Consciousness, performing arts and literature : trajectories, 2014-2018

목차 (Table of Contents)

• CONTENTS
• Introduction = vii
• Part One : Dance and Consciousness
• Chapter One : Professorial reflections : informal discussions and reflections / Barbara Sellers-Young ; Daniel Meyer-Dinkgräfe = 2
• Chapter Two : Spirituality in Aurelia Baumgartner’s Tanzphilosophie = 15
• Chapter Three : Dancing horses and reflecting humans = 38
• Part Two : Opera and Consciousness
• Chapter Four : Werktreue and Regieoper = 54
• Chapter Five : Holistic experience of opera and the International Opera Theater (IOT) = 74
• Part Three : Theatre and Consciousness
• Chapter Six : Liveness: Phelan, Auslander and after = 100
• Chapter Seven : Performance as philosophy : the universal language of the theatre revisited / Daniel Meyer-Dinkgräfe ; Anita S. Hammer = 116
• Chapter Eight : In Transit : Wajdi Mouawad’s Scorched in Bremen, Germany as theatre of anticipation / Yana Meerzon ; Daniel Meyer-Dinkgräfe = 136
• Chapter Nine : Consciousness studies and evolutionary biology in Stoppard’s The Hard Problem / Daniel Meyer-Dinkgräfe ; Gregory Tague = 148
• Chapter Ten : Science in Lucy Prebble’s The Effect = 163
• Chapter Eleven : Ethical considerations of casting children in plays with “adult themes” = 175
• Chapter Twelve : Towards a theatre of the heart = 188
• Chapter Thirteen : Intercultural differences and universality of creating and perceiving beauty through／in performance / Daniel Meyer-Dinkgräfe ; Tanatchaporn Kittikong = 210
• Part Four : Practice as Research
• Chapter Fourteen : Theatre without conflict : practice as research = 228
• Chapter Fifteen : The View Across the Bay : A novel = 256
• Bibliography = 387
• Contributors = 404
• Index = 406