老子 的押韻和論理展開方式的關係 ―郭店本 老子 甲組為例― = The Relationship between the Rhymes and the Logic Development Pattern of “Laozi”

다국어 초록 (Multilingual Abstract)

“Laozi” shows a peculiar property when compared to other pre-Qin literature in respect of rhymes. Amongst the present “Wang Bi (王弼) edition” of “Laozi”, comprising 81 chapters, above half of sentences have rhymes, and this leads to the readers accept “Laozi” as a philosophical poem. This feature tell us that we must follow a unique methodology when we study the “Laozi” in philological approach. Upon the findings described above (especially the rhyming phrases), this article discusses about the relationship between the rhymes and the logic development pattern, as appearing in the “Laozi” Group Jia(甲組) of Chu bamboo strips. Following is the findings of this study: There exists a relationship between the rhymes and logic development pattern in the chapters containing rhymes.
There are relatively large numbers of discrepancies between the rhymes of the edition excavated from Guodian (郭店) and the present edition. These may be because of copying errors, but some of them may be the presentation of the differences of versions.
From the point of view of the rhymes, logic development patterns of “Laozi” can be classified into three types: tripartite (initial part as introduction of a chapter, development parts as deductions or inductions, and final part as summary of the statements of previous parts and conclusion), bipartite (omitting the development parts, directly concluding the chapter), and “statement listing” type where there is no meaning in rhyme.

다국어 초록 (Multilingual Abstract)

與有押韻的其它先秦文獻相比，老子 一書顯得格外特別。傳世的王弼 老子 注本共八十一章，其中有 韻語的佔了大半，這種情況足以讓人把 老子 看成是一種哲學詩。這特點告訴我們，若要從文獻學角度研 究 老子，就得使用某種特別的方法。考慮到以上特點(尤其是韻語)，本文將以楚簡 老子 甲組為例，對 其押韻與論理展開方式的關係進行研究。通過這樣研究，可知以下的幾個點： 1) 老子 中含押韻篇章的押韻情況與論理展開方式，互有相關。 2) 郭店本的押韻情況同傳世本相比不同之處較多，可能有轉抄的問題，有的地方呈示出版本的差異。 3) 從押韻角度看來，老子的論理展開方式分成三種：“開頭部分是一章節的導入部分，展開部分是演繹或 歸納論理部分，結尾部分綜合展開部分的陳述做出結論”的三分式；省略了論理展開，直接進入結尾部 分的“兩分式”；押韻無意義的“各句並列式”。

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