilingual Abstract)

The study aim was to examine the representation of Daegu as a modern colonial city in Kazue Morisaki’s ”Gyeongju is the Sound of My Mother: My Home” (hereafter, “Gyeongju”). The depiction of Daegu in ”Gyeongju” focuses primarily on Japanese residential areas established during the colonial period. A comparison of Morisaki’s memories of urban spaces with colonial-era Japanese records and maps published at the time provides evidence that these recollections served as valuable resources for understanding both the formation of Daegu’s modern urban landscape and the daily lives of its residents. Thus, beyond merely appreciating this work as a literary piece, we intend to extend its function as a text that offers insight into the local history of the Daegu area as a history of memory.
Morisaki describes colonial Daegu in ”Gyeongju“ as a space representing the “normalized invasion” by Japanese colonizers. Daegu is portrayed as a space in which the hybridity and heterogeneity of a colony can be discovered. For Morisaki, it is the origin of her memories of, the starting point of her psychological journey to confront the “distorted original guilt” from being a second-generation colonialist, the world of “ ” that nurtured her fundamental sense of aesthetics, and a reminder of her dual role as both perpetrator and victim.

참고문헌 (Reference)

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