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    현대 패션에 나타난 캘리그라피의 표현유형 및 의의 = The Types of Expression and Meanings of Calligraphy Appearing in Modern Fashion

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    https://www.riss.kr/link?id=A99923275

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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    The purpose of this study was to analyze the types and meanings of calligraphy presented in modern fashion design. Calligraphy refers to beautiful handwriting or fine penmanship in the West, and handwriting with brushstrokes in the East. The expression patterns being used at present can be divided into three categories. Legible calligraphy is focused on readability more than embellishment. Decorative calligraphy places its importance on decoration at the expense of practicality. The third type, harmonious calligraphy, pursues decorativeness and legibility at the same time. Each of these types of calligraphy is expressed in modern fashion with its own purpose: calligraphy for conveying emotional messages, calligraphy as a special brand image, and calligraphy as an expression of formativeness. The first, calligraphy for conveying emotional messages, is used with characters that are familiar to the public. Calligraphy of this type delivers messages confined emotionally to the conscious world, harmonizing calligraphy with words, or expressing readability filled with purity and delight. Second, calligraphy as a special brand image refers to transmitting a distinctive brand image from other companies through employment of a design motive or pattern by expressing the brand logos or names of designers. Third, calligraphy as a expression of formativeness has the function of shaping expressions as motives or patterns, avoiding meanings of words or phrases. It can be represented by the abbreviation or modification of words, or arranging words in different shapes, harmonizing the words with the clothing construction and atmosphere of the other images.
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    The purpose of this study was to analyze the types and meanings of calligraphy presented in modern fashion design. Calligraphy refers to beautiful handwriting or fine penmanship in the West, and handwriting with brushstrokes in the East. The expressio...

    The purpose of this study was to analyze the types and meanings of calligraphy presented in modern fashion design. Calligraphy refers to beautiful handwriting or fine penmanship in the West, and handwriting with brushstrokes in the East. The expression patterns being used at present can be divided into three categories. Legible calligraphy is focused on readability more than embellishment. Decorative calligraphy places its importance on decoration at the expense of practicality. The third type, harmonious calligraphy, pursues decorativeness and legibility at the same time. Each of these types of calligraphy is expressed in modern fashion with its own purpose: calligraphy for conveying emotional messages, calligraphy as a special brand image, and calligraphy as an expression of formativeness. The first, calligraphy for conveying emotional messages, is used with characters that are familiar to the public. Calligraphy of this type delivers messages confined emotionally to the conscious world, harmonizing calligraphy with words, or expressing readability filled with purity and delight. Second, calligraphy as a special brand image refers to transmitting a distinctive brand image from other companies through employment of a design motive or pattern by expressing the brand logos or names of designers. Third, calligraphy as a expression of formativeness has the function of shaping expressions as motives or patterns, avoiding meanings of words or phrases. It can be represented by the abbreviation or modification of words, or arranging words in different shapes, harmonizing the words with the clothing construction and atmosphere of the other images.

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    참고문헌 (Reference)

    1 서현수, "현대패션에 나타난 타이포그래피에 관한 연구" 한국복식학회 54 (54): 135-148, 2004

    2 김선영, "타이포그래피를 이용한 현대패션의 유형과 미적 특성" 복식문화학회 17 (17): 283-295, 2009

    3 이승옥, "비비안 웨스트우드의 패션디자인과 정치 성향의 관계" 한국의상디자인학회 7 (7): 225-234, 2005

    4 김병옥, "동양적 캘리그라피 기법의 특성과 활용에 관한 연구" 한국디자인학회 16 (16): 16-172, 2003

    5 Wilcox, C., "Vivienne Westwood" V & A Publications 2005

    6 Beaument, M., "Typography & color" Yegyung 1996

    7 Park, J. H., "Typo & calligraphy" Wellbook 2007

    8 Sim, J. S., "The study of adoption of Hangul of calligraphy concept" Seoul Women’s University 1996

    9 Toledo, R., "Style dictionary" Abbeville Press 1997

    10 Hwang, J. A., "Review on the use of calligraphy through the emotional expression of “Seoye”" Hanyang University 2008

    1 서현수, "현대패션에 나타난 타이포그래피에 관한 연구" 한국복식학회 54 (54): 135-148, 2004

    2 김선영, "타이포그래피를 이용한 현대패션의 유형과 미적 특성" 복식문화학회 17 (17): 283-295, 2009

    3 이승옥, "비비안 웨스트우드의 패션디자인과 정치 성향의 관계" 한국의상디자인학회 7 (7): 225-234, 2005

    4 김병옥, "동양적 캘리그라피 기법의 특성과 활용에 관한 연구" 한국디자인학회 16 (16): 16-172, 2003

    5 Wilcox, C., "Vivienne Westwood" V & A Publications 2005

    6 Beaument, M., "Typography & color" Yegyung 1996

    7 Park, J. H., "Typo & calligraphy" Wellbook 2007

    8 Sim, J. S., "The study of adoption of Hangul of calligraphy concept" Seoul Women’s University 1996

    9 Toledo, R., "Style dictionary" Abbeville Press 1997

    10 Hwang, J. A., "Review on the use of calligraphy through the emotional expression of “Seoye”" Hanyang University 2008

    11 Drogin, M., "Medieval calligraphy: Its history and technique" Dover Publications 1989

    12 Massin, R., "Letter & image" Mijinsa 1994

    13 장애란, "Jean Michel Basquiat의 그래피티(Graffiti)를 응용한 패션페인팅" 대한가정학회 44 (44): 23-34, 2006

    14 Victionary, "Fashion wonderland: Uncover the power of illustration in fashion" Gingko Press 2008

    15 Victionary, "Fashion unfolding: Uncover the power of graphics in fashion" Gingko Press 2007

    16 Choi, J. E., "Designer Lee Sang Bong who introduce ‘Hangul fashion’ to the world"

    17 Yoon Design Institute, "Design Jungle" Design Jungle 1998

    18 Perfetti, S. B., "Collezioni. Modena" Logos Publishing 2005

    19 Lee, D., "Collabonomics" Herum 2008

    20 Lee, K. B., "Calligraphy" Ahngraphics 2008

    21 Arnheim, R., "Art and visual perception" Kilinwon 2003

    22 Yoo, J. H., "An analysis of the written clothing represented in magazine, (I) : From 1955 to 1965" 50 (50): 59-74, 2000

    23 Lee, Y. J., "A study on the expression and the formation of calligraphy" 21 : 67-95, 2007

    24 Ko, E. N., "A study on the characters and the images as an expressional media in molding" 5 (5): 25-44, 1999

    25 Park, C. K., "A study of calligraphy in aspect of the experimental typography" (9) : 121-137, 2002

    26 Meggs, P. B., "A history of graphic design" Design 1997

    27 "2009-10 Autumn & winter Gap collections"

    28 "2009 Spring & summer Gap collections"

    29 "2006-07 Fall & winter Gap collections"

    30 "2004-05 Autumn & winter Gap collections"

    31 "2002-03 A/W Gap collections"

    32 "2002 S/S Gap collections"

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    학술지 인용정보

    학술지 인용정보
    기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
    2016 0.76 0.76 0.96
    KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
    1.02 1.04 1.279 0.17
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