황순원 소설과 김동리 소설에 나타난 문학적 애도의 양상 비교 연구

다국어 초록 (Multilingual Abstract)

Hwang Soonwon and Kim Dongri, the two maestros of Korean literature, wrote novels based on the same incidents and objects with different points of view. Identifying the differences can help to thoroughly examine the width and depth of the variety of Korean Modern Literature. Based on the theory of Julia Kristeva`s ‘abjection’, this article (a) investigates the differences in how the two authors novelize the pain of experiencing the death of one`s child, (b) examines how the differences in these styles become mirrored in their works throughout their lifetime, and (c) attempts to clarify the structure of Hwang and Kim`s subjectivity by analyzing the differences in how they represent the socially lowly people. Hwang senses fear in his child`s corpse and develops his novels based on the feeling of “embarrassment” arising from his rejection of the corpse. On the contrary, Kim embraces his child`s corpse with relentless sadness and develops his novels based on the feeling of “shame” arising from his search for a Christian or Shamanism deity. Hwang`s experience serves as a opportunity for questioning the ‘abjection’ mechanism itself, and Hwang, in his later life, creates female characters in novels that explore and embrace the ‘abject’. Kim`s feeling of “shame” seems to have manifested from the struggle of trying to understand the absolute uncertainty of death as a certainty. Through his search for certainty, Kim develops his novels by rejecting the ‘abject’ that produces uncertainty.

참고문헌 (Reference)

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