찻주전자 (Teapot) 의 조형이념과 형식 = The Formative Idea and Form of a Teapot

다국어 초록 (Multilingual Abstract)

The metaphysical formality of teapot is a new meaning in formative arts and its idea and forms of formality are the best way to improve life environment.
Artificial sculpture like teapot which satisfies both practical use and aesthetic desire has impact on the functional and organic relations between construction and structure.
In that sense, it is an important thing to reinterpret the making of the physical concept a metaphysical structure has through their correlational meaning and to create another possible world of the making.
In interpreting and analyzing teapot to understand the concept and idea of formality and formal structure, we focus on the understanding of changing correlations about symbols as materialistic expressivity shown on metaphysical formality and forms as a structure and emblem as visual element and as a result, we could recognize creative and preceding expression activities of structure through selections of elements and techniques development and combinations of forms.
Through the analysis of the formality concept and essence of teapot and the explanation of its structure as a formal structure, a comprehensive formality of types or patterns of tea pot was studied.
Through this, it has been identified that teapot shows the balance among its natural beauty, consciousness beauty and geometrical beauty of formality and also gives a value as practical use of simple and clear artificial formality accompanied by artless art.
The result is that to understand a system of structure and the idea of formality expressed on teapot exists as new shapes and values in the course of creation of structure.

참고문헌 (Reference)

1 국립중앙박물관, "한국민예미술" 평화당 328-332, 1976

2 스테판 멜시오르 뒤랑, "차"

3 국립중앙박물관, "아름다운 우리 문화제1" 35-97, 2007

4 한석우, "산업디자인 트랜드 예측을 위한 전략시스템(TTSS)구축과 인터페이스개발에 관한 연구" 지식경제부 93-94, 1998

5 David Battie, "Sothebys Concise Encyclopedia of Porcelain"

6 David Battie, "Sothebys Concise Encyclopedia of Porcelain" 122-145, 1990

7 Jacibson Chinoiserie, "Phaidon"

8 Dawn Jacibson Chinoiserie, "Phaidon"

9 Raynand, "Passion de porcelaines"

10 "Naturalistic Floral Decoration on XVIII Centuny Ceramic」, Editrice Milo, Italy"

11 obin Hildyard, "European Ceramics" Victoria ＆ Albert Museum 47-135, 1999