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      연작형 국문장편소설의 공간 구성과 그 의미 -<쌍천기봉> 연작을 중심으로- = Spatial configuration and its implication of a series of Korean long-piece novels- Focused on a series of <SsangCheonGiBong>

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      https://www.riss.kr/link?id=A100038047

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      다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

      The purpose of this study is to investigate the space theory as one methodology to study Korean long-piece novels by studying space configuration aspects of Korean long-piece novels. In this study, space configuration and its implication were analyzed with the target of a series of <SsangCheonGiBong> under the assumption in which sequential and variation aspects of a series of novels could be newly captured from the aspect of space. In a series of novels, main space is basically continued in previous and follow-up novels and variation aspects are shown by some factors such as politics or family. It can be named continuous space of family and variation space of generation. In a series of <SsangCheonGiBong> which is a target novel of this paper, main space such as GeumJoo, NamChang, DongJeongHo (GunSan, JangSa), JeolGang and SanDong is continued and variation aspects are contained. In <SsangCheonGiBong> which is a previous novel, DongGyeong and SeoGyeong are emerging. In <YiSsiDaeRok> which is a follow-up novel, SeoChok (SeongDo) and BukGyeong are emerging and variation aspects reveal a distinct pattern. Through this variation aspect, in <SsangCheonGiBong> which is a previous novel, space also reveals abstract and symbolic aspects in such a huge discourse such as politics or history, whereas the follow-up novel is focused on the life of family members and space reveals specific and ordinary aspects. In addition, <SsangCheonGiBong> which is a previous novel has the background in the Ming Dynasty but the past of the Song Dynasty and Three Kingdoms is sometimes mixed. However, <YiSsiDaeRok> is focused on the Ming Dynasty and reveals sharing aspects with other novels. In terms of this issue, <SsangCheonGiBong> which is a previous novel reveals the independent space setting of <SsangCheonGiBong> more strongly. It suggests that the space of a series of novels is not simple space background but a point closely linked to characteristics or orientation of narrative of previous and follow-up novels. Therefore, a series of <SsangCheonGiBong> is the novel to verify the possibility and validity of discussion of a series of novels in terms of space.
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      The purpose of this study is to investigate the space theory as one methodology to study Korean long-piece novels by studying space configuration aspects of Korean long-piece novels. In this study, space configuration and its implication were analyzed...

      The purpose of this study is to investigate the space theory as one methodology to study Korean long-piece novels by studying space configuration aspects of Korean long-piece novels. In this study, space configuration and its implication were analyzed with the target of a series of <SsangCheonGiBong> under the assumption in which sequential and variation aspects of a series of novels could be newly captured from the aspect of space. In a series of novels, main space is basically continued in previous and follow-up novels and variation aspects are shown by some factors such as politics or family. It can be named continuous space of family and variation space of generation. In a series of <SsangCheonGiBong> which is a target novel of this paper, main space such as GeumJoo, NamChang, DongJeongHo (GunSan, JangSa), JeolGang and SanDong is continued and variation aspects are contained. In <SsangCheonGiBong> which is a previous novel, DongGyeong and SeoGyeong are emerging. In <YiSsiDaeRok> which is a follow-up novel, SeoChok (SeongDo) and BukGyeong are emerging and variation aspects reveal a distinct pattern. Through this variation aspect, in <SsangCheonGiBong> which is a previous novel, space also reveals abstract and symbolic aspects in such a huge discourse such as politics or history, whereas the follow-up novel is focused on the life of family members and space reveals specific and ordinary aspects. In addition, <SsangCheonGiBong> which is a previous novel has the background in the Ming Dynasty but the past of the Song Dynasty and Three Kingdoms is sometimes mixed. However, <YiSsiDaeRok> is focused on the Ming Dynasty and reveals sharing aspects with other novels. In terms of this issue, <SsangCheonGiBong> which is a previous novel reveals the independent space setting of <SsangCheonGiBong> more strongly. It suggests that the space of a series of novels is not simple space background but a point closely linked to characteristics or orientation of narrative of previous and follow-up novels. Therefore, a series of <SsangCheonGiBong> is the novel to verify the possibility and validity of discussion of a series of novels in terms of space.

