조사와의 차운시에 나타난 지봉의 의식 -지봉의 「황화집차운」을 통해- = A study on Zi Bong`s world of consciousness in Hwanghwazipchaun

다국어 초록 (Multilingual Abstract)

Zi Bong`s world of consciousness in Hwanghwazipchaun(皇華集次韻) in two volumes is examined. Hwanghwazipchaun is a compiled book of reciprocating and reciting poems with Chinese envoys, when receiving them. His world of consciousness is divided into a consciousness of ceremonial rhyme-borrowing, that of Yuheozi, and that of unworldliness and a Taoist hermit free from worldly cares. The poetic quality in ceremonial rhyme-borrowing is mainly a complimentary and toadyish figure. Most of these figures are seen in Hwanghwazipchaun fourteenth. In these poems, as accompanying and attending on them is a public service, and takes precedence of other private concerns, and thus, a ceremonial rhyme-borrowing becomes the prime concern rather than emotion and feeling`s flow. Naturally, the poetic content becomes from a eulogy for envoys to a ceremonial Ming-in-esteem in a party, and a reverential farewell, and these poems are composed within a toadyish figure. His consciousness in Yuheozi is free from a formal frame of a ceremonial rhyme-borrowing, in view of poems making our own scenery and the remains of historic interest as an subject matter. It can be said that the quality of his consciousness is taken a glance of through historical facts in the remains of historic interest and reverence of consciousness which the deceased tries to realize. Such consciousnes s is seen in Hwanghwazipchaun nineteenth mainly. As these poems are written by his own poetic genius after his public duty as a receiver, and free from writing formal poem, the realization of such consciousness can be possible. In the inclination of unworldliness and a Taoist hermit free from worldly cares, it is different aspect from actual problem of the poet and unworldliness and orientation for the world of Taoist hermit in the aspect of consciousness. Such aspect is made on the basis of the realistic circumstances, toadyish diplomatic relations. Therefore, the feature of the world of a Taoist hermit enforce a complimentary aspect to heighten the envoys. However, in the feature of the world of a Taoist hermit in Hwanghwazipchaun nineteenth, the beautiful scenery is described verisimilarly with a tower and summerhouse for background, and naturally, it accompanies a natural flow of feeling and emotion.

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