인문사회과학영역 : 다각적 공연예술로 본 무용 비전 = Humanities and Social Sciences : The Prospect of Dancing as a Form of Multifaceted Performing Art

다국어 초록 (Multilingual Abstract)

Body is an important keyword in the 21st Century, but unfortunately, the number of people engaging in Dancing is decreasing following the trend of population decrease, especially in younger ages. Therefore, it is urgent for each college to overcome various social restrictions and become advanced educational facilities. What should colleges teach? Do they need to adjust curriculums for better job placement after graduation? The answer is that Dancing education should focus on the essence of education and creation. This study discusses issues related to performance within the trends of education and creation. The code applied to body changes from time to time. In terms of general education courses offered by colleges, most popular courses involve experiencing the body. In other words, the new philosophy of body involves direct experience. Also, Korean dances delve into mental training, artistic aspect, functional aspect, and the specialized world of stage. As the past performance at shamanistic rituals focused on mental training through direct experience rather than indirect experience confined in proscenium stages, Korean dances have the characteristic to be individual yet together. Therefore, Korean dances are already multilateral. National/public or private dance companies need star performers with good appearance and entertainment leaders that can bring everyone together with good functional abilities as schools and training institutes serve educational and historical purposes. In other words, there must be diverse people and diverse opportunities. Dancing is not just stage performance. It can be used for therapy, senior welfare, general education, and so on. To this end, this study understands the body philosophy that has been converted from indirect viewing to direct experience in the 21st Century to examine the possibility of performing art in the concept of post-stage public art and community dancing and to discuss the ways to expand the realm of dancing by developing contents for specialized theaters. These attempts are expected to share diverse art and culture and nurture more talented manpower. As there is no preceded study on the prospect of dancing as a form of multifaceted performing art, this study adopted literature study, Internet survey, and interview. ``Consilience`` is another popular term these days. The significance of this study is that the future of dancing and the possibility of job placement could be discussed only when we understand the necessity of multilateral networks and promote activities to utilize the networks.

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