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      참고문헌 (Reference)

      1 탁원정, "조선후기 고전소설의 공간미학" 보고사 1-383, 2013

      2 박영희, "장편가문소설의 明史 수용과 의미: 靖難之變을 중심으로" 한국 고전연구학회 6 : 191-216, 2000

      3 홍성암, "소설의 공간 설정과 작가 의식" 5 : 51-65, 1996

      4 최수현, "국문장편소설 공간 구성 고찰 - <임씨삼대록>을 중심으로 -" 한국고소설학회 (33) : 145-181, 2012

      5 조광국, "고전소설에서의 사적 모델링 서술의식 및 서사구조의 관련양상" 서울대 한국문화연구소 28 : 55-83, 2001

      6 지연숙, "고전소설 공간의 상호텍스트성 - 황릉묘를 중심으로 -" 한국학연구소 (36) : 141-165, 2011

      7 임미희, "가문소설의 '여성 수난 극복 공간' 연구" 서강대 2012

      8 張時光, "雙釧奇逢 連作 硏究" 서울대 1996

      9 박은정, "<취미삼선록>에 나타난 여성공간의 기능과 의의" 한민족어문학회 (60) : 85-124, 2012

      10 김탁환, "<쌍천기봉>의 창작방법 연구" 서울대 국어국문학과 18 : 163-190, 1993

      1 탁원정, "조선후기 고전소설의 공간미학" 보고사 1-383, 2013

      2 박영희, "장편가문소설의 明史 수용과 의미: 靖難之變을 중심으로" 한국 고전연구학회 6 : 191-216, 2000

      3 홍성암, "소설의 공간 설정과 작가 의식" 5 : 51-65, 1996

      4 최수현, "국문장편소설 공간 구성 고찰 - <임씨삼대록>을 중심으로 -" 한국고소설학회 (33) : 145-181, 2012

      5 조광국, "고전소설에서의 사적 모델링 서술의식 및 서사구조의 관련양상" 서울대 한국문화연구소 28 : 55-83, 2001

      6 지연숙, "고전소설 공간의 상호텍스트성 - 황릉묘를 중심으로 -" 한국학연구소 (36) : 141-165, 2011

      7 임미희, "가문소설의 '여성 수난 극복 공간' 연구" 서강대 2012

      8 張時光, "雙釧奇逢 連作 硏究" 서울대 1996

      9 박은정, "<취미삼선록>에 나타난 여성공간의 기능과 의의" 한민족어문학회 (60) : 85-124, 2012

      10 김탁환, "<쌍천기봉>의 창작방법 연구" 서울대 국어국문학과 18 : 163-190, 1993

      11 장시광, "<쌍천기봉> 연작의 이야기 결합방식" 한서대 동양고전연구소 7 : 5-38, 2001

      12 장시광, "<쌍천기봉> 여성수난담의 특징과 그 의미" 한국고전여성문학회 (21) : 187-232, 2010

      13 이주영, "<소현성록>의 유불 대립과 공간 구성의 함의" 국문학회 (23) : 169-192, 2011

      14 지연숙, "<소현성록>의 공간 구성과 역사 인식" 한국고전연구학회 0 (0): 49-89, 2006

      15 서정민, "<보은기우록>과 <명행정의록>의 연작 양상" 서울대 국어국문학과 28 : 269-288, 2003

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      2017-11-15 학술지명변경 외국어명 : Journal of Classical Literature -> Journal of Korean Classical Literature KCI등재
      2017-10-13 학회명변경 영문명 : 미등록 -> Korean Classical Literature Association KCI등재
      2017-10-11 학술지명변경 외국어명 : 미등록 -> Journal of Classical Literature KCI등재
      2015-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2011-01-01 평가 등재학술지 유지 (등재유지) KCI등재
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      2007-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2004-01-01 평가 등재학술지 선정 (등재후보2차) KCI등재
      2003-01-01 평가 등재후보 1차 PASS (등재후보1차) KCI등재후보
      2002-01-01 평가 등재후보학술지 유지 (등재후보1차) KCI등재후보
      1999-07-01 평가 등재후보학술지 선정 (신규평가) KCI등재후보
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      학술지 인용정보

      학술지 인용정보
      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.93 0.93 0.99
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.88 0.93 2.124 0.2
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