현대의상 직물 문양에 조명된 신인상주의 색채 표현에 관한 연구 - 1987년부터 1991년까지 - = A Study on the Color of Neo - Impressionism on the Fabric Pattern of Modern Fashion - From 1987 To 1991 -

다국어 초록 (Multilingual Abstract)

A standpoint art`s style, present-day Western dress was establishing a systematic, theoritical value in sphere of fine art`s meaning & it`s expression on the modern fashion. For this reason, I selected Impressionism (a broad senes: he included Impressionism, Neo-Impressionism, Post-Impressionism) that was designated `the revolution of color`. In the previous paper, I already discussed about the modern fashion under the influence of the color of Impressionism, from this study, Neo-Impressionism`s techniques & it`s influence on the modern fashion was investigated. The Impressionists had purposely used uneven brushwork & a vivid palette to transmit the intensity & immediacy of nature, whereas the Neo-Impressionists utilized methodically applied dots, a technique commonly described as Pointillism, to achieve their rationalist goal of eliminating the fugitive & the casual in order to seize a more fundamental reality. Of all them, Seurat had already become interested in the posible analogies between science, music & psychology on the on hand & art on the other, and scientist`s books & articles offered a wealth of theoretical support. Particulary, it was corroborated that effects of sadness, calm, or happiness could be achieved through manipulation of color & design. The conclusions are as follow: 1. Through the modern fashion, a space between pattern & pattern was reflected unstable balances & harmonies, that, Neo-Impressionist emphasized the distinction between outdoor & subject, between elaborately clothed & nude figures, corresponded to modern fashion`s pattern. 2. The modern fashion was presented a small border or band within the pattern itself which colors complemented those of the adjacent pictorial surface and mediated bwteen the painted image & its enclosure.