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      페터 바이스의 중기 연극과 68운동의 현재성 = Peter Weiss’s Mid-term plays and Actuality of 68 Movement

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      https://www.riss.kr/link?id=A105908753

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      다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

      This article aims to illuminate the plays of the German playwright Peter Weiss in light of the age of the ‘60s’ in celebration of the 50th anniversary of the ‘68 movement’. The ‘68 Movement’ is a political and social movement aimed at revolution of consciousness. In many capitalist countries, struggles against dictatorships, state repression, and colonization were also marked by protests in 1968, in the socialist countries there were also protests against lack of freedom of speech and violation of other civil rights by the Communist bureaucratic and military elites.
      Peter Weiss has a great interest in alternative theatrical experiments, which he sympathizes with the ideas and ideals of the 68 movement. Especially, the cultural orientation of the avant-garde theater and political theater in the sixties towards the coordination and solidarity leaves a distinct imprint on Weiss’s persistent efforts to find the ideological coordinates of artistic alternatives and social changes. The artistic novelty and radicality of the dramatic form, and the multi-layered polyphony of the dramatic structure coincide with the direction of the 68 movement that pursued the unification of ‘resistance’ and ‘aesthetics’. In the context of the ‘60s’ efforts to read can gain legitimacy. In this sense, the attempt of this thesis to read Weiss’ 3 plays in the context of the ‘60s’ can gain legitimacy.
      This paper attempts to derive the problem of intellectuals and power in the era of radical reformation through the dialogues of characters in Peter Weis’ midterm theaters. Through the conversations of these intellectuals-artists who actually participated in the revolution, we can discover the lessons that the idea of the 68 movement gives us in ‘now and here’.
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      This article aims to illuminate the plays of the German playwright Peter Weiss in light of the age of the ‘60s’ in celebration of the 50th anniversary of the ‘68 movement’. The ‘68 Movement’ is a political and social movement aimed at revo...

      This article aims to illuminate the plays of the German playwright Peter Weiss in light of the age of the ‘60s’ in celebration of the 50th anniversary of the ‘68 movement’. The ‘68 Movement’ is a political and social movement aimed at revolution of consciousness. In many capitalist countries, struggles against dictatorships, state repression, and colonization were also marked by protests in 1968, in the socialist countries there were also protests against lack of freedom of speech and violation of other civil rights by the Communist bureaucratic and military elites.
      Peter Weiss has a great interest in alternative theatrical experiments, which he sympathizes with the ideas and ideals of the 68 movement. Especially, the cultural orientation of the avant-garde theater and political theater in the sixties towards the coordination and solidarity leaves a distinct imprint on Weiss’s persistent efforts to find the ideological coordinates of artistic alternatives and social changes. The artistic novelty and radicality of the dramatic form, and the multi-layered polyphony of the dramatic structure coincide with the direction of the 68 movement that pursued the unification of ‘resistance’ and ‘aesthetics’. In the context of the ‘60s’ efforts to read can gain legitimacy. In this sense, the attempt of this thesis to read Weiss’ 3 plays in the context of the ‘60s’ can gain legitimacy.
      This paper attempts to derive the problem of intellectuals and power in the era of radical reformation through the dialogues of characters in Peter Weis’ midterm theaters. Through the conversations of these intellectuals-artists who actually participated in the revolution, we can discover the lessons that the idea of the 68 movement gives us in ‘now and here’.

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      참고문헌 (Reference)

      1 Strue Packalén, "Zukunftshoffnung in der Vergangenheit. Peter Weiss’' Hölderlin im Spiegel der Kritik in Ost und West" 1991

      2 Herbert Marcuse, "Triebstruktur und Gesellschaft" 1979

      3 Peter Weiss, "StückeⅡ" 1977

      4 Peter Weiss, "StückeⅠ" 1976

      5 Peter Weiss, "Rekonvaleszenz" 1991

      6 Robert Cohen, "Peter Weiss In Seiner Zeit" 1992

      7 Arnd Beise, "Peter Weiss" 2002

      8 Peter Weiss, "Notizbücher 1971-1980" 1981

      9 Peter Weiss, "Notizbücher 1960-1971" 1982

      10 Ingrid Gilcher-Holtey, "Die 68er Bewegung. Deutschland-Westeuropa- USA" 2001

      1 Strue Packalén, "Zukunftshoffnung in der Vergangenheit. Peter Weiss’' Hölderlin im Spiegel der Kritik in Ost und West" 1991

      2 Herbert Marcuse, "Triebstruktur und Gesellschaft" 1979

      3 Peter Weiss, "StückeⅡ" 1977

      4 Peter Weiss, "StückeⅠ" 1976

      5 Peter Weiss, "Rekonvaleszenz" 1991

      6 Robert Cohen, "Peter Weiss In Seiner Zeit" 1992

      7 Arnd Beise, "Peter Weiss" 2002

      8 Peter Weiss, "Notizbücher 1971-1980" 1981

      9 Peter Weiss, "Notizbücher 1960-1971" 1982

      10 Ingrid Gilcher-Holtey, "Die 68er Bewegung. Deutschland-Westeuropa- USA" 2001

      11 Herbert Marcuse, "Der eindimensionale Mensch" 1967

      12 Manfred Haiduk, "Der Dramatiker Peter Weiss" 1977

      13 Jürgen Grimm, "Das avantgardische Theater Frankreichs 1895-1930" 1978

      14 김겸섭, "68혁명과 현실부정의 연극 - 페터 한트케의『횔덜린』을 중심으로" 한국뷔히너학회 (25) : 47-74, 2005

      15 Nobert Frei, "1968, München"

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      학술지 이력

      학술지 이력
      연월일 이력구분 이력상세 등재구분
      2026 평가예정 재인증평가 신청대상 (재인증)
      2022-03-24 학술지명변경 한글명 : 문화와 융합 -> 문화와융합 KCI등재
      2022-03-16 학회명변경 영문명 : The Korean Society of Culture and Convergence -> The Society of Korean Culture and Convergence KCI등재
      2020-01-01 평가 등재학술지 유지 (재인증) KCI등재
      2017-01-01 평가 등재학술지 선정 (계속평가) KCI등재
      2015-01-01 평가 등재후보학술지 선정 (신규평가) KCI등재후보
      2014-03-04 학회명변경 한글명 : 문학과언어학회 -> 한국문화융합학회
      영문명 : Munhak Kwa Eoneo Hakhoi -> The Korean Society of Culture and Convergence
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      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0 0 0
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
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