The following two themes were examined in this paper, focusing on the reproduction of the March 1st Movement of intellectuals/workers in the 1920s, with Lee Hee-cheol’s “Euphyeoljo”, Yeom Sang-seop’s “Green Frog in the Specimen Room”, and ...
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https://www.riss.kr/link?id=A108626546
2023
-
800
KCI등재
학술저널
17-53(37쪽)
0
상세조회0
다운로드다국어 초록 (Multilingual Abstract)
The following two themes were examined in this paper, focusing on the reproduction of the March 1st Movement of intellectuals/workers in the 1920s, with Lee Hee-cheol’s “Euphyeoljo”, Yeom Sang-seop’s “Green Frog in the Specimen Room”, and ...
The following two themes were examined in this paper, focusing on the reproduction of the March 1st Movement of intellectuals/workers in the 1920s, with Lee Hee-cheol’s “Euphyeoljo”, Yeom Sang-seop’s “Green Frog in the Specimen Room”, and “Mansejeon”. One is the issue of World War I, the world’s historical background of the March 1st Movement, and the other is the issue of the subject of the March 1st Movement. Lee Hee-cheol and Yeom Sang-seop focused on workers and intellectuals, respectively, and captured the aspects of their appropriation of World War I. This perception of World War I is a rare point for novels at the time. Meanwhile, Lee Hee-cheol cracks the myth of the subject of the March 1st Movement by criticizing hypocritical intellectuals. On the other hand, while Yeom Sang-seop shows the limitations of weak intellectuals, he explores their potential in “Mansejeon”. At the same time, they captured various problems of the oppressed workers and lower classes. In this regard, their literary reproduction of the March 1st Movement is close to the figure of people’s history from below.
식민 말기 하위 주체의 역사적 증언의 가능성 -‘재일 조선인’ 작가 김사량을 중심으로-
재현이 ‘하는 일’(1):문학적 재현은 실재를 어떻게 지시하고-고정하는가 -유미리 「돌에서 헤엄치는 물고기(石に泳ぐ魚)」와 그 프라이버시 소송 사건(1994)을 중심으로-
코스모폴리탄어에서 국어로 -19세기말 한국의 언어적 근대성과 속어의 회전(1880년대-1910년)-
시적 조우 -장률의 <경계>에 나타난 몽골 노마드와 탈북 난민의 언어, 모빌리티, 젠더-