歌詞의 반주음악에 관한 연구 - sp판 복각음반 〈전통가곡, 歌詞의 原流〉를 중심으로

다국어 초록 (Multilingual Abstract)

The Jeong-Ga(正歌) is composed of three parts, that is, Gagok(歌曲), Gasa(歌詞), Sizo(시조). Among these genres, the Gagok is played to the accompaniment of Daegum, Piri, Haegum, Gayagum, Geomungo and Janggu. But the Gasa and Sizo are different from the Gagok in the point that they are played without Gayagum and Geomungo. In addition, the melody of accompaniment is already fixed in the Gagok, but the Gasa and Sizo have no fixed melody in the accompaniment. consists of five Gasa, and all of these Gasa are played to the accompaniment in different ways. However the interpretation of track 3 and track 6 of this CD expressed as 'song with the lyric on Hyangdangkyoju(鄕唐交奏) and Pyoungjohoesang(平調會上)' are distorted. The purpose of this article is to correct the errors of the interpretation of this CD, to compare the melodies and accompaniments of the song on track 3 and track 6, and to figure out the time when the Gasa began to be played to the accompaniment in the same way played recently. The results of this study are following; First, the explanation of track 3 expressed as 'song with the lyric on Hyangdangkyoju' is incorrect. In fact, this song corresponds to the first section of the Gasa [Gweonjuga(勸酒歌)] and the accompaniment of this song comes from the melody of Yeomyangchun(艶陽春), With the comparison of melodies of the song and accompaniment of track 3, Yeomyangchun plays a role as the background music rather than the accompaniment. Second, the explanation about track 6 interpreted as 'song with the lyric on Pyoungjohoesang' is incorrect. In fact, this song is the part of the Gasa [Sangsabyoulgok(相思別曲)] from the first section 4th Jangdan(長短, rhythm pattern) to the second section, using Pyoungjohoesang as the accompaniment. Moreover Sangsabyoulgok and Pyoungjohoesang are well-marched as the song and accompaniment. even though they looked unsuitable each other. Third, the Gasa was first taught by Ha Gyu-Il at the Gweonbeon(券番) and Leewangjik Aakbu(李王 職 雅樂部, the traditional music part of Lee dynasty). Since that time, many musicians have learned the Gasa systematically. So musicians have begun to play the accompaniment to the Gasa in Suseong(隨聲) melody. In conclusion, the Gasa is accompanied in Suseong melody nowadays. But before this methods are used, the Gasa was sung to the accompaniment of preexisting music.

목차 (Table of Contents)

• Ⅰ. 머리말
• Ⅱ. 권주가
• 1. 음반해설의 정정
• 2. 권주가와 염양춘의 선율비교
• Ⅲ. 상사별곡
• 1. 음반해설의 정정
• 2. 상사별곡과 평조회상의 선율비교
• Ⅳ. 歌詞의 전승
• 1. 권번에서의 歌詞 전승
• 2. 이왕직 아악부에서의 歌詞 전승
• Ⅴ. 歌詞 반주음악의 변화
• Ⅵ. 맺음말
• [참고문헌]
• Abstract